MovieChat Forums > Have Gun - Will Travel (1957) Discussion > The episodes written by Gene Roddenberry...

The episodes written by Gene Roddenberry piss me off.


I don't think Roddenberry had much of a feel for Paladin; he wrote Paladin as a cultured gunfighter and that much is good, but the fact that he was principled rarely weighed as much into Roddenberry episodes as I would like.

Worse, the Roddenberry episodes do a pretty poor job with women. Either women are swooning over Paladin because he's the most manliest Renaissance man they've ever seen, or the plot resolves by Paladin brokering a deal where all the men-folk get to marry the neighbor's women, or the like. I suppose Roddenberry was a product of his time in that regard, and yet most HGWT writers managed to steer clear from that sort of thing.

But yeah, there's more than a little of James T. Kirk inside Roddenberry's version of Paladin.

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The day before you wrote your post I saw a Roddenberry authored episode. The title is "The Golden Toad" ---> http://www.imdb.com/title/tt0597605/reference Here is its IMDb plot summary: "Webster, a man with three daughters, thinks he's found gold. He's worried that feisty Doris, a woman with three sons, is going to take it away from him so he hires Paladin to protect his interests. Paladin does some research before leaving San Francisco and discovers a solution which breaks the impasse in more ways than one."

I don't recall what solution Paladin found to break the impasse, but Doris established early that she is the kind of woman who is not afraid to pull a gun on someone. After taking samples of the mine, Paladin tells the two feuding sides that there are no gold deposits. He then blows up the mine causing a stream of water to flow out into the flat land below. (That reminded me of the passage in Exodus 17:6 when Moses struck the rock and water gushed forth.) Before Paladin blew up the mine the two families were about to give up their farms because their wells were drying up. Roddenberry didn't resort to the three daughters and the three sons of the feuding families ending up together. So there was at least one episode that didn't fit your observation of other Roddenberry penned episodes.

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Ah, but you don't recall how that one resolves. It resolves thusly: turns out Paladin has bought the land in question, so the water rights are his. But he has also decided to give free access to water to all married couples in the vicinity. So not only do the three sons run off to marry the three daughters, but the widow and the widower ALSO marry.

My point stands for sure with that episode. I'm not going to claim that all the Roddenberry episodes go like that, since I haven't seen them all; but I've seen enough to be able to say, "I'll bet this is a Roddenberry" and be right pretty often.

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Well shut my mouth. I usually watch television while I'm on the computer, so I only half-way pay attention to whatever I'm watching. I also found out that it was on Sunday, the same day you made your first post, not Saturday as I originally wrote, that I saw that episode.

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They can't all be winners, and I admit to being turned off by almost any episode whose premise is for Paladin to "teach someone to be a woman," but the few that Roddenberry wrote like that are more than offset by episodes like "The Posse," "Four O'Clock Stage," or "The Road to Wicksberg," none of which had a woman swooning over Paladin, and I will go so far as to say I think Roddenberry's work on HGWT is generally better than his Star Trek writing.

Je suis Charlie Hebdo.

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It's sad that you can't see the Spock and the McCoy in Paladin. I can do and so can other people. There have even been books written about Paladin's character containing Kirk, Spock and McCoy long before STAR TREK came about. You don't say whether you're a fan of ST:TOS or not but the women tend to be most independent in the episodes he wrote. If not, they're dysfunctional and clingy.

Women were supposed to be dumb and dependent on men after WWII. That's what all the television and film programming told them, anyway. They had to do, so they could leave their jobs for the men who came home from war. Little girls still hear this programming and they learn to hide their intelligence before age six.

If you look harder at Paladin rather than the other characters, you'll see hints of other ST:TOS characters in him and it's wonderful to see them before their birth. The first HGWT Christmas episode was written by Roddenberry and it shows a very STAR TREK solution to the problem.

The women characters are a sociological response to their perceived roles in society at the time. It isn't Roddenberry's fault. Blame society. It still goes on. Look at the White House. A deranged psychopath with anger management issues was voted into office rather than a qualified woman with experience and knowledge, just because he has (presumably) a penis and he's white. It's lunacy.







Bored now.

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lexyladyjax:

Really? Two weeks left of the IMDB posting board and you have to bring politics into it? Sad.

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