Agreed with the rest of the thread here.
Hitchcock himself called it a horror film, and it stands with The Birds as maybe the only such two in his canon. Frenzy -- such a unique thriller in ALL regards, says I -- is horrific in content without ever quite going the distance to feeling like a horror film.
But Psycho does. Above all: that house. That house. That HOUSE.
Some say that Psycho doesn't became a horror movie til Marion gets in that shower. I say it becomes a horror movie about 20 minutes earlier: when we first see That House. (I believe this is almost dead-on at the 30 minute mark, I may be wrong.)
The motel is more modernistic, but its isolation becomes the Stuff of Horror when the shower scene happens.
Other horror elements: Mother as a Monster(when she kills); Mother as a Skull-Faced Zombie(in the fruit cellar.) And, in a big way: the swamp. That's horror terrain.
The two murders are basically horror scenes. Especially in 1960. These aren't murders. Marion and Arbogast aren't shot or hit on the head or something quick and elegant like that. They are stabbed. Repeatedly. With the World's Biggest Butcher Knife. They are SLAUGHTERED. By an obscenely strong and vicious old woman(she's the stuff of nightmares.) In scenes staged cut and SCORED to make us jump and scream. That's horror.
All that said, Psycho benefits from its "hybrid status." I'd say horror is the overriding genre, but it is also a noir, a robbery thriller, a Gothic drama, a black comedy("The blackest of black comedies," wrote one critic) and, at times, simply a comedy (we laugh with it, not at it.) It is also a tragedy, and for some, a tearjerker(some have cried when Marion dies.)
I akin Psycho to Jaws as "hybrid." Jaws is a horror movie, a thriller, a seafaring adventure, a buddy movie, and a comedy. All in one.
The "mix" of emotion and genre makes both Psycho and Jaws far more multi-levelled than lesser films which stick to one genre.
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