I think there could be an effective remake too - and your choice of actors isn't half bad (except for the Joe part - it needs someone dark and brooding I think, they would play the part differently today).
The trouble with the 1961 version is that it's laughably melodramatic in places - where the old lady falls over and the kid is gurning away on the stairs, I'm afraid I burst out laughing - it was so soap-like (as in Peyton Place kind of soap). Having said that however, when the old lady turns up on the teachers' doorstep to apologise, something utterly incredible has happened to her face - she seems to have physically rearranged her features to reflect the desperate tragedy of what she has to impart. This is acting of the absolute highest order, and of all the actresses alive today, probably only Judi Dench would be able to even get near that. (The original actress had been in films since the mid-30s, experience does count!)
I did feel too, that poor old Karen just didn't get it. When she was walking down the drive, she was shutting her eyes and swallowing in a disgusted kind of way - it was only when she realised what Martha had done that I think she realised the truth, and then of course it was all too late. I also think she underestimates Joe - she can stomp off all she likes, I feel that he will be hanging around whether she likes it or not. (He's sold his house and lost his job, for goodness' sake - I think his love is genuine.) I think the 1961 film places a question-mark over Karen's sexuality (after all, lesbianism was a huge item on its own - I don't think the poor devils could cope with bisexuality as well) - a modern film would highlight this much more.
And just to sign off, I don't know if it's just me, but I'm sure that Audrey Hepburn has the most perfect jawline ever seen on film, and it looks better in this film than I've ever seen it! (And she suits black & white so much better than colour imho.)
reply
share