MovieChat Forums > Funny Face (1957) Discussion > Hepburn + Astaire = unhealthy relationsh...

Hepburn + Astaire = unhealthy relationship?


Beside the fact that Astaire is about twice Hepburn's age does it scare anyone how possesive Astaire gets when Hepburn is chillin with her philosophy friend? Maybe he realizes that just because he kissed her first she fell for him and that in fact the relationship wouldn't work out if she met someone new because Astaire is just another creep?
I would probably have like this movie if it weren't for Astaire. Not that he's a bad person, I just think he was WAY wrong in this movie.

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I think so too...I like him in it, just not in a love relationship with her.

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He did get a little crazy with that guy, but afterwards admitted he was wrong. And the second time she was with him and wouldn't go, he didn't force her out, he himself left. So it was just a moment of jealousy.

And he was much too old, but this is Fred Astaire. He's lighter on his feet than any 25 year old I've seen. He didn't look his age.

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My friend of 70 years old is an arts teacher.

One of his female students felt passionately in love with him, and she is 18. He was trying to abstain from this, but eventially - after she's been chasing him for several months, he let it go on. To give a gentle hint, he is healthy enough to convey the relationship to the full extent.

The whole situation looks awkward, but I have to admit they've been quite fine together. There are indeed people that, despite their age, stay young for a long time. And, on the contrary, some of people get old in their thirties.

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Remember that Hepburn was the love interest of Humphrey Bogart in Sabrina -- he was also 30 years older than she. The same is true of Gary Cooper in Love In The Afternoon, Cary Grant in Charade -- does anyone question or characterize her relationship with them as 'unhealthy?'

Though very young, Hepburn was enormously sophisticated and these May-December romances happen quite often. To call her relationship with Dick (Astaire) unhealthy is severe and unfair, I think. Frankly, I think it's a silly question and quite pointless -- no offense to the originator of the thread intended.

Give thanks for a little and you will find a lot.

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Hepburn also had an offscreen romance with Bogart, so I think the whole age thing is a mute point.
To me the possesivness would be just as disturbing had Astaire been closer in age, but that is just a sign of the times.

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how on earth could she have had an offscreen romance with bogart? bogart absolutely hated her. the two never got along. she had an affair with william holden during sabrina, not bogart. which is ironic because bogie is the one her character ends up with in the film, not holden. but in real life, holden was in love with her. i think you're confused?

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lovelyheadline: You're right Bogart didn't particularly care for in part because she would take numerous takes during shooting. As for the deal with Holden, you're right about that as well. She later broke up with him when she found out he was sterile and having children was one of her life long ambitions.

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no he didnt. He(bogart) actually felt like an outsider during the filming of sabrina because william holden and audrey hepburn had been in paris when it sizzles or had filmed something else previous and bogart and holden were not on good terms with each other.

also fred astaire always looked older then what he was

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thats why i said 'or had filmed something else' because i wasnt sure. also that were suppose to have been dating/having an affair around the filming of Sabrina.







"The only Abnormality is the incapacity to love"

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dnt forget rex harrison in my fair lady

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Yeah, but there the age difference is remarked upon. They also had way better chemistry. This film kind of disappointed me.

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I totally agree with Gaelicguy..I mean sure, Astaire was older than she, and I didn't really enjoy them being intimite with each in this movie, but Audrey was just way too sophisticated in her movies and in real life to have relationships with younger and immature men...That's just the way she was.

In mostly all of her movies she does have relationships with older men, But rambergja--i do find AH and FA an odd couple. Thank god it was only in this movie...:)

PS- how do people get smileys and colors and make their words ITALIC?

"Quel Rat"

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Audrey was just way too sophisticated in her movies and in real life to have relationships with younger and immature men...


Well, I wouldn't necessarily call him "immature" (mostly because I never knew him), but she did marry Andrea Dotti, who was almost ten years younger than her.




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He got possessive, yes, but then again he was RIGHT, after all, about Professor Flostre being only interested in her for her body. I didn't find it scary at all. He's "possessive" because he's in love -- and yes, I do buy that it's real love. I see nothing wrong with the age difference. And in any case, I thought their chemistry was great myself so there you go.

