A gay classic?


I just finished reading the fifties pulp novel on which the eponymous 1960 heist movie was based. This tight 155-page yarn is fast paced and surprisingly violent. Later movies such as The Italian Job (1969) and Reservoir Dogs (1992) seem to have borrowed from it.

I remembered the movie being shown at my school. And not long ago, when I watched the video, I wondered why we never commented on the obvious homosexuality of one of the robbers (Stevens) and the appearance of a very camp chorus boy "Is this Babes in the Wood?" played by a then unknown Oliver Reed. Somehow, I'd missed the mention of the "Padre" having been arrested for gross indecency in a public place.

Now I have the American edition of the original book and the back cover is quite up front about one of the robbers being gay: “So what if Race was a homosexual. He knew all about transport, didn’t he?”

And even after the passage of half a century, the ending in the book still comes as a surprise because Bryan Forbes’ screenplay had to present gentler and more comradely denouement for the beloved Jack Hawkins.

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The homosexual references were very close to the bone for a 1960s film.

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Bah! Pff! Every story, every film, even every sentence, has a poofitilious subtext if you pull down its trousers and give it a thorough going over.

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It's not in the subtext at all. It's right up there in the text.

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I know, I was being hilarious. I do that and it's hilarious.

I watched it again last night with my gaydar turned up full cheese and I was picking up poofing allusions all over the place. That film has gay references coming out of it's earhole. It was quite a shock I can tell you especially being the one-hundred percent lady fancier - even my feminine side is a lesbian - type of fellow that I am.

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That's right. This movie is so gay, even Oliver Reed seems like a nice boy. :)

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The films of Director Basil Dearden and Producer Michael Relph often had the social issues of the time woven through even their lighter films. In films like Sapphire and, especially relevant to this thread, Victim, they were at the centre of the drama.
Victim, their next film after The League of Gentlemen, dealt sympathetically with homosexuality at a time when it was illegal in Britain and it has been suggested that the film was influential in helping to change the law.

Dearden and Relph are hugely underrated, not least because their films were generally very accessible and entertaining. There have been plenty of less talented film-makers who are lauded for their self-righteous subtle-as-a-sledgehammer attacks on "issues", which appeal only to the converted and are difficult to sit through for anyone else.

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What about The Lavender Hill Mob? which was done 9 years prior to this film

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The Padre was shown with a suitcase of girly nudie magazines, wasn't he? The gross indecency could have been related to that.

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Homosexuality was still illegal in Britain at the time. And any one indulging in. or condoning homosexual acts would be sent to prison.

The movie "suggests" certain aspects of the characters "preferences", but could not openly reveal them as the film company/studio could have found itself in legal trouble.

Although in the acting world many actors/ directors/entertainers etc at that time were known to be gay. It was a common thing and was accepted in the acting community, a sort of "open secret".Of course many hid it to protect their career and image.

Some could not manage to avoid the secret coming out in their later life, when it was too late or after their death.Think of Rock Hudson, and Liberace for example

To the film going public Homosexuals were seen as objects of fun and ridicule, and alright as long as they could be laughed at.Hence perhaps the Oliver Reed character being very effeminate and being what the audiences at the time thought gays were like ( or " should be like ). Possibly to drop the hint that the macho image is a big cover up.

In the UK, Even after Homosexuality laws were changed, gays were still seen in an effeminate light.In the 1960/70;s you had people like Larry Grayson, John Inmann, Kenneth Williams, Charles Hawtree, on T.v and in movies camping it up to the mummys boy, image of latently homosexual men and made a very good living and gained popularity from it.

And comedians like Dick Emery/ Monty Python dressing up and playing up to the camp flamboyant promiscuous image of what an homosexual man was thought of as at that time

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I haven't read the pulp novel so when I was watching the film and noticed the possible gay insinuations, I thought I was just over-thinking things. Glad to see I wasn't the only one who noticed.

I definitely see a lot of influences from this film in Reservoir Dogs. There were gay undertones in the latter too.

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