Godard's most straightforward narrative?
Is this Godard's most straightforward narrative film in the 60s era, or am I wrong? It does seem to have pretty fast moving (in Godard terms) causal plotline, does it not?
At least compared to Une Femme and A Bout de Souffle this doesn't make nearly as many narrative (causal) digressions as the two former, or am I "reading" this movie complety wrong?