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Excuse me, PaulSterret, but have you seen the man DANCE?? Decrepit men cannnot dance as Fred, in my opinion one of the world's greatest dancers, did.

The Diva has Spoken.

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I'm always dubmfounded by the hostility that people express in their e-mails, as shown over and over on this site. It's never enough to say something positive about what you like -- it's necessary to denigrate what someone else admires at the same time.
To say that African-American dancers were the best of the era is fine, and may well be true. But to call Fred Astaire an oaf -- come on. The man was grace personified, so much so that his female partners (with the possible exception of Cyd Charisse) could never hold a candle to him, and so his directors always made sure to give him solo dances.

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I've never minded May-December romances, and I'm crazy about both actors, so I love this movie. But I agree, rambergja--that line in the script ("He has about as much interest in your intellect as I do!") has always REALLY bothered me. It doesn't even make sense, because Dick originally came up with the idea of convincing Jo to become a model, because the theme of the monthly issue was to be clothes for the thinking woman, and Jo looked intelligent and thoughtful in addition to being beautiful. But the line makes it sound as if he is interested only in her appearance/body, not her mind. We know that's not the case because it took Dick a while to even realize he loved her (though admittedly he grabbed some chances to kiss her!), and she was in a sense the one to initiate their romance. When he did become aware of it, his treatment of her was tender and chivalrous.

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We know that's not the case because it took Dick a while to even realize he loved her (though admittedly he grabbed some chances to kiss her!), and she was in a sense the one to initiate their romance.


Yes, this is very true. He's been flirting with her, but it isn't until that stunning sequence, 'He Loves, She Loves,' that Dick discovers that Jo is in love with him. Suffice to say, this scene in the film, what precedes it and what follows it are among the very best moments (well, my favorites, anyway) of this breathtaking film.

I can see how folks are put off by Dick's comment about Jo's intellect. But, cnb, you do make a very good point. Her intellect leaps out at Dick and he is right about Flaustre. When Jo resists his advances, he says to her, "You said you live in Greenwich Village," so he presumed she was a free spirit and is very disrespectful of her.

I always laugh at her response, "Yes, but I'm moving Uptown to Yonkers," which abuts NYC. Doesn't that trump the age difference between Dick and Jo? Finally, it was always my sense that more specifically, empathacalism,' was nonsense to Dick, but that he did respect her as an intelligent woman with a probing mind and great intellect.

Perhaps I am being too generous, but it is hard for me to criticize one of my very favorite films. I've posted in another thread that 'Funny Face' should be mandatory viewing. If only!



Give thanks for a little and you will find a lot.

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Gaelicguy, although this is not my favourite musical, I agree that it's a wonderful film which should be mandatory viewing.

It's a May / December romance, not an unhealthy relationship at all, although I do have to admit the romance between Jo and Dick didn't come across as the most compelling one I've ever seen. I'm quite a novice in the musicals department, however, and suspect you have to view romances differently in them than you do in a regular drama. I would agree that the "He Loves, She Loves" sequence is truly lovely.

I don't view Dick's remark as putting down Jo's intellect at all. It's a musical with a lot of numbers to include, so they can't take all day to make their point that Dick is justifiably suspicious of the professor's motives and is attracted to Jo himself. The comment is intended to quickly convey this idea in one line; viewers shouldn't take it too literally, IMO. Likewise, Dick's jealous scene doesn't mean that he's a possessive monster!

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Perhaps.

"We don't see things as they are, we see things as we are." --Anais Nin

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I don't know about unhealthy, but I did think fred was a little bit old. I thought it was pretty sweet, but I couldn't help thinking they have such different characters, so different in age, on the whole it didn't quite fit. I do agree, I didn't like Astaire anything like as much as I usually do in this movie.

