MovieChat Forums > Smultronstället (1959) Discussion > Why was Isak considered 'cold'?

Why was Isak considered 'cold'?


It seems throughout the movie the idea emphasized is that Isak has alienated others by his coldness. I don't really understand, he didn't seem cold at all to me. He seemed like a kind, gentle old man throughout the movie- friendly and easygoing towards others, if shy and reserved, he even seems quite sympathetic when hearing out Marianne's marital problems. His demeanor is very different from the bitterness of his son and mother.

Are these people supposed to have misinterpreted his shyness as a form of coldness? Or was he really was cold his whole life and these dreams/realizations have termed him into a better person that the audience now sees as a kind old man who wishes to better himself? In any case, very thought provoking character and film.

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[deleted]

I did really enjoy it! I can't wait to check out some more Bergman. What would be good to go from here? Persona or Seventh Seal maybe?

So what do you think of Marianne thinking he was a cold? A misinterpretation? Or just an Isak we don't see?

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[deleted]

Not many people here understand why Isak is described as cold, I may not myself as this is all only my interpretation, but I feel like I relate with Isak's character. The coldness that is being described is not a traditional Citizen Kane/Henry F. Potter cold, but more of a detached feeling. Isak doesn't dislike people or treat them badly, he simply doesn't care much for them or for life in general. He shares the view his son has in the respect that he believes pain and cruelty is everywhere for no good reason at all. Isak finds himself lonely in his old age, he probably was always shy, but he can make people laugh, tell stories well, show good manners and give good advice to people when he finds himself in social situations. His lack of social life and his exclusion by the many people throughout his life does not come from an inability to interact with other humans, but rather from a lack of effort and commitment. For instance, he admits defeat easily when his brother wins the girl he loves and he probably does nothing but blame himself or lock up his feelings when he sees his wife cheating on him. People don't connect with him emotionally due to his habit of formalities, like when he uses his maid's title when addressing her for year, and this even applies to his family, when he doesn't mind his son paying his debt to him when he doesn't really need the money at all. The scene on the balcony near the end also shows his lack of effort when keeping in touch with people when he wishes he'd asked the youngsters to keep in contact, but he never did even when having plenty of time to with them constantly saying good bye. Perhaps it's because the movie is about himself reflecting at an old age, but it is noteworthy that he often finds himself dreaming about the past, regretting things and being angry at things that have already happened rather than living in the present. He has probably done this most of his life. Isak is a kind and gentle old man as you all say, but he doesn't show the ones he loves enough how much he really cares for them and his loneliness with melancholy is the result, a self-inflicted punishment.

"I would never want to belong to any club that would have someone like me for a member."

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When said! You echo my thoughts exactly. Isak simply didn't put in enough effort into his social life. He is a nihilist who believed that it wasn't worth his time.
You can see how he has influenced his son as well, it came to the point where his son refused to have a son on the basis that there is nothing but pain and loneliness in this world.

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Isak fell in love as a young man, only to have his brother steal his girlfriend. He later gets married only to have his wife cheat on him. He has a son who seems to dislike him. Being social would probably only bring more people into his life that would betray him, at least I think that's the way Isak sees it.

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Isak is a man whose most significant experience (outside his relation to his parents) came when his first real love was taken by his brother. The film shows him still in effect traumatized by this, decades later. He not only never got over it, it informed his entire life.

The simple fact is that caring and loving have their risks, their downsides if you will. I don't think in Isak's case that he would disagree with the notion that it is better to have loved and lost than never to have loved at all - in a way he cherishes even his painful memories. He can use his memories to remember a time when he felt quite ardently, completely. He still loves her, and this is who he is.

But I think Isak has also made a choice to see the world he lives in as presenting limited opportunities for that kind of caring. He presents a sort of question, I think, that arises not in everyone's life, at least not in the same way, but we can all at least see and understand. The question is how many times can one fall truly in love? Can a love later in life really be as deep as earlier ones, as time goes on?

Is there even a desire for such human connection? As time goes on?

It is not the least bit surprising, I think, that Bergman himself essentially isolated himself, to a large extent, in his later life. After his fifth and last wife died, he had his visitors and friends. But he lived after a certain point in near complete isolation, on Faro. I have to wonder as his life proceeded in this period how he might have compared himself to Isak.

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Thank you.

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No, thank you for replying to my post. Since I wrote this almost a year ago I had forgotten how much I loved this film and I think I'm at a point in my life in which reminding me of the messages it carries may be very helpful to me. I'll probably watch it again tonight in fact. So thank you. :)

"I would never want to belong to any club that would have someone like me for a member."

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I think he had a hard time expressing his feelings. He seems like a sweet and caring and gentle man, but he also seems very professional. I think that Isak took refuge in his career after being hurt by love throughout his life. He doesn't seem very bitter, but I think that he didn't want to face his loneliness for a long time. However upon confronting it he is more able to express his feelings to others which thus brings him closer to some, such as Marianne and hopefully his own son.

I felt sadness for Isak because I think he genuinely wanted to live a meaningful and happy life but certain things really affected him emotionally, such as his wife's infidelity and her resentment toward his selflessness, resentment caused by her own guilt. I love the dream sequences in this film, they really convey Isak's longing for togetherness, and I like that his self-reflection makes him more open and vulnerable to others.

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Rainer,

Excellent post. I nice summary of Isak's personality and why he behaved as he did.

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clearly needs to drink better scotch.



🎄Season's Greetings!🎄

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Not wanting to repeat myself on this, since I did some posts further up. He actually *is* cold. Outwardly, he is interested and friendly. But he is totally unable to relate to others. What you describe is his 'outside', he doesn't yell. He better would, think of the flashback with the wild strawberries, even then his love considered him kind, and 'boring'.

I stop here, if interested, please read further in the thread slightly higher.

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He's considered cold because introverts just can't get a break in our extroverted world, even in supposedly reserved Sweden of the 1950s. Thank God for Susan Cain for shining a light on the introverts of the world. We aren't cold. We just appear that way.

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[deleted]

Sometimes people's reactions are misinterpreted by others. It happened to me when I was very young, and I was accused of being arrogant, though I was a quite shy young student in elementary school. It must have counted because I had no problem at school, and had very good marks.
Isack's profession occupied his life, counteracted the emotional problems he encountered by all his close relatives cheating on him. He was perceived as a good doctor, who was also very kind and helpful. He lost this buffer when he retired. Still he looks quite normal when compared to his son, even his old mother, who are both cold and formal. His misinterpreted actions are amplified in his dreams/nightmares.
In the end it could be a story of how are you perceived and what can you do to change that. We notice how he gets more approval, as times goes by.
The handless clock signifies the eternal, universal life with all its good and bad problems.

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It´s something that bugs me too; almost everybody near him made the same accusation, but that didn´t come through im the movie at all, at least not directly. Yes, Marianne mentioned those horrible things he had said a month ago but that didn´t look like him at all.

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That scene where Marianne recounted the dreadful things Isak said was there as an example scene though. The intimation was that this wasn't the only bad thing he said. We see him on this journey when he's confronting his past and clearly reconciling his differences and learning to move on and be content, but there are many times where it's mentioned that previous to the scenes we see, in years gone by he was awful to many people.

He was awful to his wife and she cites this as why she made the equally awful choice to cheat on him. He was awful to his son, hence why he's basically estranged from him. He was awful to Marianne. Even when he was younger his true love chose Isak's brother over him because Isak was cold and as a result he didn't excite her. It's all in there.

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