MovieChat Forums > The Time Machine (1960) Discussion > The Eloi 'Moron' Dinner Table

The Eloi 'Moron' Dinner Table


Did anyone else notice that of all the Eloi dinner tables, George (Rod Taylor) just happens to get a seat at a table full of insolent dullards? I mean, the Eloi at the other dinner tables in the background are all talking, laughing, and having a good time. But the Eloi at George's table all just sit there silently eating and act like they're doing George a favor by replying to his attempts at conversation.

If I had been George, I think I would have asked the maître'd for a seat at a better table.

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What I'd like to know is, who set the tables? Who put the fruit in the bowls, set the unbreakable plates and goblets, and filled the water pitchers? It sure as hell wasn't the Eloi. And if one assumes that those non-volitional screwballs show up to eat more often during the day than just before sunset, who refreshes the tables between meals? It's too bright up there for Morlocks to bus the tables between meals.

Perhaps the tables descend through the floor by some mechanism, into the darkness below, and ascend when it's done. It doesn't look likely, though. The floor of the Great House is painted with stripes that make it look like it was built on a parking lot, and the tables don't look like they're designed to descend. (I know who does it - the set decorator! )

§« The Sleep of Reason Produces Monsters. »§

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Ummmmmmmmm...no. Sorry, but that's a job for the CATERER.

!!!

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Maybe many of the Morlocks were caterers before the apocolypse forced them underground. I mean, they're cannibals, so theoretically that could have been caused by not eating the food they prepared. Yeah, morlocks = underground, cannibalistic, former caterers.

Well, that's what I heard it said in the book...

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Yeah, morlocks = underground, cannibalistic, former caterers

Awesome!

Ps. With a jillion emoticons here, there must be a "thumbs up". Anyone know how to do it?

... and the rocks it pummels. - James Berardinelli

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The floor of the Great House is painted with stripes that make it look like it was built on a parking lot,

I thought the same thing when I saw the movie. So I checked the IMDb trivia. It *WAS* built on a parking lot!

The weed of crime bears bitter fruit.
-The Shadow

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I want to know what they do if it is raining. The place had no roof after all.

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According to the trivia it WAS built on a parking lot!!They couldn't be bothered to alter it!

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My ubersmart guess is... robots. The Morlocks have Robots. Robots set the tables.

That or the "Third race" that George never met, who work for the Morlocks.

Or the smarter Eloi and not the dullards at Georges Table. He got unlucky and sat witht he slob Eloi.

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Actually the dining hall set WAS built on a car park or parking lot according to the film trivia!!

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You made a similar remark on (Wed Aug 18 2010 14:46:16). Did you forget?

§« The Sleep of Reason Produces Monsters. »§

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Sinility creeping in at the age of 50...sorry!

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This is a little off-topic, but I'm watching the movie right now and something jumped out at me that I hadn't noticed in any of my many previous viewings.

When George is at the table talking to the Eloi and being ignored, he tries to explain that he has many questions to ask. One of the Eloi finally responds and asks why.

George says that he wants to take the answers back to his time and share them with others. One thing he wants to know is, "What kind of government rules your world?"

Rules? Yep, that's right. H.G. Wells was a socialist.

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Ah, you're reading too much into it. There's little of the actual H.G. in this George Pal film, particularly interactions with the Eloi, who spoke a babbling, almost musical language the Time Traveler couldn't understand. "Rules" is intended as an expression.

Besides, I wasn't aware that socialism had any corner on such a term.

If one were going to theorize along this line, one could just as easily note that George was a subject of Her Majesty Queen Victoria. Using the word "rules" would more naturally occur to someone living under a monarchy than to a socialist.

Are you sure you're not just an American right-winger recreationally "socialist-spotting," or at least spotting out what you take for socialism?

Of the conversation you're commenting on, what always struck me as odd was 1st Eloi's response to George's question: "Government? We have no government."

In the absence of government, how would he know what government was, to be able to say that they have none?

§« The Sleep of Reason Produces Monsters. »§

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Of the conversation you're commenting on, what always struck me as odd was 1st Eloi's response to George's question: "Government? We have no government."

In the absence of government, how would he know what government was, to be able to say that they have none?


