THE RED BALLOON (“le ballon rouge” 1956)
Written & Directed by Albert Lamorisse
34 min
1956 Cannes Best Short Film
1957 Academy Award Best Original Screenplay
1st VIEW 1/26/10
The film immediately captured me with a palate of warm, subdued colors. Having been born in France in 1956, this was a window to the world I first entered, a simpler time in rich contrast to the electronically paced sensory overload I’m now surrounded by. I followed the boy through the streets of Paris as this story unfolded.
The boy, given no name, walks alone through the streets wearing a strange, pale blue suit that looks like sweats, and carries a small attaché’. We soon learn he’s on his way to school. Along the way he finds a red balloon trapped on a streetlamp, and he rescues it. At first, he’s attracted only to the diversion of a brightly colored object that can float on the air. He finds some people are annoyed by the diversion it creates, others are amused, and some even envious. He’s denied boarding on the bus because of the balloon, which makes him late for school. The balloon is again rejected by the school and sent outside, when a kindly man holds the balloon for the boy. When he gets home his grandmother rejects the balloon and sets it free. It is then that he discovers that the balloon has intent and can control its own movement. The balloon waits for him and follows him playfully. A friendship develops, and the desire to escape his loneliness replaces the simple attraction of the novelty. The friendship is demonstrated through loyalty, how the boy protects the balloon from other children who wish to possess or pop it, and how the balloon follows only this boy, comes when it’s called, and continues to come back to him when they are separated. The balloon even harasses the schoolmaster who locks the boy up in solitary confinement for his disruption.
The story plays through a series of conflicts created by their relationship. First it is the simple consequences of the balloon being a disruption on the bus and in school, but then we see gangs of other children seeking to capture and then destroy the balloon. The undertone is that they resent the boy, not the balloon, it is simply an easy target, or so they believe. The boy is contrasted to the other children in several ways, and it appears that he holds a different status which is not explained but only suggested. He wears this funny little suit, with long pants, while all the other boys wear shorts. He’s alone, while the others are in groups. He carries the small attaché to school, appearing the young adult to the unruly gangs of youths.
Finally, the balloon is struck by a thrown object, and slowly deflates until stomped on by one of the children. For most of the film the balloon was threatened, so this is the unhappy resolution to the main conflict, but the boy’s journey is not yet over. We next see ALL the balloons of Paris fly from the grasp of their owners or tethers and converge on the saddened boy. He grabs as many as he can and is lifted away, over the city, above the petty indecencies of the children and adults below.
I enjoyed the film; it was thoughtful but not obvious, leaving me to determine its meaning in the context of my own life.
reply
share