The acting


And another post to pay tribute to the effectiveness of the cast of World Without End. Actors in sci-fi films of the 50s were often sloughed over by critics in judging their performances; the fact that they were in such films was usually seen as an indication that their careers were somewhere below those of the Hollywood elite, and their performances were often ignored or not taken seriously.

But despite the usual contemporary neglect, in fact a lot of these actors gave very good performances, and in re-watching WWE it strikes me just how good all the actors were in their roles. Hugh Marlowe was never a performer of great range but here he was extremely good as Borden, matched by the underrated Rod Taylor -- an exceptionally good actor who did well but should have gone further. I'm particularly intrigued by the surprisingly low-key and nuanced performance of Christopher Dark (as Jaffee), a quite good turn as a man beset by sadness but earnest in his desire to see the world saved. Booth Colman as the evil Mories is a great heavy, while the ubiquitous Everett Glass has one of his biggest and best roles as Timmek and does very well by it. And veteran (at 30!) Nancy Gates is natural and understated -- never acted better, and never looked more beautiful. Everyone else also played their roles with conviction and effectiveness -- the key in making such a tale work.

Thanks to its dedicated cast, World Without End is an even better film than it would have been in less capable, and serious, hands.

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Did you happen to recognize Paul Brinegar, (Wishbone from Rawhide) and Strother Martin in the film?

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I can't quite place Paul Brinegar's face...and while I know he and Strother Martin are in the cast, I never noticed the latter and haven't remembered to look. Must do so.

My favorite unbilled actor is the older reporter in the Pentagon scene (the one who ends the sequence with, "Why would a guy with a wife and a couple of kids want to go on a crazy expedition like that?"), played by the great Herb Vigran, in hundreds of movies and TV shows over 50 years...most memorably as a recurrent heavy (usually a comic one) in several episodes of our 50s fave, "The Adventures of Superman".

Also, Naga was played by Mickey Simpson, who that same year played Sarge, the racist diner owner who gets into a fight with Rock Hudson over refusing service to his Mexican customers in Giant. Except that that time he didn't wield an ax or knife...pardon me, a tono or cabora.

Rod Taylor was in Giant, too, of course. Interesting starts to his H'wood career.

Shawn Smith was quite pretty but never much got out of s-f films. In '57 she was the (now-blond) reporter who accompanies the Antarctic expedition and crashes into a dinosaur-rich tropical paradise in The Land Unknown. On the plus side, she got to bare her midriff again.

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The only place where I noticed Strother Martin was in the scene where the tunnelites are tying up our heroes after the murder of James.
Paul Brinegar was the guy who, when Timmek tells him to "Open the door!" opened it right up so that our herooes could go out and do battle. Of course, then he didn't have his trademark beard.

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Oh, okay. You know, I've been looking at that guy during the 20 times I've watched the movie in the past month, and while he seemed familiar my primary reaction to him was what a silly expression he had on his face in the background while watching Timmek and Galbraith converse. Taking it further, I thought he reminded me of a cross between Johnny Carson and William H. Macy. But I don't really recall what "Wishbone" looked like, or Brinegar with a beard. Rawhide was never my favorite TV western at the time, and it's been 40+ years since I've seen it!

But now that you mention it, I do place Strother in that tie-up scene. Did you ever see his film debut? Near the beginning of the great The Asphalt Jungle (1950), where he has a wordless cameo as a petty crook in a line-up, who the policeman in charge relates had tried to hang himself in his cell the night before -- while a slender, wispy Strother nervously runs his hand up around his throat, where his necktie once had been.

He also broke out a rope to try to lynch Jimmy Stewart after Lee Marvin is killed in The Man Who Shot Liberty Valance. It's always about hanging or tying someone up with him, isn't it?

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I just got the DVD a few days ago and watched it yesterday. I thought all the acting was good, but what really mattered was that everyone seemed to take the whole thing seriously. It would have been easy for them not to. What did bother me were the costumes of the underdwellers. The custumes the guys wore looked like they were left over from "The Hunchback of Notre Dame," and the woman's from "A&C go to Mars." But then it's a fifties movie! One thing I did want to note was that this movie kind of reminds me of "Planet of the Apes" (see other posting), and I spotted a POTA/WWE connection: Booth Colman played "Dr. Zaius" in the POTA TV series.

