Suzie Wong and Holy Golightly
it occurred to me in the days after viewing this film that it bears a rather stunning resemblence to a more famous film that came out the next year: "Breakfast at Tiffany's".
- Every country had it's "Audrey Hepburn" in those days. Jean Simmons was the English Audrey Hepburn. Leslie Caron was the French Audrey Hepburn. Pier Angeli was the Italian Audrey Hepburn. Maggie McNamara or perhaps Millie Perkins were the American Audrey Hepburns. Myoshi Umecki was the Japanese Audrey Hepburn. France Nuyen was the French/Vietnamese Audrey Hepburn. Nancy Kwan was the Chinese version.
- Suzie Wong is a girl from a poor background who puts on a veneer of sophistication. So is Holly Golightly. Both are "phonies" yet profess to hate "phonies".
- Both are bad girls. Suzie is overtly a prostitute. Holly is by implication. At least she's a gold digger. Both would like to marry a rich guy. But both actually have pretty basic values and are very charming, not hard-boiled.
- Suzie has her child: Holly has her cat. Children are more important than cats, but bear with me on this. Suzie loses her child. Hollie tosses away her cat and gets it back. Both are seminal moments and lead toward a realization of who Suzie and Holly really are and a greater contentment with that.
- Suzie is in love with a conflicted but understanding artist. Hollie is in love with a conflicted but understanding writer. Both men have rather stuffy romantic alternatives.
- Both stories take place in cities that are among the most vital and interesting places in the world. the cities become almost a character in the script.
You wonder if one story was influenced by the other or if the writers just happened to come up with similar stories by coinsidence.