MovieChat Forums > Gigi (1958) Discussion > So anyone ever wonder....?

So anyone ever wonder....?


I saw this movie for the first time in ages when it ran on TMC yesterday. Still love the songs, and the show, despite the idea they were training her to be a courtisan...( really, is it any worse than Pretty Woman where Richard Gere rescues Julia Roberts from being a prostitute?) but I did get to thinking...

Gaston is used to mistresses... and in the opening, he bemoaning the fact that even taking a new mistress has become "A Bore."

So anyone ever wonder... after a year, or six months being married to Gigi- will he consider life with her a bore, and go back to taking a mistress on a regular basis?

I love happy endings, and rather hope not, but I still wonder!

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I do think the same thing sometimes but I have seen a few rare marriages that have endured... and endured really well. And they are all based on mutual respect and friendship which Gaston and Gigi have for each other. So yes... to answer you question. I think they have a pretty good shot of making it a lasting and happy marriage if their personalities and the context of the movie are anything to go by. I think a lot of scenes and dialogues are symbolic in this movie and you have to read the undertones to really enjoy and understand it fully.


I saw this movie recently after a long time and am quite surprised at the depth and subtlety of the script.

I think the point of his boredom with everything was to show how the whole playboy lifestyle was not really for him. He didn't enjoy it and was actually reacting to the meaninglessness of his relationships and people around him. He was basically doing what was expected of a man of his status and keeping up appearances under the the guidance of a superficial but well meaning uncle. His friendship with Gigi and her grandmother was different because he sought out their company as a person not as the rich playboy. And I am also inclined to think that his main attraction to Mamita's home was being able to spend time with Gigi. They were always honest and frank with each other which was refreshing for him. And he has a good time with her in all the same places which means being with her her allows him to finally enjoy himself.

I think the most simple understanding of the movie is that in a superficial and fake society, and most of us get caught up in the everyday, meaningless things - and remain unsatisfied and unhappy. But then when we find those rare people that really "get you" and you can let your guard down with, you will strive to protect what you can of that. That's what Gaston realized when he went out to dinner with Gigi. It was so symbolic since before then their interactions were mostly in her home - where it was safe, warm and carefree. When he took her to that fancy restaurant, he was outing her to the world. He saw that making her into his mistress would exactly ruin the truth and innocence of their relationship because he was making her enter that fake world and changing their friendship and love into a business transaction. That's why he was embarrassed to speak to her about the "arrangements" directly. With Gigi he always wanted to be tender and loving and I think his embarrassment came from guilt for knowing what he was doing to her even if he didn't understand it himself. But he also did not understand how much he loved her and what his actions were going to do to "them" at that point.


The rough way in which Gaston pulls Gigi out of the restaurant in the end is the symbolic gesture where he is saving her from a fate that he, himself had so charmingly conceived for her in cahoots with her guardians. The sudden proposal is also a symbol of his decision to marry the girl who is so decidedly beneath him - she is possibly an illegitimately child born in a poor family of known courtesans, for whom his original offer was sufficient- and to which she has agreed. He is finally rebelling and breaking the expected norms - that used to bore him to death, by doing what he really wants and what would make him and Gigi happy. So we as an audience are not supposed to need any more symbols other than marriage as the ultimate indicator of their life long happiness as a couple. Cheesy I know.... but it was made in 1958 - and actually set in 1900 so I'm alright with it.


By the way, my favorite modern day fairytale is the romance in Before Sunrise and Before Sunset. I'm always left with mixed emotions after watching those two movies and they really test whether your a cynic or a romantic.


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Bravo, Malika! I agree with everything you said. Like the OP and many others, my initial reactions to the fairy-tale ending were a bit ambivalent. It all seemed way too good to be true. But you're right that subsequent viewings reveal the surprising depth and subtlety of the script and now I fully believe that Gigi and Gaston go on to have a happy and enduring marriage, as much as any two people can in any case.

As Malika said, Gaston wasn't really a good fit for the persona of indifferent playboy that he tried to maintain. It's strongly implied that he only keeps his mistresses and his string of women because the whole world expects him to. Gaston grew up with a choice between the example of his carefree roue of an uncle or the traditional, incredibly dull marriage of his parents and chose what seemed to him the happier option. His central problem is that he wants to be a certain type of person, but in reality is an altogether different kind of man. Which is why he can't connect to his lifestyle or the women he surrounds himself with...and for the life of him, can't figure out why.