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You hit the key to the success of all such movies, haristas -- that the actors (and writer and director) take it seriously. Nothing is worse than a movie that tells the audience: this is ridiculous, we hate this film, we're just doing it for the money, don't be such a jerk. WWE always sweeps me into its story precisely because of its fidelity to that story. The people involved respected what they were doing.

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I concur. The acting in this film was indeed quite good and added substantially to the overall sound quality of this cool little sci-fi winner.

"We're all part Shatner/And part James Dean/Part Warren Oates/And Steven McQueen"

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The acting was surprisingly good in this movie. I went into it expecting it to be hilariously bad, but I came away with only one thought in my mind: "That was AWESOME!"

I admit I watched it for Rod Taylor, and Rod Taylor only, but everyone did a good job in this fun (and rather overlooked) '50s gem.

"He's already attracted to her. Time and monotony will do the rest."

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No matter what anyone says, and that includes the OP, "Frankenstein Island" will always rule my mind as being genius on an altogether superior level. Nothing can compare to it except,perhaps, "The Ghost of Dragstrip Hollow".

Truth is stranger than fiction, but fiction must make sense.

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I would rate Booth Coleman as the best actor in the movie. Great voice, prescence, etc.

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Booth will turn 90 in March. This was the first movie I got to know him in and I've always enjoyed his performances. He definitely had the juiciest part in WWE.

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Well congratulations to him! Pisces always keep their wits.

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Not when he took off out of that tunnel!

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Guess that shows how good an actor he is. :>)

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What the hell kind of accent was Rod Taylor trying to speak? It sounded phony to me. I loved Booth Colman with a swimming cap on his head being a real meany, though. The chicks were pretty hot too.

"The internet is for lonely people. People should live." Charlton Heston

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Well, hello there, Os!! Welcome to this board.

Now, to answer your question: Taylor at the time still seemed to speak with a heavy Aussie accent that he later lost, at least as far as I can tell. I think he was trying his best at an American accent. The time in the film when the Aussie accent is most noticable, I think, is at the very start of the film.

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Nancy Gates is natural and understated -- never acted better, and never looked more beautiful.


Don't forget those legs (I can't!) 😍

No blah, blah, blah!

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Don't forget those legs


Oh, they're absolutely not forgotten!

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Oh, they're absolutely not forgotten!


Every time she appeared on screen, the title of the movie should have been changed to Legs Without End. 😀

No blah, blah, blah!

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Nancy Gates never looked so tall as she did in WWE. Obviously that costume worked wonders in emphasizing her beautiful legs. She was also a brunette; I think this was the only time she appeared as a blond, and I have to say I liked her better that way.

By the way, just to make us all feel old, Nancy is 89 now, and I hope reasonably well. Since the deaths of Booth Colman last December at 91, and Rod Taylor in January at 84, Nancy and Lisa Montell are the only two surviving cast members as World Without End nears its 60th anniversary in 2016.

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Nancy Gates never looked so tall as she did in WWE. Obviously that costume worked wonders in emphasizing her beautiful legs. She was also a brunette; I think this was the only time she appeared as a blond, and I have to say I liked her better that way.


Yeah, she did look better as a blonde. I'm not sure how tall she is (was, since age most likely has done its work there), but she appeared to be a little taller than 5'6'' Burgess Meredith on the Wagon Train episode I was watching last night.

No blah, blah, blah!

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That height sounds reasonable. I think she was one of those people who somehow looks shorter on screen than she is in real life. But she also wore heels in WWE, which boosted the leg effect.

She also did good work in two Frank Sinatra films, Suddenly (1954) and Some Came Running (1958), as well as in her last film, Comanche Station (1960) with Randolph Scott.

I was also pleased to learn many years ago that she and I share the same birthday, February 1 (though many years apart!).

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