Sexism


I realise that in 1951 people's ideas of sexism was completely different to ours today. However I couldn't get over James Mason's character's overt misogyny. To me it felt like this trait of his was meant to be portrayed as an endearing little quirk of his. Carla only seemed a little put off by this and that irritated me too, that and the fact she proved herself to be the classic "damsel in distress" far too often for my liking. This never usually bothers me in films, and I completely get that "that's the way it was" then, but nevertheless it still annoyed me, probably heightened by the fact I didn't really enjoy the film. Did anyone else feel the same? I was surprised there wasn't already a thread about this:L

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[deleted]

Nowadays calling someone a "confirmed bachelor" usually implies a dedicated gay orientation rather than simply referring to a male who simply chooses not to be married

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And what label is stuck on a man who simply chooses not bo be married, these days? Or is that intolerable and unacceptable to The Politically Correct?

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RIP Heath Ledger 1979-2008

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You dried up walnut of a man!

suzycreamcheese RIP Heath Ledger 1979-2008

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I just saw it again and I have to say that nah, it didn't bother me. Not in the sense of being sexist or anything, anyway. On the other hand it did seem unfunny and a waste of time.

What I *did* find annoying--and this is going to piss people off--was all the God references coming so freely out of the mouths of scientists. For example, when they're about to take the great altar ride, Alec makes some reference to God being the Lord of all the Earth (or something similar--I don't have the words here) and Lindenbrook the ultra-rationalist tells him he's being too limiting, since God runs the entire universe. I don't remember that stuff from the first time I saw the film.

Something else that struck me was that I've just seen the documentary *beep* which is about the F word. Pat Boone's interviewed in it (opposed to its use by civilized people, of course). Seemed weird that he was alive and healthy in both films, given the great time span between them. I mean, yeah, the math clearly works out, but to me Journey seems like from before the start of time.

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I just saw it again and I have to say that nah, it didn't bother me. Not in the sense of being sexist or anything, anyway. On the other hand it did seem unfunny and a waste of time.
It helped set up the characters and made the end more endearing, not a waste of time in my opinion, and some of the lines are funny like the reference to Lindenbrook checking out the sounds his wife heard in the attic.....or, "Oh you should see your face"...
What I *did* find annoying--and this is going to piss people off--was all the God references coming so freely out of the mouths of scientists. For example, when they're about to take the great altar ride, Alec makes some reference to God being the Lord of all the Earth (or something similar--I don't have the words here) and Lindenbrook the ultra-rationalist tells him he's being too limiting, since God runs the entire universe. I don't remember that stuff from the first time I saw the film.
I think this is the only reference to God in the entire film, so it hardly has references flowing freely as you have indicated.
Something else that struck me was that I've just seen the documentary *beep* which is about the F word. Pat Boone's interviewed in it (opposed to its use by civilized people, of course). Seemed weird that he was alive and healthy in both films, given the great time span between them. I mean, yeah, the math clearly works out, but to me Journey seems like from before the start of time.
I was alive and healthy in 1959 and I am alive and healthy today. So are millions of other people worldwide. I saw the film first run and remember the occasion fairly well.

Oh Lord, you gave them eyes but they cannot see...

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I think this is the only reference to God in the entire film, so it hardly has references flowing freely as you have indicated.

I saw it fairly recently and can assure you that the references were multiple. After more time has passed I may be willing to watch it again and post exact hours:mins:secs for each reference.

I was alive and healthy in 1959 and I am alive and healthy today. So are millions of other people worldwide. I saw the film first run and remember the occasion fairly well.

No no, it's not the fact that there are any people still around from 1959 that surprised me. It's the fact that there is someone who was alive AND adult AND a celebrity in 1959, AND so obviously healthy and lively now, that was surprising.

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I started reading this thread about 1/3 of the way through my umpteenth time of watching this. I heard:

A "moment of silence" for Goteborg when they find his body;
A "Good God" as the stalactite falls from the ceiling;
A "Thank the Lord" as they escape through the hole of said stalactite;
A "No, thank God" that the dimetrodon cannot swim;
Mention of the "sacred flame" when they found the alter dish;
An "if God is with us" when referring to the old gunpowder;
A prayer just before lighting the fuse to the gunpowder to blow open a passageway to the top;
Alec has a rather short conversation with several nuns as he falls naked from a tree;
Mention of a church wedding by Jenny;

There also was a derogatory remark toward "Church bells" by Lindenbrook after a good night's rest.