In reality, Gaston isn't the type of man to enjoy being a playboy for very long. The only people he has formed emotional attachments to are Gigi, Honore, and Mamita, with Gigi being the only one who truly seems to connect and befriend him beyond the image of Gaston Lachaille (Honore doesn't understand his dissatisfaction and even Mamita is in awe of his wealth and status). He's happiest when with Mamita and Gigi, with whom he can be comfortable and himself and whose home represents familial warmth. If you think about it, Gigi in some ways has played the role of mistress in his life, albeit in a non-sexual way. A mistress is the woman a man went to when he tried to escape from the dullness or unhappiness of his 'legitimate' life. Gigi played pretty much that role, except in Gaston's case, the dull life consists of the vacuous obligations of his social status and his socially-legitimate mistresses. He doesn't love them, doesn't even seem to particularly like them, but he has a duty to his reputation and so puts up with them, escaping to Mamita's for rational conversation and genuine enjoyment with Gigi.

The fact that he is unfit for this lifestyle escapes Gaston until he sees Gigi through the eyes of society, self-consciously acting out the part of the sophisticated, blase and somewhat vapid mistress. He finally understands how degrading it is to Gigi (and perhaps to him too) because all her fears of spending a lifetime being passed from man to man comes to life in the judging eyes at Maxim's. They expect her to eventually go the way of his other mistresses and sadly, Gigi does too. Gaston realizes he loves and respects Gigi too much to see her forced into a lifestyle that will not only make her unhappy but destroy her vibrancy and uniqueness. As Malika says, his decision to marry Gigi breaks him out of the society norms and frees them both to happy in each other without pretenses. The deep friendship and camaraderie they share--they were best friends before they were lovers--is IMO a very strong foundation to build a marriage on. I don't see Gaston as getting bored in marriage because he married the ONE woman who HASN'T ever bored him, and this from a guy who's experience with women spans continents.

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This is perhaps the best (and most well-written) summation of the situation in "Gigi" that I've ever encountered. Your second paragraph reminds me of a quote I once heard: "All my life my heart has searched for a thing I cannot name". Gaston was literally adrift except when at Mamita's (with Gigi), and the audience keeps its fingers crossed hoping that he'll eventually realize they're the only real anchor he has.


"I'm not reckless . . . I'm skillful!"

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If you ask me, the final scene looks like it takes place some time after their date at Maxim's. Gigi is noticeably more comfortable and confident, and accepted (and therefore established) in Gaston's society. She's also no longer clinging to him like she did at Maxim's.

I'd say that--along with everything the other 2 commentators have pointed out-- is a very strong indication that Gigi and Gaston will have a long, comfortable, and happy marriage.

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Piggy-backing on the second and third wonderfully detailed comments, the main hint/giveaway that his life with Gigi will, perhaps, be different is in the wonderful monologue that Gigi reveals herself: at their 'business' meeting, she surprises everyone- Gaston, most of all- by revealing that she knows exactly what is expected of her, and doesn't want to do it because SHE KNOWS he'll become tired of her in time, just like he did of all the other women that he probably told her about during their quiet teas, dinners, and card games. She knows him as a family friend, they have no secrets or pretense around each other, thus why would she suddenly want to become become his mistress, no matter how good the benefits?? She only changes her mind when she later says, "I'd rather be miserable with you than without you." And when they're at Maxim's, suddely HE is miserable, too, and realizes what he's doing. A wonderful final act of a film.

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The implication here, and I think there's something to be said for it, is that Gaston's love for Gigi is based on something real, their relationship has been one of love and mutual respect for years, and this type of love is new to him, and he will devout himself to her.

Otherwise there's really no point in making the film.

Gaston is transformed, i.e, redeemed by his pure love of Gigi.

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The age of the wealthy French playboys and courtesans (aka "La Belle Epoque") came to an end with World War i and the sudden changes in societal mores that ensued.

I'm inclined to believe that many people (including Honore and maybe Aunt Alicia) were devestated and never completely recovered from the death of the lifestyle that they so cherished.

But as Gaston and Gigi had something far deeper, I think they would have endured.
In fact, they might have even been part of the French Resistance during WWII.

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by the time of the french resistance she'd have been close to 60, and he... well, let's hope he'd still have a heartbeat by then. ;-)

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I think they'll last the reason why Gaston is drawn to Gigi and Mamita's house is because they provide escape from the life he knows and has come to be bored from. With Gigi there is no perversion, there can be no faithlessness because Gigi to an extent is still an innocent not stupid, mind you she knows how things work and what she's being prepared for but she is also open to the idea of love and has a childlike joy in simple things such as the card games and chocolates unlike Gaston's mistresses who's role in the society they are in, need to be pampered extravagantly.

Also Gigi is I'd argue one of if not the only person who allows Gaston to be himself. She knows his temper tantrums if he doesn't get his way, his competitiveness but she also knows his charm and goodness which is why she can talk to him as she does. He doesn't say it in this film but in the older French adaptation of the Colette novel he calls her is best friend and I think it works in this film too. She's his only real friend and it's partially cause of that he has affection for her and naturally this blossoms into a deep love to the point where he gives up the lifestyle he knows in order to be a better man for her.

THAT to me is not the mark of someone who is going to get bored in a few months. Plus no doubt Gigi's youth and energy will keep him on his toes.

beauty freedom love truth

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