End of an era
Universal almost invented the sound horror film in the 1930s. While other studios turned out horror titles, it was the back-to-back success of DRACULA and FRANKENSTEIN that proved (in spite of controversy and criticism over the subject matter) that monsters meant money. Other studios cashed in on this with their own projects, but Universal developed the Fright Film Franchise, bringing back their monsters to star in their own series throughout the 1930s and 1940s. By the 1950s, Gothic horror had pretty much died out, and Universal turned its attention toward (then) contemporary science fiction thrillers. But when a small British studio called Hammer Films enjoyed runaway success with such fare as CURSE OF FRANKNESTEIN and HORROR OF DRACULA in the late 1950s, Universal once again returned to the B&W horror genre, with this unusual blend of cowboys (always popular film fare) and vampires. A risky premise, but it worked quite well. It would be Universal's last B&W gothic horror, but it was a worthy last gasp. This used to turn up on TV frequently, then vanished until a long overdue video release. And the unusual use of thermin on the soundtrack adds an unearthly overtone to the tale.
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