MovieChat Forums > Julie (1956) Discussion > One of Doris' worst films...but not all ...

One of Doris' worst films...but not all her fault


JULIE was the 1956 film that was the first product of the production company that Doris formed with hubby Marty Melcher. She played a woman being terrorized by her husband (a wooden Louis Jourdan). It's good for some lovely scenery and some unintentional laughs, including a laughable finale where Doris single-handedly brings a crippled airliner back to the ground. I learned later that Doris was not in the best of health during the making of this movie and actually collapsed on the set one day. Shortly after completing this film, Doris had a hysterectomy and learned she would never be able to give birth to any more children.

reply

Sorry, I disagree that the last 30 miunutes are 'laughable'. This type of scenareo has played out in real life, where a flight attendant has to land a aircraft. Flight attendants are not trained to fly, but they are trained to keep a level head when a disaster is emminent. And the first offier's comment of not causing panic in the cabin by asking for a pilot did make sense, especially as he said, we don't know what lunatic we may have down there".

The tower instructions, even the hand-over to 'channel 7'was as it should have been, the radar 'scope was great, and I was waiting with baited breath for the command to get the 'gear down' - and coupled with some real extrior shots, it worked superbly. It almost became an insturctuioinbalk film for first-time pilots flying a Douglas DC4. Knock th efilm for being bitty if you wish, but the last half-hour makes for one of the novie moment greats.

Oh - it wold have helped if the husband had gotten himself a boarding pass before sneaking on board, but other than that...

John Ruffle

reply

I was not crazy about this film since "narrations" don't work well with me. Hearing the star's voice telling us how she feels, etc. bothers me. The part of Julie was a "one note Johnny" and the story a might simple. Doris Day actually played a similar role, later in "Midnight Lace." Her performance was merely hysterical in "Lace," and a series of mishaps, which were set up to kill her. Aside from an incredible wardrobe, it was not that good. But, with what she was given as a script, Day was good in the role.

"Julie" was a waste, all around for Ms. Day. I would like to have seen her and Louis Jourdan in another film, just as I felt that she and Cary Grant would have faired better in something other than "That Touch of Mink."

reply



Hi,one can never be too rich or have too many friends. Actually Doris and melcher had formed the company before Julie,in storyline it was revealed she had taken flying lessons before her first marraige so it wasn't such a stretch for her to land plane. The part about the Police unable to help her from sicko husband was amazingly contemporary,is the situation different? Just wondered

reply

Well, I'd probably be more comfortable being in a plane flown by Doris than in a car she was driving. Did you see at the beginning of the film when she was driving the car with her husband how eradically she was moving the driving wheel from left to right and back? If it wasn't the movies, she woulda been off the road in seconds. But when she was driving the plane at the end of the movie, she was nice and steady.

My Movie List:
http://www.rinkworks.com/checklist/list.cgi?u=avalon123&p=seen

reply

I noticed that, too. That scene could have been directed better. Her steering wildly from left to right when the car was supposed to be on a straight-away looked ridiculous.



"I told you a million times not to talk to me when I'm doing my lashes"!

reply

The movie has some notable elements of suspense, but they were sometimes undermined by the largely unbelievable ability Julie's husband had to find her more quickly than even the police could respond to Cliff's shooting. It needed better pacing, especially leading up to the final act. The plane dilemma felt overlong and all of the tension necessary to sustain the remainder of the film completely dropped off after Lyle stormed the cabin. From there it played like a long-winded demonstration training in avionics. JULIE struck only a mild interest with me.

reply

this is a very weak film



When there's no more room in hell, The dead will walk the earth...

reply

They lost me because they shot at Pebble Beach in Black and White. That was a crime against nature. To have all that beauty of nature and the beautiful Doris Day and do it in B&W because it was supposed to be a thriller.

Watch "Play Misty for Me", shot in the same location and tell me it ain't a thriller, in color. A movie does not have to be B&W to be scary. But they probably shot in B&W to save money.

There are so many problems with this movie, it's just too bad Doris was in it.

reply


So far so good.

**
Cici: "Oh, I'm sorry my bad, I thought you were someone else".
Ghost Face: "That's OK, I am"

reply

The ending....no. They could have cut out the whole last half hour.

**
Cici: "Oh, I'm sorry my bad, I thought you were someone else".
Ghost Face: "That's OK, I am"

reply

For a hand-picked script of Doris Day's and her husband's production company , it was ridiculous. The movie lost me at her packing clothes and makeup while trying to flee her husband, esp after the ludicrous "pressing on the accelerator" and almost killing her. Do you know that a car will stop or at least slow down if you apply the brake, even at full acceleration? Just a bad script from the start, and it just kept getting worse. Too bad - I liked her hair, though, in this film. The later Doris Day "Flip" used to drive me nuts.

reply

Doris Day looked great at 32-33yrs old...she had her own sense of reserved sex appeal-and I can understand a man going a little nuts for her,in this case her character Julie's 2nd husband...some holes in the film,but a watchable"bad" film noir...

reply