The ending is so sad...


Poor Cabiria...

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I felt the ending was triumphant. That this poor little waif could survive all the crap the world was throwing at her and still manage a smile was an empowering image.

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For sure. One of the most startling, life-affirming and profoundly moving scenes in the whole of filmdom.

Don't be sad for Cabiria. I think she's learned not to make the same mistake and her life could improve. Be hopeful for her.

Give thanks for a little and you will find a lot.

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SPOILERS

I agree. Up until the catholic scene with the Virgin Mary procession into the church, which I guess was originally banned by the Catholic church, I didn't care much about the movie but that part was the turning point where we understand just how vulnerable and hopeful she was. I found myself thinking that Oscar was decent the entire time until Cabiria said that she was selling her house to buy a store then we know it's an elaborate scam - much better than Georgio's. I figured that the guy was a con with the name Oscar but hoped like Cabiria that he wasn't - and since he always paid for everything then maybe he's legit.

The scene at the cliff was almost certainly the saddest scene I've ever seen on film - or really in literature. I really was surprised by the power of it - I almost thought Oscar would leave her the money and beg her forgiveness (even though I didn't think he'd want her love) or maybe before it had gone so far he'd say something like, "I did want to rob you but now I love you." However, Cabiria's hopeful world is not the world we live in and she is taken yet again. She walks with the people on the street and you see her old self creeping out - she wants to dance and she smiles.

I originally thought the smile meant that she'd go to her friend's and she'd scrape along as a prostitute again. But my wife had an even more hopeful thought that she needed the experience with Oscar to make a clean break and that she would completely rebuild herself - maybe according to the way Oscar made her feel - she'd be that sales girl she told him she was and she'd make sure that she didn't end up like the old prostitute living in the caves - and eventually she'd find move.

One way or another she was not defeated. The slime of the world fell off of her and she somehow remained pure and Oscar and Georgio just dirtied themselves further. In the end she rose above them though they tricked her - proving trick me once shame on you - trick me twice, shame on you all the more. Being naive is not good - being eternally hopeful is. Of course, there are strong religious implications that the movie only hinted at.

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the fact that the ending is triumphant is a testament to cabiria's strength, because i know i wouldn't be able to deal with what she does. I spent about 3 hours crying over this movie it's so sad.

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Beats me why they call it a tragedy. I was expecting it to end a whole lot worse.

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I see it completely differently. I don't see it as triumphant or hopefull at all. Throughout the film Cabiria has had the worst experiences with men, naively believing in the power of love to take her away from her miserable life. The saddest part of this movie is that Cabiria puts sooooooo much hope into each new man and eventually puts complete faith in them, but every single time she is heartbroken and completely destroyed. It's really tragic. As a viewer, you really really want Cabiria to finally find happines and love, but in the film it never happens no matter how much you or Cabiria hope it will.
The ending to me is just a start to another cycle of naive hope and hearbreak. At the end of the film I found myself looking into Cabiria's eyes as she looked directly at the camera and smiled and thinking, "Why are you smiling? You're stuck in this hopeless cycle and you're just setting yourself up for another crushing betrayal. The ending was very sad for me because I knew what would inevitably happen next to poor Cabiria.

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Yeah, that's what's great about movies - the ability to see them in different lights - that's a good thing about this movie - you can be hopeful or cynical. Ultimately, Cabria needs to become a Christian who looks to her God to be perfect rather than any man who will let her down if she expects too much - but there's no reason someday she couldn't find a nice guy - but she shouldn't put ALL her hope in him.

What hump?

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If you are a see the glass as half empty type of individual, then you can't possibly see that the message transmitted at the end of the film is "I may be down, but I'm not out!" Cabiria has lost everything in the way of material things, but she gas gained something priceless - the ability the realize that despite her circumstances, she has the will and the ability to overcome them.

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I agree with your comments on Cabiria's character and her inspirational qualities that are apparent despite her misfortunes. However, I disagree with your description of the movie as having strong religious implications stemming from her eternally hopeful character.

In reality, the movie takes a dim view of the faith of the religious pilgrims in the church scene. As you recall, Cabiria goes through the motions of praying to the Virgin Mary with the crowd, but in the end seems detached from what she is doing and uncommitted to the rituals she is going through. Even more to the point is the scene wherein her friend's father who needs crutches to walk is encouraged to stand before the Virgin Mary without the crutches by his son and friends. What happens as a result? He falls to the floor. That scene speaks volumes on Felinni's view about the effectiveness of religious faith in solving practical, earthly problems.

