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Why So Little Acclaim For 'No Down Payment?'


I saw "No Down Payment" on the Fox Movie Channel today and I'd never heard of it. It rarely plays on television and it was released as a second billing movie in 1957. Martin Ritt does a masterful job of direction and nearly every member of the ensemble cast delivers strong performances.

John McPartland's adapted screenplay of his own novel deserved a best adapted screenplay Oscar nomination, but this fine movie didn't receive a single nomination in a year when the banal melodrama "Peyton Place" received the most nominations.

My theory is that too many Americans were squeamish about the thorny social issues in "No Down Payment." McPartland's barbs against racial discrimination, segregated housing, mindless consumerism, the '50s cocktail hour lifestyle, marital infidelity and the limits of the American dream simply made too many people uncomfortable...especially at the height of the Eisenhower years. The social topics hit too close to home in Hollywood as well, at a time when many socially conscious screenwriters were on the blacklist.

That same year (1957) radio host John Henry Faulk was fired and blacklisted by CBS for his leftist political views and Faulk filed the lawsuit against CBS that eventually ended the practice. Blacklisting didn't end until 1962 when the Supreme Court heard the Faulk v. CBS case and ruled that employers were legally liable for the professional and financial damage they caused with blacklisting.

BTW Joanne Woodward did win a well deserved Oscar in 1957 for another film role for playing the multiple personalities of Eve Black/Eve White/Jane in "The Three Faces of Eve."

What do other forum members think?

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i couldn't agree more. the film deserved a whole lot of acclaim that it didn't get. subtle,bleak,not audience friendly. just too real i guess.

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You are correct, this movie revealed what the newspapers hid. It's like life was protected by a "Production Code" for the American family. Don't show too much realism, it could change opinions. It's one thing to handle your own business, but it's another to pretend and ignore. Life was hard, heck life is hard. One of the best scenes in this movie is when Betty wanted to know if Herman did everything he could for Troy. He said yes, but we also know that sometimes "who you know" works. Herman also feels that since he lost that battle, he's afraid to help Iko live in the subdivision, because he could lose that battle too.

I saw a commercial for a new TV show to give a voice to an unheard voice of America. But I think we do hear it, even believe it. The other voice is louder. I also think that some don't want to believe who we are-good and bad, scare and courageous.
Real change comes from listening, understanding, and acceptance. As the movie points out, standing up to our fear.

If we can save humanity, we become the caretakers of the world

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I agree with everything you posted. This is a great movie that showed a real slice of Americana that many conservatives don't want us to know about or think we have forgotten. Some would like us to think the country was so much better in the '50s and everyone was like Ward and June Cleaver.
'No Down Payment' had great acting from some very good actors and great direction as well. I saw this movie on t.v. with my mom when I was about 13 years-old and it had quite an impact on me because of it's realism. I may have been a young teen, but I KNEW that 'NDP' was more like 'real' America than what they were showing on the sitcoms. Powerful movie for it's time and should be seen by all Americans who would like to see what life was really like in the '50s.

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This film was a real bombshell, and apparently they just threw it away because of the hard look it took at cherished American assumptions of the day:

No Down Payment! E-Z Terms! Your Job is Your Credit! Move in TODAY! We Give Green Stamps! Etc.

I'm going to recommend this film to my classmates (Somewhere in SoCal, Class of '63) who are forever waxing nostalgically on the class website about those "carefree golden days".

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It's basically a crappy, cheap little film. Laughable situations and overly determined acting. Junk subplots like the young Japanese/American guy who expects Herman to fight his battles for him. No follow up on that story, but he gets to move in anyway. They tossed a lot into the mix here, but it was still a dog of a film.

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Additionally, it gets little, if any, writeups in books about Ritt.



"Be sure you're right, then go ahead."
Davy Crockett

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