Ponder this: Is Karen gay?


When Audrey walks away from the town after the funeral, past even her fiance... she's fed up with the acidic gossip, with the vicious townspeople, devastated by Martha's death... but is there another reason, too? Has she found the same truth inside herself? I've heard people mention it time and time again and was sure it'd be discussed here, but I guess not. So -- what do you think? Did Karen realize she was a lesbian as well... did she realize her feelings for Martha a moment too late?

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Hmm...interesting point, but I don't think so. I mean her life has been destroyed and she's lost everything because of a lie, because of nothing at all...I don't blame her for just leaving.

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Certainly a good point...I've always thought the same thing. At the end when Audrey is walking away, she is smiling...of course this doesn't me anything but I would think William Wyler wanted Audrey to smile at the end to make the audience think...Good question though.

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I don't think so, because in the scene where she and Joe are in the car, Karen looks WAY too much in love with Joe. I think there was a question of whether Martha was really a lesbian or just imagined herself as one after the rumors started. I think she really was a lesbian because of her frustration and irritability in watching Karen fall in love with Joe. I have a feeling that if Karen really was a lesbian, Audrey might have been too frightened for her reputation to take the role.

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If you've seen The Celluloid Closet, Shirley Maclain says that her nor Audrey ever discussed the Lesbian aspect of the movie and Shirley goes on to explain the whole seen where Martha tells Karen the truth...therefore Martha was a lesbian.

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I don't think Lillian Hellman looked at it like that. I don't believe she saw the idea of Lesbianism and homosexuality in terms of black and white. I think that's what the play (and therefore the film version) is about. It's about questioning conventions and understanding boundaries, if there are any. I have read the play but not yet seen the movie. I hope to someday since I have a great admiration for the actors involved and for William Wyler. I believe the play, though, is one of the best plays ever written and Lillian Hellman one of the best playwrights of the 20th Century. I think Audrey Hepburn walking away from Martha's funeral at the end (as it has been referred to since I have not seen the film yet) means that she is rejecting the town and their conventions because they destroyed a person's life. A person she loved, whether sexually or non-sexually. She is essentially calling the townspeople murderers. But, as I have said, I have not yet seen the film version and only read the play. But I thought I would throw in my two cents and give some thoughts to the discussion.

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No, Audrey was apparently completely unsqueamish about the whole idea of the film so I don't think she would fear for her reputation if Karen was a lesbian. It's controversial, yes, but from what I hear, Audrey was not even remotely afraid of what people would think of the story the film told.

~Jo

I love Jesus !
Audrey Hepburn <3 You are missed.

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She didnt look that in love with him actually, whos to say she didnt imagine she was straight because thats all people are shown their whole lives? She definitely seemed to be conflicted after realizing that women can be together. Id just say they are both bi

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I had the feeling through out the majority of The Children's Hour that Karen was in deep denial regarding her lesbianism. Yet in the revelation scene with Martha she acted completely suprised by Martha's feelings of sexual desire. Personally it would have worked better if Karen was a lesbian as the theme of self - guilt and denial would have enhanced.

"I'd rather be hated for who I am, than loved for who I am not".

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I don't think so....there was never any indication that she reciprocated Martha's romantic feelings for her, though she truly loved Martha in a platonic way. I think that Karen comes away realizing that Martha, not her fiance, was the one who truly loved her and that she should now go forth and find that kind of pure love on her own. The episode has made her pro-homosexual, but not gay.

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I think that Karen comes away realizing that Martha, not her fiance, was the one who truly loved her...

I think this is an excellent point. I never thought of that before, but it is plain to see that Joe really didn't care for her as much as one would think... I think that's one of the many subtexts in the movie/play... It's interesting to ponder. Awesome comment.


sometimes you make me feel like i'm living at the edge of the world...

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This guy stuck by her through thick and thin, against his family, after he lost his job, through everything. He only asked her if it was true when she goaded him, because SHE couldn't live with it, not because HE couldn't. The person who was doing the not-caring-much, was Karen. Joe cared about her when the rubber hit the road. He loved her.

Now, I did wonder why he didn't go to her in the funeral scene. Think about it, her prediction that "he wouldn't be back" wasn't true. He was there for her. He was waiting for her to reach out to him. It was Karen who decided not to reach out, for whatever reason.

From a writer's point of view, I think that the reason Karen didn't go to him was that it would have seemed darned disloyal to Martha. Audiences would not have responded well. Martha was a lesbian, and she truly loved Karen and maybe true love needs to be respected.

What ever the reasoning in the author's mind, I thought Hepburn did an incredible job as usual. What a loss. I'm working on seeing all her movies.

I think Shirley Maclaine has improved a lot as an actress over the years. My only familiarity with her to this point was Steel Magnolias. I thought she did her very best acting in the quiet parts of the movie... when she touches Audrey's hand and then realizes that it might be misconstrued--or that she might mean something very different by that touch! The whole confession scene didn't move me, not because she was not voicing what someone in this situation might feel... but because I didn't believe her when she did it. It didn't seem to me like it was HER feelings... and there was too much thrashing around. I can see Martha refusing to look at Karen, hiding from her, but hiding from the camera didn't work.