My real name is Jeff

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I can see your point about the religious - I don't remember the movie that well now but I do remember the religious interpretation was a stretch.

What hump? 

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Gaelicguy's words bear repeating:

One of the most startling, life-affirming and profoundly moving scenes in the whole of filmdom.

Hats off to you!

Enrique Sanchez

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Wonderfully said, Greenteeth. ;)





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Ditto!

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As I wrote on another, the ending is empowering and hopeful.

"Sometimes you have to take the bull by the tail, and face the truth" - G. Marx

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I wouldn't say it is so sad. It is rather very educational...whatever happens to you, maintain that childlike attitude towards things and offer the world a smile... your genuine smile...

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I just saw the movie for the first time - very moving.

I think that I am in the glass is half full camp (at least, for the moment) regarding the ending. Even though Oscar was a conman and lied about his feelings for Cabiria, the wall of invulnerability she built around her fell as she learned to let love into her heart again (as when she was younger), even though the origin of said love was a "magic trick." For her and for a brief time, it was real, and that was enough to change her perspective on things.

The wad of cash made from prostitution represents her unfortunate experiences and lifestyle leading up to that point, a heavy bundle of negativity weighing her down. When it's taken from her by Oscar, her prayers at the church are answered and she's cleansed and given a new lease on life. Is she doomed to make the same mistakes? Perhaps not.

Just as she had been hypnotized and tricked at the magic show to feel vulnerable and loved, she was tricked by Oscar into feeling the same way, only this time her wall remains down.

That's my take on it....for now.

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not sad like la strada

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Yeah La Strada absolutely immobilized me with its sadness...floored me.

Took me awhile to see this because I was expecting a similar sad ending...but with a little smile and a glance, this movie's ending felt completely different to me...and I was so relieved because I saw the Oscar scam coming from a mile away.

Even the most primitive society has an innate respect for the insane.

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I also thought of Cabiria's strength and how she can walk with a smile, looking at life ahead. However, since I'm ever the pessimist, I also thought, since she might have just completely lost it (stone cold crazy), was she only imagining these teenagers coming from the forest? Like Puck and the other beings from Midsummer Night's Dream almost, where every girl had long black hair, and a boy by her side, much like Cabiria when she was younger, which is noted 3 or 4 times throughout the film.

But the optimist in me says, "That nod to the camera means she'll be all right." Ah, what a great film.

"Aw, nothing is ever boobs or ice cream."

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Cabiria is left with nothing in the end yet there is a little bit of hope that she can actually start over and do something more meaningful with her life. I'm not sure if she ever found happiness in her life, but the fact that she strives for it has to mean something. She deserves happiness but the world is just so cruel. That's why I was weeping at the end. The fact that even in a world as cruel-hearted as ours she still remains hopeful and perhaps she always will even til death, even if love and happiness is never granted to her.

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I appreciate all of your views on this subject. I have a slightly different take. Remember earlier in the movie, where the monk asked her if she was "living in the grace of God?" Then, at the end, when the joyous young adults were more or less circling around her, laughing and playing music, at first I thought this was Fate mocking her. But I keep thinking about how her running mascara had left what resembles a tear coming out of the corner of her eye, as if it was her role to play the "sad clown." When I take these three elements together, my conclusion is that Fellini is basically saying that first of all, within the completely illusory world of narrative art -- the novel, play, or film -- a tragic or comic-tragic character doesn't really need the redemption (for lack of a better term) that we the audience hope for them, because after all, they have been written to be both what they are as well endure what they go through. Outside the realm of art, in the often equally illusory "real" world, this same construct can and should be applied to people, because at the deepest level of our souls, we find profound joy NOT in spite of our disappointments and tragedies, but BECAUSE of them. I submit this for your consideration --

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I thought it was amazing how she looked right at the camera and smiled, it was like she was saying look how crappy things can get, but life goes on anyway.

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Fellini said that Cabira is the only character of his that he "worried" about: what would happen to her, would she make it. So while we may all reassure ourselves that this endearing and innocent little waif somehow does ok, Fellini himself did not necessarily believe it.

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Masina's face is a miracle.

Poor Cabiria...

Cabiria is a born survivor". A spirit that can't be crushed.

☁☀☁

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