MovieChat Forums > Le notti di Cabiria (1957) Discussion > One of the greatest last scenes in film ...

One of the greatest last scenes in film history...


Last night I watched "Under a Tuscan sun" and theres a scene in that where Diane Lanes friend refers to the ending of this film ( Cabiria ) which I thought was really interesting. I have to say I think the last 3 minutes of this movie is one of the great moments in film history. Even before I saw this film I was told this and when I finally did see it I thought 'wow' now i get it. Anyway, I do think more people should know about "Nights of Cabriria" and it's great message of hope as expressed through Gulietta Massina's expressive face and what a difference a face makes. Any thoughts?

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***Spoilers warning (although if you're reading "greatest last scene" and not expecting spoilers you prolly messed up already)

I just saw this one for the first time ... I was left with exactly the same feeling.

I was coming into it from a different perspective maybe. I was just mad. When Oscar robs her and she's left ruined, I couldn't think where else the movie could have gone, but it just left me frustrated. I was emotionally involved with her enough that it mattered and just seeing her knocked down one more time was just frustrating. At that point I really thought the best ending would have been for her to jump off the cliff.

When she didn't, and started walking back up to the road, I knew that the movie had to go there, it had to end on a message of "however bad her life gets, she finds the strength to go on". At the moment, I found the idea of that ending intensely annoying. Maybe because that ending has been done so many times since then (probably inspired by this movie) and it has become such a cliche.

I think it's a little more than that though, I think for the most part it's just not well-done when I've seen it in other movies. It's not just a cinematic cliche, but a cliche in life. Like when something really bad happens to you and a friend tells you "well, you just have to find the strength to go on" or whatever other cliche. "Everything happens for a reason". It's something that had meaning for them once, so they repeat it hoping it will have the same meaning again the next time around.

But life doesn't work like that. A moment in time, the context of it, is not the same later. Repeated later, it becomes empty. Worse than no use, it becomes a form of dismissal. As if to say "well I've given you this cliche, now your problem is solved" and any further unhappiness is your fault because you couldn't appreciate this valuable advice you've been given.

Both in life and in movies I find that kind of message annoying, irritating, offensive. And as in life in movies it's usually presented as a cliche, you get the POINT, but it has no MEANING. Like a moment you try to relive later but it's empty.

So I was really set to dislike this ending, when I saw where it was going. Really all the way from when she got back up after Oscar ran away, I was halfway ready to just stop the movie and call it good.

But the ending of Cabiria isn't a 'moment relived later, but meaningless'. It's an actual MOMENT. It's PERFECT, and I have no idea why.

The actress has a lot to do with it ... she is very genuine, especially at first where the kids are dancing around her and she is polite but still wrapped up in her own problems. That was important, because otherwise it would have become a cliche, if she had gone too quickly to happy. It just wouldn't have been real.

The direction was a lot of it ... the single streak of mascara was such a briliant touch. I mean there's more to the direction of that scene, but it's hard to break it down.

Possibly most important is the SILENCE of the scene. I mean there's no 'plot' dialogue at all, no conversation. "Why are you crying, lady?" "You just have to DANCE, even though you're sad!" A million different things could have been said to carry the point ... and in my opinion, any of them would have ruined the moment utterly.

Somehow the silence of the scene carries you from a point where the movie is lecturing you, presenting you with it's Message, and into reality ... and in reality, there's no reason not to change.

So by the end, for whatever reason, it did hit me, even though I saw it coming and wanted to hate it, and the stupid thing made me cry.

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I enjoyed reading your thoughtful post. Cliches are all people seem able to muster when offering condolences : "She's in a better place now" which is how a friend rationalized the death of his daughter. "Be strong" used whenever times are tough. "Take care" when trying to cheer someone up.

One phrase that I really like, even though it may only be two hairs shy of a cliche, is one attributed to Winston Churchill. If I'm going through tough times I sometimes remember what he said:

"When you're going through hell, keep going."



You can't always get what you want, but if you try sometimes you might find you get what you need.

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The scene doesn't have any dialogue, but it's far from silent. One interpretation of the ending is that Cabiria finally finds her salvation in music.

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[SPOILER IMPLIED HERE] Yes, I agree that it's a very moving ending, and I was surprised that I was moved, like you. I credit the writing, directing, and the amazing acting of Giulietta Masina for the effectiveness of the ending and its emotional impact.

