not impressed
All the lavish praise in these comments has me puzzled. The movie strikes me as a bore. A good deal of the blame goes to the writer. The dialogue is awkward and stilted, as if written by a student. The Russian officer struts around in silly, patented Yul Brynner manliness, presenting himself as wily and intelligent, but he's unbelievably slow in dealing with his mystery prisoner. At the first whiff of suspicion, he'd have separated him from the others and interrogated the hell out of him. When one passenger says he "can't tell" him about the guy, Brynner lets the inadvertent admission go instead of nailing him and getting the truth from him. How long would it really take to figure out that the fugitive wasn't sick with the flu after all but was suffering from a gunshot wound? There's a varied cast of characters as passengers on the bus, but they are of no interest in themselves. Brynner's "short" time in Canada is supposed to explain his complete, accent-free mastery of English - totally unbelievable. As for the casting, Deborah Kerr's coolness is almost as hard to bear as Yul Brynner's phoney poses. Galloping in on a horse with a riding crop and leather riding breeches in his first appearance. he looks more like a German aristocrat or maybe some Russian throwback to the days of the Tsar, the kind that was lined up against a wall and shot during the Revolution. He certainly doesn't look like someone who lived through the years of Stalin to survive as a member of the people's army. This is a completely forgettable film.
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