Now, since I do not have an atheistic allergic aversion to all thing Christian or religious, I suppose I may have missed some. But with the exception of the prayer, which was offered up by the yet young student Alec, I find the exclamatory use of "God" to be nothing more than that...an exclamation.

You must be a hoot at parties. It's a movie. Get over it, or don't watch them. I'd be curious if you are offended by the endless spewing of g dammit in the trash which is poured out today.

Also, if you'd look, I think you would see there are a number of "healthy" stars from the late 50's/early 60's born in the mid 30's who are still kicking dirt. 75-80 may be old, but it's not all THAT uncommon.

I would say "here endeth the sermon," but you might rip your hair out.

jonesey65244

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dajones-4--

First, let me congratulate you on a lovely post. I would respectfully add one religious reference you seem to have missed:

When the Professor and his fellow explorers are being acclaimed by the multitude in Edinburgh, his address cites (as the means of their return to the Earth's surface) "By the grace of God and a heathen altar stone". Notice that he gives credit where it's due, even if he does use the somewhat pejorative adjective "heathen".

Now, to anyone who objects to the idea of scientists apparently harboring strong religious beliefs, let me (as the wife of a devoutly Christian research biochemist) assure you that such combinations do exist...and that goes double for the Victorian era. Prof. Lindenbrook would most likely have been brought up in a fairly strict Scots Presbyterian household, as would Alec, while both Hans and Carla would probably have been raised as faithful Lutherans. In my opinion, the religious references in Journey actually add an air of period authenticity. Of course, the professor at his age would probably have acquired a certain skepticism about conventional religion--hence his dismissal of noisy church bells. But let's remember the old saying, "There are no atheists in foxholes." If the exploration party by the time they reached Atlantis was not in a "foxhole situation" (they have no food, no instruments, no protective clothing, and little cause for optimism), I'd like to know what would be a better phrase to describe their predicament. The explorers would very naturally fall back on deeply inculcated religious beliefs because they had virtually nothing else left.

Even nowadays it's quite possible for people to be religious without believing in absolute Biblical inerrancy. For instance, if one regards the Creation story in Genesis as metaphorical and allegorical (and does not insist, for example, that the "days" of the Creation each lasted exactly twenty-four hours), it's not at all impossible to reconcile at least certain aspects of religion with certain aspects of science. As Anna Leonowens points out in The King and I, the miracle of Creation is the same miracle whether it took a week or many thousands [sic] of years.



You play that kling-kling-kling jazz, or you won’t get paid tonight!

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Some historical facts:

First, it was not at all uncommon for scientists in the 19th century (which is the period in which the story takes place) to be very religious people. It is true that the 19th century saw the rise of the aggressive, atheistic sort of scientist, but such scientists were not the majority. Most scientists, like most people back then, were more or less religious believers.

Second, it is always good to remember that modern science grew up in a Christian culture -- the earliest great modern scientists -- Kepler, Newton, Boyle -- were almost all religious men, and often attributed their interest in nature to the desire to think God's thoughts after him. This continued into modern times -- though in the 20th century it became more common than previously to see atheistic scientists. In the 19th century James Clerk-Maxwell, one of the greatest physicists who ever lived, was devout; so also even in recent times we have Damadian, inventor of MRI, Townes, inventor of the laser, Polkinghorne, great Cambridge physicist turned Anglican priest, Francis Collins, head of the Human Genome Project (and now of the NIH), James Tour (reputed to have been short-listed for the Nobel Prize in chemistry a year or two ago), and many other deeply religious scientists. Many of the NASA astronauts -- well-trained in science and engineering and certainly people with rational minds -- were devout Christians. And these examples are only a very small sampling. The idea that being rational about the study of nature and being religious are incompatible is a fundamentally wrong idea, promoted by people like Richard Dawkins.

