MARY ASTOR
Interesting to read through the reviews here and see how strongly Mary Astor clicked with so many viewers.
Astor began her film career as a beautiful teenager opposite John Barrymore in the mid-1920s and when sound came in she developed into a fine actress, memorable opposite Gable in RED DUST (1932) and in films such as DODSWORTH (1936). Her last major leading role was as the deceitful Brigid O'Shaughnessy in THE MALTESE FALCON (1941), but rather than the Best Actress Oscar Nomination she should have received, she was nominated for - and won - Best Supporting Actress for THE GREAT LIE in which she and Bette Davis had a grand time (she said that Davis handed her the film on a silver platter) - she herself the award should have been for Brigid. Shortly after the Oscar she signed with MGM, whcih turned out to be something of a mistake, as they definitely considered her "supporting" and moved her into supporting or character roles (such as Judy Garland's mother in MEET ME IN ST. LOUIS). She's excellent in a film noir thriller from 1949 directed by Fred Zinnemann, ACT OF VIOLENCE, as a faded prostitute who tries to help Van Heflin.
What makes Astor's performance as self-righteous Mrs. Carter all the more interesting is that Astor's off-screen life was often turbulent, riddled with affairs, multiple marriages, and alcoholism, including a messy divorce/custody battle during which her supposed diary came to light, with intimate details about Astor's love-life and lovers, including playwright George S. Kaufman. Undoubtedly all of these things add shading and color to Astor's performance. She's also a pleasure to watch in her final film appearance as Jewel Mayhew in HUSH...HUSH, SWEET CHARLOTTE (1964) - she has two scenes and makes the most of both.
"...don't let's ask for the moon - we have the stars!"