A point worth pondering. I'd say a few of things:

#1) He doesn't say "Government?" He simply says, "We have no 'government.'" In other words, he doesn't seem completely unfamiliar with the concept, either because he's not completely ignorant of history or other societies beyond the Eloi, or he picked up on some things within George's line of questioning, which brings me to my next point.
#2) He might have based his answer on the context of George's question: "What kind of government rules your world?" By the question alone, it can be deciphered even by a simpleton what a government is/does. (I would tend to go with this possibility more than my possibility outlined above in #1.)
#3) As is clear and has often been discussed, of course, the film often isn't too concerned about particulars (how the time machine works, how people would be speaking essentially the same English after 800,000 years, etc.) but rather poses broader philosophical questions about human nature, future, destiny, and time itself. That the response is likely for someone who lives in a place where there is no government, ultimately, is immaterial in the larger scope of the film.

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#1) He doesn't say "Government?" He simply says, "We have no 'government.'" In other words, he doesn't seem completely unfamiliar with the concept, either because he's not completely ignorant of history or other societies beyond the Eloi, or he picked up on some things within George's line of questioning, which brings me to my next point.
#2) He might have based his answer on the context of George's question: "What kind of government rules your world?" By the question alone, it can be deciphered even by a simpleton what a government is/does. (I would tend to go with this possibility more than my possibility outlined above in #1.)
#3) As is clear and has often been discussed, of course, the film often isn't too concerned about particulars (how the time machine works, how people would be speaking essentially the same English after 800,000 years, etc.) but rather poses broader philosophical questions about human nature, future, destiny, and time itself. That the response is likely for someone who lives in a place where there is no government, ultimately, is immaterial in the larger scope of the film.


#4) Sloppy script writing. Lack of attention to common sense and logic. Another one of the many problems with this film. Of course this kind of thing is prevalent in movies -- especially science fiction it seems. Show the audience a pretty face, some action, etc. but don't spend money on intelligent writing.

I think that most serious published science fiction would have had dialog more like...
"What kind of government do you have?"
"Government? What's Government?"

By the way, I'm pretty sure that question was not in the original story. Partly because the Eloi didn't speak English like in the movie.
conveys the meaning much more directly and clearly and believably that saying they don't have any.

... and the rocks it pummels. - James Berardinelli

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Sloppy script writing.


I don't think that the film was intended for a detail oriented and discerning audience of adults. George Pal was just trying to weave a story for younger audiences and that is why the film still retains much of it's charm.

If people can enjoy the idiocy of "ET", surely they might warm to THE TIME MACHINE w/o using a critical eye all through the film.

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I don't think that the film was intended for a detail oriented and discerning audience of adults. pal was just trying to weave a story for younger audiences and that is why the film still retains much of it's charm.
I'm sure you're right.

By the way, I didn't like E.T. either. Love Blade Runner.

Cheers

Ps. I may be overly critical because I had read the H.G. Wells story before seeing the film. I've spoiled a lot of movies that way.

... and the rocks it pummels. - James Berardinelli

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I'm sure you're right.
Thanks! I liked Blade Runner, too.

Although people are asking some good questions on here, the amount of 'problems' people have with the film distresses me.

I do not think I have read the book. I'll look on line.

fwiw - I saw George Pal in person once at a film festival back in the late 70's. He appeared and they ran THE WAR OF THE WORLDS and some of his early animated shorts. He was very amused when the Los Angeles audience that night applauded and cheered as the Martians destroyed the LA City Hall! He said that that was a first for him. Haha!

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It's a good story -- a classic actually. Though it's a bit preachy for me in places. And of course it was written in 1895, so that's a factor. Hope you like it. It's not long at all as "books" go.

... and the rocks it pummels. - James Berardinelli

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It is on line...in two different and published at the time versions!

http://en.wikisource.org/wiki/The_Time_Machine

I am not partial to reading stories and novels on line. We'll see!

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http://www.gutenberg.org/ebooks/35

You can download various formats from the above link, including for ebook readers if you have one.

... and the rocks it pummels. - James Berardinelli

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http://www.gutenberg.org/ebooks/35
You can download various formats from the above link, including for ebook readers if you have one.