Anybody know who played the two main little girls, Mary and Rosalee? Of course, children were not listed in the credits back then. The actress who played Mary seemed really familiar... like she might have played the mean child on other shows as well. Too bad, because her acting really wasn't all that good. Of course, it is hard to play a really spiteful child, since children generally don't maintain that badness throughout. They are still children. The littler girl who played Rosalee on the other hand pulled off all those tears and fear very believably. I'd love to know if she went on to have an actual career.

Ah well, I should go back to my regularly scheduled work day. Good movie.

dej

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I agree with you regarding Joe and his feelings toward Karen. I don't think his love or devotion to Karen can be called out--he did nothing wrong. Karen forcing him to ask the question obviously devastated him.

I agree with your thoughts on the writers not wanting to have Karen seem disloyal to Martha, but I think that it also had to do with Karen needing to walk away from the town and everything related to it. She appeared to be at peace with that notion and believed that it was necessary for her to be able to get past this experience and move on. Allowing Joe into her life would have meant re-experiencing some of the pain of losing Martha and the entire situation every time she looked at him. She knew for her own well being she had to distance herself completely. I don't believe (as someone else mentioned on this board) that Audrey would have declined the role if there was any hint Karen was lesbian--Audrey was stronger than the average female in the time and I really don't expect that concern about a public backlash would have influenced her decision.

Apparently Mary was played by Karen Balkin who was also in 1974s "Our Time" and Rosalie was one Veronica Cartwright--her VERY LONG filmography includes playing Tippi Hedron's daughter in "The Birds", "Invasion of the Body Snatchers" and a few appearances on "Leave it to Beaver", among many others... As for unbelievable child performances, you should REALLY check out the 1956 movie "The Bad Seed". Patricia McCormick nails the role of a psychopathic 8 year old girl. She got a Best Supporting Actress nomination for her role.

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I just mentioned that part about Audrey's casting because in Alexander Walker's Audrey Hepburn biography, it was stated in the back notes that Audrey had been offered a role in Richard's Things by Frederic Raphael (screenwriter for Two for the Road) which would have really cast her as a lesbian. It was said that The Children's Hour was, by and large, an unrewarding experience for Audrey and she couldn't begin to think about how to play a real lesbian, so she turned it down-and this was in the late 70s.

Actually, I was wondering if anyone knew what Audrey's feelings were about the gay community, if any. Biographies of her never really talk about this.

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The discussion is this movie role of Karen.It is not Audrey Hepburn.

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Anecdotes about " The Children's Hour " - http://www.brightlightsfilm.com/29/childrenshour1.html

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"The discussion is this movie role of Karen.It is not Audrey Hepburn."

So what? I was just making a little aside. It happens all the time on these message boards. Get over it, my1999.

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I think the point of the movie is that a lie has perverted and ruined what is honest and pure and whole. That the true perversion has nothing to do with sexuality, but with honesty and the way people are treated (and for what reasons). Consequently, the relationship between Joe and Karen needed to be pure because even something "wholeseome" was lost forever to the lie. Karen was right when she said they could never get it back. Not, at least, in the way it was.


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great post

RIP Heath Ledger 1979-2008

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It wasn't the scene where Karen is walking away from the funeral that made me ask this question, it was Karen's reaction to Martha's confession. If Karen had been heterosexual, especially during that time, don't you think she would have felt very uncomfortable towards Martha? Instead, she seemed very accepting, and even still asked Martha to leave town with her.

I think the end of the movie is supposed to leave the viewer guessing.

But one can only wish that Audrey Hepburn's character was really a lesbian. Especially me. I adore her.

And I would also like to know Hepburn's feelings towards the gay community.

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"I think that Karen comes away realizing that Martha, not her fiance, was the one who truly loved her and that she should now go forth and find that kind of pure love on her own. The episode has made her pro-homosexual, but not gay."

I think that is a brilliant observation, but like most everyone else, I did question if Karen questioned herself towards the end. When she walked away at the funeral, right past here fiance, it seems like she's saying that even he is not enough to hold her there. It says to me that what she thought was love with him is in total conflict with the relationship she had with Martha.

At the time I saw the movie, I had never heard of it before and had no idea how it was going to end, so when Karen had left the house walking after she had it out with Martha, it was like you could see the thoughts and questions going thru her head. There were so many questions and such confusing swirling around, and then a realization dawning on her......when she ran back to the house, I thought she was going to confess to Martha that it finally made sense to her, she understood, she could see the truth, and although she wasn't ready to say, "yes, I'm a lesbian," she knew that she had to get out of that town and that it had to be with Martha. Yeah, so it was totally rude awakening to see that Martha was dead. Hard stuff to watch.

So that's my take on it. Did anyone else get the same feelings from that scene of realization?

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I don't know if you're interested in anyone's opinions, since you typed this nearly a year ago...but I don't think Karen was a lesbian. I think if anything she felt extreme pity and sadness because she had no idea where Martha was coming from. She wasn't too surprise when Martha came out of the closet to her, but more than anything she just wanted her to stop hurting. I got the feeling that she embraced Martha as a friend but couldn't do anything to help her or change their situation as they were being forced out of the town.

