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A Real Oddity: Perfectly Awful Yet Frank


SPOILERS

A tawdry, potboiler and message film, "Look In Any Window" tackles some shocking topics for the era: marital infidelity, alcoholism, impotence, voyeurism, homosexuality and materialism with a side of commentary about the loss of individualism and privacy in the new American TV culture.

The pseudo-psychiatric script, however, wavers between passable and laughable dialogue. Double entendres abound, including this exchange following an attack by the troubled teen (Anka)on a shapely teen neighbor (Perreau);

FATHER: He didn't hurt you... anyplace... else?
DAUGHTER: No, just in the backyard.

The main character, a troubled teen in a disintegrating home, is seen the least. It's the parent's maneuverings on center stage, and what a bunch. No wonder the poor kid does what he does.

This film has a lot of courage in presenting material painting the suburbs - The American Dream - as less than perfect. In 1961 Kennedy's idyllic Camelot was in full swing. Except Kennedy was schtupping Marilyn (et al) - allegedly right in the White House. The Press, unlike today, knew and respected the Office more than a sensationalistic byline. How different America might have been if the curtain had been pulled back on JFK.

In a weird way it's an amazing timepiece offering a small view into America's darker soul. And it ain't that pretty.

Two future Rock Stars fathers have roles, David Cassidy's Dad Jack (his first film role) and Micky Dolenz Dad George.

As the then contemporary Rat Pack might have said, "Kooky!"

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marital infidelity: check

alcoholism: check

impotence: yes, caused by drinking too much, check

voyeurism: check, check, check

materialism: check

homosexuality: wait, did I miss something? Who was gay?

"With a side of commentary about the loss of individualism and privacy in the new American TV culture." Yes, it was all the rage back then for academia to criticize middle class mores as being lowbrow and culture destroying. They would rather them all live in their parent's inner city post wartime attics and basements reading Friedrich Nietzsche rather than scratch together a G.I. loan and buy a plot in suburbia.

"Psychos do not explode when sun light hits them, I don't give a *beep* how crazy they are!"

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At about 34 minutes into the film there was a short inconsequential scene where a gay man is looking for his dog. The two police officers were on stake-out before the July 4th party. The officers saw a man in a tee-shirt go down a back yard alley. They thought they found the peeping tom lurking around but it was just this man calling for his dog, Chico.

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Ah, yes. I remember now.

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I have just watched this movie. I must have blinked about three or four times while watching it - I saw absolutely nothing about homosexuality at all.

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The two cops, obviously.

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These homophiles insist on seeing homosexuality in everything even if it is not there. I suspect it is the two cops who were going to grab a shower and turn in for the night. That is a dead give-away, right?

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Please. I am gay and I didn't see anything about gay people in this movie. Those who are did are those "straight" guys always talking about and obsessed with gay guys. It is a serious problem.

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The timing is off for this to be a Camelot tale of terror. Kennedy was sworn in about the time Look in Any Window was released. This movie is certainly a more realistic portrayal of suburban life than Donna Reed. The pool party looks more Fire Island than suburbs (open shirts and short shorts on the men) - maybe all the men were gay!

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TBH I did wonder if the boy Craig were gay up to the point where he almost rapes Eileen.

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