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Audrey Hepburn is one of my favorite actresses and I have always liked Fred Astaire. But I must say, though I didn't think it was unhealthy. I don't really think they were a well-suited match. Perhaps could he have been younger or her older...but somehow it just didn't seem quite believeable to me. Yet, she did seem to act often with older men - Astaire, Grant, Harrison, Bogart, etc. I think the only one of them that really seemed possibly like a believeable romance to me was her & Cary Grant...though I love all of them & liked all of the movies...she & Grant seemed like the only young/olderman romance that just worked.

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I don't think it was an unhealthy relationship. He could see what Prof Flaustre was really like & wanted to protect Jo - he didn't go about it the best way & it does seem a bit possessive, but he did it out of the best possible motive. As for the line about Flaustre having as much interest in her intellect as he did, I would like to think he was referring to their photographer/model relationship rather than a romantic attachment. I dig older man anyway! :)

Catriona x


"Fate shuffles the cards and we play" (Schopenhauer)

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I think that when Dick said "He's as interested in your intellect as I am" he could have meant that Flostre only liked Jo's intellect to the same percentage that Dick did (because obviously Dick knows she's a thinking woman and that's one of the reasnos he fell for her) meaning that the rest of the percentage was interest in somtehing other than her intellect (just like Dick). I dunno. That was very bad phrasing. But it's all I'm going to say now.

~Formerly known as "eowynmaiar".

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Are you INSANE?! Who are you to say he was overrated? I don't care if you think he was ugly or not (I don't think anyone considered him classically handsome) but for you to criticize his dancing is way out of line.

I guess all those other choreographers and dancers who admired him (George Balanchine, Rudolph Nureyev, Margot Fonteyn, Mikhail Baryshnikov, Jerome Robbins, Gene Kelly, the Nicholas Brothers, Bill Robinson, Bob Fosse, Gregory Hines, amongst countless others) didn't have a clue what they were talking about when they praised Astaire's genius.

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You're "inclined" to believe that because you don't WANT to like Astaire. Sorry to burst your bubble, but those people truly did admire the man, and people of the ballet world like Balanchine, Nureyev, Fonteyn, and Baryshnikov--what incentive did they have to praise Astaire other than to admire his dancing abilities? They weren't asked whether or not they liked Astaire, they went out of their way to pinpoint the man as a great dancer. You can't accuse Jerome Robbins of "extending a professional courtesy" when he created the ballet "I'm Old Fashioned" specifically dedicated to Astaire.

I've seen a vast range of Astaire's musicals and if your opinion is narrowed down to this one particular film, then you're not seeing a portion of Astaire's ingenuity. For starters, any dance critic will tell you that the dancing in this film is sub-par and the visual appeal of Funny Face is more notable than anything else. If you're going to hate him for something as superficial as the way he looks, then go ahead. If you're going to actually prove that he was not as great of a dancer that everyone says he was, go ahead--I would like to see you create an objective critique of one of his dances outside of this film. But don't try to turn things around and say I'm the idiot for falling for the "studio-system created mystique and fame."

By the way, Gene Kelly and Astaire were always on good terms with each other so don't try to hype up this so-called rivalry. They both had their individual styles of dancing, and I personally think Astaire had more range as a dancer, even though I admire both. When Kelly was injured, it was Astaire who stepped in for him in "Easter Parade" with Kelly's "enthusiastic approval" (quoted from John Mueller's bio Astaire Dancing). When Kelly chewed Debbie Reynold's out for her dancing during the filming of Singin' in the Rain, it was Astaire who found her crying and decided to help her with her steps.

Personally, I think you're just jealous that "old-fogey" Astaire had the opportunity to dance with the most beautiful women of the day (love goddess Rita Hayworth said the only films she could watch herself in over and over again were the ones she did wtih Fred), and that his career did not falter for a good number of decades.

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By the way, criticizing a peer would not have ended anyone's career in Hollywood if they were already a big star. Katherine Hepburn is well known for her saying "He gave her class, she gave him sex" in reference to the Astaire-Rogers partnership. Humphrey Bogart wasn't all that kind toward Miss Audrey during the filming of Sabrina. Hollywood is chock full of instances where rivals would continually bad-mouth each other (my favorite: "You should never say bad things about the dead, you should only say good... Joan Crawford is dead, good!" by none other than my beloved Bette Davis)

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