I dislike the cliche of "Well, you have to get up, dust yourself off, and keep on living..." as you do - and I think it's been overdone in movies. However, one has to see this movie in the context of history, where it was made and when it was made.

This movie was made in post-war Italy, where, at the time, people were very much struggling to make a living and many people were enduring hardship in every way. It was probably unusual there and then to be perpetually positive. We have a hard time understanding that attitude here in the US, as we have a culturally-ingrained myth that anyone can succeed in life if they just try hard enough. In the context of Italy at the time this movie was set, it was probably startling and revelatory to see a character act as did Cabiria.

My real name is Jeff

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It is probably one of the most intense endings in history of cinema. I thought that he would kill her, or that she would commit suicide, and i was totally MAD with it .. but the end gives the viewer tears of joy, instead of sadness.

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And when, in the last few seconds, Cabiria subtley glances directly at the camera... After feeling like I was with her as she fell from euphoria to devestation, I really appreciated this inviting and empathetic glance just as she began to grin.

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Credit should also of course be given to Fellini's flawless direction of that scene, as well as to the (intensely cute) young actor who smiles at Cabiria without a word, and seems to become the principal agent in lifting her spirits. Fellini was such a master at juxtaposing intensely disturbing ugliness with sublime beauty in such a way that the juxtaposition itself becomes both jarring and sublime.

People who think they know everything are very annoying to those of us who really do.

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I don't really agree that it's a pat, optimistic ending. I think it's left open.

OK, Cabiria is able to find happiness in the moment, and in that respect she's not broken, but Fellini leaves us to make up our own continuation of the story. We have already seen what happened to the formerly successful hooker who ended up living in the cave - a clear indication of where Cabiria's story is likely to end up. Or perhaps Wanda, the only person in the film who really cares for Cabiria, will come to the rescue.

A silver lining in a very big cloud, anyway.

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We're only human and yet capable of so much! I saw the ending as perfect! Why? In the scene at the church Cabiria asks for God's Grace. Grace is like a gift you've recieved undeservingly, But! She recieves it at the end of the movie and she realizes it and that's why she smiles. Grace comes from Love - which she had been seeking before the beginning of the movie and what she denied all along until she was hypnitized (spelling?). At the end of the movie she is given grace, the process (via the purse thief) she was taken through cleansed her completely which had to happen otherwise she couldn't recieve the gift. She went to the priest to be cleansed of her sins and on to lead a life of a renewed, awakened, and sensitive spirit through the love that she originally thought had been given by the purse thief. She was given back exactly what she had put out her whole life; false love (prostitution) but through a thief which gave her a renewed point of view on actions she had done to others. Wanting Love and Grace meant she had to give up the unearned things in life, the money was given back to where it came from; infedelity. Grace gives Truth also, she was made to realize the truth that like the people "sleeping under the bridges", (the same people she rejects when she tells the movie star which part of town she's from) she also now no longer is in any better position. Also through Grace Comes Charity, she unknowling or unintentionally, or perfectly intentionally sells her house at at just the right price to the homless family. Lastely, she is shown true life: the beauty of the souls singing and dancing around her in the last seen, she is on her way to the pearly gates as one of the hidden angels speaks; "hurry before we lose our way". The children witness to her the new hope she found within, manifested around her and given to her by the only one who can truely give the gift of GRACE. The story of Cabiria, touches so ironically on the things which each person strives for in life; LOVE, HOPE, and FAITH, from eachother and from other sources. If you didn't seek these then maybe you couldn't appreciate the ending to this beautiful film!

Love codie

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By the end of the movie Cabiria has suffered what for her is the ultimate betrayal and indignity. She who wants love above all else has had it snatched away from her in the cruelest way imaginable. As she walks away from that scene she is reminded by the joy of the procession in which she finds herself that the world has not been changed by her personal misfortune.

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i was so taken by the movie that at the verry end where she looks into the camera with all the emotion,i was a little creeped out,i didnt expect that,almost felt as if she looked into my soul and me into hers

sounds silly coz its a character but she acted so well,omg


anyways,definitely a wonderful movie

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I had exactly the same reaction. It felt just electric. She saw me and I saw her and we understood each other completely. I don't think I have ever had a reaction to a movie character quite like that. Magic.

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Um, have you seen the endings to La Dolce Vita and 8 1/2. Much MUCH more memorable, intense, flawless imo.