And getting back to the movie -- I find Prof. Lindenbrook a far more appealing human figure than Dawkins or Stephen Hawking or any of our other angry, religion-hating scientists. His religion gives him a sense of humility which the militant atheist scientists of today utterly lack. If only all scientists could be the humble gentleman-scientists we see in the old movies!

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[deleted]

The film was released in 1959, not 1951.

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[deleted]

On the contrary, I felt it was very much mocking those old ideas. Yes, he's making sexist remarks, complaining and blaming her all the time, but he's constantly proven wrong, as she's useful, smart and certainly up to the task.

Think about it, she's the first one to notice Saknussem, she suspects foul play and discovers the real markers while the men seem totally lost, she doesn't panic when they get trapped and the water rises (yes, her stalactite breaks, but that really didn't feel like an "oh you poor little thing" moment), and she notices that the skeleton is pointing towards an exit. Sure, she's the one to trip and fall when the lizards come, but Alec's afraid of heights, got lost (they even assume he was just careless and got himself killed), captured and shot, he ends up lost and naked once more, and finally breaks his arm and leg trying to run away. So while it sure is a pretty clisché thing to happen, she's far from the biggest klutz or the most helpless character in this movie. She even wants to run towards the big lizard when it attacks Lindenbrook to help, which is pretty gutsy and right on par with the guys (who feel obligated to stop her of course, but her first impulse certainly wasn't running away).

So you see, she's actually a pretty strong character and proves to be more capable and badass than the others seem to be, and all Lindenbrook's old fashioned thinking does is waste time and endanger his team. That she doesn't get all hot and bothered by his remarks (well, most of the time at least) looked to me like she just didn't care about his opinion or needed his approval, she rather made fun of him for being so upset and uptight himself. And what I like most about it is that the film doesn't need to go that route that's so popular today, overcompensating and making the female character overly powerful and hardened to a point where it just stops being believable to create the illusion of strength, here it's just genuine smarts and guts, which I think not only holds up to today's standards but even bests a lot of recent attempts to create strong female characters.

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What a fantastic post and I agree 100%. Very well said.

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So much for the film being sexist eh! Good points Steve. In fact when I first saw this film years ago I thought she was too aggressive for her time - and by that I mean the period of the movie.

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This was back in the early 50's. Women were beneath men back in those days, you still get men who think the same way as he does.

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Read the note in the trivia section--James Mason didn't like the way Arlene Dahl was pampered on the set and his disdain of her was real!

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He was probably just jealous he couldn't get some. She was absolutely gorgeous.

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Yes, Arlene was gorgeous in this movie, striking eyes, a nice build with beautiful hands. The scene in her husband's apt., reading his diary, dressed in widow black, she was absolutely jaw-dropping attractive, aging nicely, I thought, as the widow of Prof. Peter Goteborg, an old man himself. However, I didn't know that Arlene was only "34" when this film was made. She was born in 1925, per IMDb and Wiki', film was made or released in '59. I thought by just looking at her that she was late 40's, more 50ish, but looking damn good. But, 34? Maybe, her birthdate is incorrect. Watching this film, I kept thinking how physically compatible James at 50 and Arlene looked in this film and could see in the end that, as a recent widow and he already single, they would come together after their near year-long ordeal below surface as a nice middle-aged couple and applauded the studio and writers of the film for giving them a loving scene with a kiss and bringing them together, for one didn't see such for the middle-aged for the most part in films. Yet, Arlene was only 34? I'm having a hard time accepting that birthdate.

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You obviously know little about Mr. Mason, for whom, "women went wild" (according to Christopher Plummer, one of his co-stars). He had many affairs and several of his lovers wanted to marry him. Morgan Mason commented that women "thew themselves at him." Oh, there is zero evidence that Mason had any trouble attracting women.

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The movie was set in the 19th century, not the 1950s.

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Sexism? Actually quite the opposite. The movie adds a strong, adventurous female character that didn't even exist in the original novel. In Verne's book all the women stayed at home cleaning and cooking.

The guy is supposed to be a grumpy 1880's professor who resents having to take a woman in his expedition but ends up falling in love with her at the end.

http://www.futurepig.com

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