Weep no more, my lady...sing that song again for me...

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as an interesting sidenote: when they made the original movie version of "the children's hour" (in the 1930s I believe), they took out the lesbian element and did something along the lines of making mary say that martha loved joe cardin. basically they made it a love triangle story and called the movie "these three." and believe it or not, lillian hellman apparently didn't mind the changes because she felt the movie wasn't about homosexuality or sexuality at all for that matter, but rather the evil effect of gossip. so I think that whether karen loved martha back (and I agree with whoever said that she seemed pretty in love with joe) is actually almost beside the point. what matters is what the accusation itself forced them both to say and do.

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I read this idea first in a book called "Audition" and having played the part of Martha onstage myself, I found it an interesting idea. When I was doing the production we never even acknowledged the fact that Karen may also be in love with Martha at one point, but I think it would make for an interesting ending if the audience found out that she did after she commits suicide. Maybe if I direct the play someday I will take it in that direction.

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I prefer the mystery. Everyone walks away with something different.

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First, we must take into consideration that Audrey Hepburn took on the role. Audrey Hepburn is one of the very few actresses in world cinema to ever maintain a spotless reputation, and of course, she has to keep this. She was at first hesitant to take on the role, however, when the role seems fit and she is a straight woman after all in the role, she decided to take it. On the other hand, Shirley MacLaine is a very brilliant actress, and she can take on the more challenging role of Martha.

Second, Karen has been very clean during the film. When Martha finally made her striking revelation, Karen kept on denying it, since she believes that Martha was just influenced by the way Martha puts the whole situation in her. Also, earlier in the film, she was very much willing to leave the school. If Karen were really lesbian, she could not have loved or even noticed Joe in the first place and would be willing to leave her supposed love Martha. But Audrey's character did not do those, and she stuck to the stereotypical role of a straight woman.

In the scene in the cemetery where Audrey walks away, not noticing the people looking at her, was, for me, a scene of defiance. She and the late Martha emerged from the scandal as victors, for Mrs. Tilford has to issue a public apology, retract her statements and reverse the court decision. Karen walked chin up, which gives me this interpretation of the imagery. It was not, for me, the time when she realized that she was also gay, hell not, for if she did, she would have also sulked into one corner like Martha and attempted suicide because of guilt. She smiled because finally, the scandal was over, the damages had been "undone" and she could start life all over again. She also now encourages herself to feel stronger now that Martha was gone, and a smile is the best human expression to convey that thought to the viewers.

All right Mr. de Mille, I'm ready for my close-up...
Regards, THE GODFATHER

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The "Censorship Commission" in Hollywood (I can't recall its real name but it did censor tone and content of Hollywood movies until the late 1960s), played a huge part in what we see on screen.

The original play and film script were much more explicit and ambiguous on the role of Karen's possible sexuality. During filming, the CC discovered the content of the film, and threatened to have it shut down unless the studio altered the script. The script was altered, but the director and actors decided to 'code' their acting to reflect the original script because they believed in the integrity of the original script.

Hence, what we see on screen regarding Karen at the ending could go either way since the coding is very subtle. (One could almost say the Children's Hour is comparable to Fried Green Tomatoes. Many people never realize that FGT is about a lesbian couple because the 'coding' is extremely subtle.)

As for Hepburn's views, it has been ages since I read her biographies. However, that said, even if she turned down a movie to play a lesbian in the 1970s doesn't mean she was anti-gay herself. Even today, many straight actors have gone on record saying they found it very disconcerting to play same-sex couplings even though they themselves are very suppportive of the gay community.

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I believe that the "censorship commission" that you want to say is either the Catholic Church's Legion of Decency, The Production Code or the Hays Office. The Production Code was repealed in 1967, and the Hays Office became a ratings system.

All right Mr. de Mille, I'm ready for my close-up...
Regards, THE GODFATHER

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[deleted]

I really don't think Karen is gay...I think Martha's confession totally rocked Karen's world and confused her to the point of no return. I think she probably wondered if she did anything subconciously or otherwise to encourage these feelings in Martha. Not to mention the guilt she had to feel in what she probably felt was her part in Martha's suicide. I think she loved Martha as a friend but I don't think it went any further than that.

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Everyone is entitled to their own opinion. I firmly believe that Karen wasn't a lesbian. Towards the end when Karen decides to take a walk, I think her expression changes because she realizes what Martha meant when she said she wanted to "sleep." Karen understands that she meant suicide. I also don't think she left her fiance because she was a lesbian. I think that she came to realize that if she married him, it would become nearly impossible for him to ever find a job because of the rumors that would forever follow her no matter where they went. She spared him a life of unhappiness. She made this decision before the judge reversed his. Also, at the end when she walks away from the funeral, notice she doesn't talk to anyone. As if saying, you are all here trying to clean your conscience, but it's too little, too late. She was the only character who could walk away with dignity. I cried for Martha because no one deserves to feel the way she did.

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Best answer yet.

---
Rock and roller cola wars, I can't take it anymore



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