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My favorite ending to a film. The only others I would put up there with Nights of Cabiria are Heat, City Lights, and Apur Sansar. Everything about the scene, what the character has gone through, the camera movements, the music, the kids, and of course Cabiria's face...it's perfect.

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[deleted]

i guess i was the only one who was really hoping he would kill her. i hated her character throughout the entire movie. she was a terrible person, mean and rude to everyone and only looking out for herself. i cheered when he stole her money. oh well

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Are you that shallow, you can't understand great art. I loved her plucky spirit!

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i don't think it's me who is shallow, i think it was her character. she looked out only for herself the entire movie, burning all of her bridges and treating all of her friends like doodoo. i see you attacked me that i can't appreciate great art, on the contrary, i thought the movie was tremendously well made. I just didn't like her. peace

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She was human!

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Holy smokes buddy. You really didnt get it did you? She was living a perfectly awful life and had to be a bit hard bitten but always kept going and looking for the good. Her spirit was awesome.

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I was afraid she was going to jump off the cliff into the lake. It was bad enough when she rolled around in the dirt begging him to kill her. The ending is a triumph.

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Some very interesting observations here, but suffice to say, this is a searing ending that has stayed with me for decades now. It seems to me that the children are celebrating a birthday-- how superb. Renewal, a new beginning, festive, joyous and these young people don't know her and therefore cannot judge her. Their cheer is infectious and unconditional. Massina nearly made my heart stop the first time I saw the film. I don't mean to rude, but it was a cinematic orgasm that rocked me in every way.

As an aside, Nino Rota's score is integral here (as you know, years later, he composed the score for 'The Godfather). He could not have been more on the beam. It's sublime.

The ending is, indeed, a triumph.

Don't you snap your finger at ME, lady.

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[deleted]

Absolutely one of my favorite endings of all time. I love to watch this movie when I'm in a state of abject hopelessness and I smile again for 5 minutes straight. It just makes me think that in the end everything will be all right; if it's not all right, then it's not the end.





Life's a gas. I hope it's gonna last. - M. Bolan

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SPOILERS:

Just reading your post and the posts of others brought back that joyful, triumphant moment back to me so acutely that I welled up with those tears of joy again. Most certainly and positively, one of the most life-affirming endings in all art.

When the passerby says "Buona sera". Cabiria's spirit fills with a wonderful kind of pride which says to me: There is hope, I am not so bad as a person, I can still regain my self-respect, I am a worthy human being, things are going to be all right.

After all her troubles, she knows that goodness and hope will return to her life.

It leaves me breathless. I must watch this scene many times. I just cannot get enough of that wonderful metamorphosis of her spirit. It steals my heart and all I want to do is just grab her and comfort her.

Enrique Sanchez

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Totally agreed-- it's breathtaking.

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All of Fellini's films have great endings, particularly those of the 50s and 60s.

The Cabiria ending is wonderful. My favorite ending of Fellini's films, however, is the final scene on the beach in La Dolce Vita. It is one of the most powerful conclusions to any movie that I have ever seen.

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I didn't think the ending was anything exceptional, although the movie was great as a whole. However, after reading all the commentary here, I seem to begin to agree that it was a terrific ending. It's funny how other people's commentary can get you to see things in a different way. When I first saw the ending I was disappointed that Cabiria didn't find happiness, only more misery that would make it even harder for her in any future relationship. Seeing her briefly "happy" at the end in the procession did little to lift my sadness for her as I recognized this mood as transient. She surely would find more sorrow now that she has no money, no home, no food, and a severly damaged heart. So, I wasn't sure what kind of positive to take from that and I was disappointed.

After reading the commentary here, I view it in a different light. Perhaps there is hope still for someone like Cabiria who is gritty and self reliant. Maybe she finally realizes this. And maybe most importantly, she summons the courage to proceed despite all of her misfortune.

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I am glad for you, jujide -- that is what these boards are for -- not to sway or change opinion, but to offer alternative perspectives.

I am rooting for Cabiria and I say she makes it this time. But this ending is stunning and absolutely breathtaking, IMO.

Give thanks for a little and you will find a lot.

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Jujide...

I'm so encouraged by your reaction to our commentary...it is almost as if the renewed spirit of Cabiria had entered ur heart :)

:) Call me corny...but Cabiria, stands alone in the film chronicles of the heart.

Enrique Sanchez

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