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Anyone notice how Dennis Hopper Copied Dean's Acting Style Later On?


Dean almost doesn't say his lines as much as he does through the film. It's wonderful. He has such control and wants you to watch him try, rather than performing actions.

He has to say the actual words in the script, but it feels like he doesn't want to. They're like throw aways; and it's also hard to understand his drawl.

Years later, Dennis Hopper had scenes of intense staring and psychological business happening with his characters that seem eerily reminiscent of James Dean's work up there on the big screen.

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You are thinking too hard. Hopper was a very independent type. His own man. Was his Babbaloogats (however it was spelled) in Cool Hand Luke mimicking something Dean did? Don't think so. I understand your point but Hopper acted like Hopper. Who else does?

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I do think hard, yes.

I must say about Hopper: his performance in Apocalypse Now is the best thing in the whole movie.

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Years later Hopper was still eagerly talking about bits of valuable acting advice he'd gotten from Dean.



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... and Dean copied Brando, whom he idolized, though the admiration was not reciprocated.

By this time (1955), Brando was one of the top ten bankable stars and had been nominated for the Best Actor Oscar four years in a row: A Streetcar Named Desire (1951), Viva Zapata! (1952), Julius Caesar (1953), On the Waterfront (1954). He finally won for Waterfront.

Meanwhile, Dean's first movie, East of Eden, was only just released in April 1955; Rebel without a Cause was slated for release in October (a month after his death), and he had just wrapped up Giant, which would be released in October 1956, more than a year after his death.

Anyway, Dean attempted to call Brando and see him socially, but Brando rebuffed his attempts at bro-ship. “I gave him the name of a [psycho]-analyst, and he went," Brando wrote in his memoir, Songs My Mother Taught Me. "At least his work improved." Snark!

.

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I don't think he so much copied Dean as he was just employing the style they had both been taught, along with Brando, at The Actors Studio. I find all of the method actors if this era to show many similarities in their style. Actually to a nearly annoying degree.

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I agree. The Actor's Studio was all the rage from the late 40s through the 60s. Brando, Dean, Hoffman, Monroe, Pacino they all seem to have speech issues when it comes to their roles. Only Monroe seemed able to speak her lines clearly. And I will add, back in the 80s I had the chance to see Hoffman in The Merchant of Venice on Broadway, and I had trepidations. I was already familiar with his sloppy speech and thought about how Shylock would be presented. Thankfully, he stepped up and turned out a wonderful performance. Well, Shakespeare DOES make you enunciate!

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