... and the rocks it pummels. - James Berardinelli

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Thx for the info!

http://www.gutenberg.org/ebooks/35

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>What I'd like to know is, who set the tables? Who put the fruit in the bowls<<

Excellent question.

Like any good farmer/rancher, they have to take care of their livestock. The only difference was that they had to do their above ground chores at night. During the night, the Morlocks came out to tend to their crops, set the food out, whatever it might be. Under the ground they could have done other chores that needn't be done above ground, like weave and sew the Eloi's clothes, and breed them. The Eloi were their domesticated livestock.

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Gee - four replies, four email notifications, and only the last reply remains. What gives?

In the novel, the Morlocks did their above ground chores at night. But in the Pal film (which does things differently; this isn't the only instance), the Eloi ate more than once a day, with the tables being refreshed between meals. Additionally, they closed themselves inside the building at night. If the Morlocks were creeping in there amongst them as they slept (as in the novel, when they did their culling), the Eloi would know it - and there would be little point to closing the doors to the outside.

Four years ago, I speculated that the tables descend into the floor, where they're bussed and restocked more than once a day. But perhaps it's a quirk of the film, it doesn't make sense, and it's ultimately pointless to ask.

§« The Sleep of Reason Produces Monsters. »§

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>the Eloi ate more than once a day, with the tables being refreshed between meals.<

Breakfast-covered

Lunch/Supper?

That's a problem.

>Four years ago, I speculated that the tables descend into the floor, where they're bussed and restocked more than once a day.>

It works for me. The Morlocks had technical know how, worked with machines, lowered the floor while the Eloi were out and about, and if one or two Eloi was dawdling there, it was one more the Morlocks didn't have to hunt.

If they really wanted to, they could lower the floor whenever they wanted to catch Eloi, in daylight.

But what's the fun in that?

The Morlocks had to enjoy hunting, and when they got tired of that, or when they didn't get the numbers they needed, they just hypnotized them with the air raid siren.

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He didn't "happen" to sit next to dullards. They were just silent because of his presence. Any other group would've done the same if he joined their table.

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They were just silent because of his presence

I can't buy that. They didn't show any emotion whatsoever -- fear, suspicion, awe, anything. they were practically oblivious. Of course asking why something happened in this movie is really kind of pointless since nearly every answer is related to decisions -- mostly poor in my opinion -- that the writer(s) and/or director made. In this case, I think he just wanted to frustrate the hero, and maybe the audience, too. given their behavior at the river, I would expect all the tables to be silent and devoid of emotion.

... and the rocks it pummels. - James Berardinelli

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Did anyone else notice that of all the Eloi dinner tables, George (Rod Taylor) just happens to get a seat at a table full of insolent dullards? I mean, the Eloi at the other dinner tables in the background are all talking, laughing, and having a good time. But the Eloi at George's table all just sit there silently eating and act like they're doing George a favor by replying to his attempts at conversation.


Yes, and not only that, when he first encounters the Eloi by the river, he witnesses them laughing, playing, conversing, and even skipping and holding hands. It seems rather impossible for humans to bond to such an extent to partake in such activities and then be completely apathetic when one of their own is in danger (drowning). Perhaps they had been so conditioned with their evolution at the mercy of the Morloks, but it does seem unlikely if not impossible. Again, another aspect of the film that seems implausible but is there to help make larger philosophical points.

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Did anyone else notice that of all the Eloi dinner tables, George (Rod Taylor) just happens to get a seat at a table full of insolent dullards?

Yes, my wife and I did notice that. One of many, many problems with this movie.

... and the rocks it pummels. - James Berardinelli

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Could be they were particularly reticent because they weren't used to strangers. But then it's true that they had been bred by the Morlocks for passivity (and lack of curiosity, no doubt).

Regarding the young man who reacts when George pulls Weena out of the file in the Morlocks' underground caverns---I wonder if he had been preselected as her mate? Or perhaps he just likes her. (That was my first thought, though his inbred passivity had prevented him from taking action when she was in danger of drowning.) In any case, I don't think he stands much chance with Weena with Rod Taylor around, LOL!! (Assuming those two continue their canoodling.)

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