MovieChat Forums > Aparajito (1956) Discussion > The mother and the neighbor?

The mother and the neighbor?


What was the big deal between Apu’s mother, Sarbojaya, and the neighbor who lives upstairs, Nanda? The first time he shows up to give her a calendar, she pulls her head scarf over more of her hair and leaves the room. The second time, when she hears him coming, she pulls the scarf over her head and hides until he has gone upstairs.

When she needs some matches, she asks Apu about him, and then tells Apu to ask him for just two matches, as if she dreadfully feared being in his debt for an entire box of matches. Apu goes upstairs and watches him surreptitiously, as if he were doing something of significance, but all he does is unwrap a bottle of booze. Apu asks for just two matches, but Nanda gives him the entire box, saying he has plenty and that Sarbojaya needn’t return them.

Then, while her husband is sick, she is preparing food. Nanda enters her kitchen to ask her if she has some paan. It doesn’t sound like a big deal, but it is filmed as if his approach is ominous. She is fearful, and then turns on him, furiously telling him to get out. When he leaves, she breathes heavily, as if she just escaped being raped or something.

Is she crazy? I have known women who always think every man they meet is on the make for them, when the men actually have no interest in them at all. Or has Nanda violated some terrible taboo, like, “Thou shalt never ask thy neighbor’s wife for paan?” And if it is such a big deal in India, why don't they get doors they can close to keep neighbors from just walking in without knocking?

Whichever it is, what the heck does it have to do with the rest of the movie? With all that buildup, we expect some great climactic scene, but there is no payoff.

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The film isn't looking for broad payoffs and melodrama for the most part, it's simply a depiction of a typical situation that you describe with "I have known women who always think every man they meet is on the make for them, when the men actually have no interest in them at all." Personally I DID think there was some white knighting on behalf of the neighbour, certainly some level of desire to obtain her and I can understand the offence of when he asked for Paan when her husband was on his deathbed.

It's just another tiny detail about the role of women and constant lack of respect and condescension towards them depicted throughout the trilogy. There are plenty of men around who feel entitled to women simply because they produce a small service for them or act polite when in reality they are owed nothing. It's a case of an immature man who can't read a signal that he isn't wanted and yet keeps trying to involve himself (even when the woman's husband is dying right in front of her)

Certainly quite a complex and interesting little situation placed as a tiny detail in this masterpiece. Glad to see someone brought it up.

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I wasn't sure if we were supposed to think his intentions were evil or if that was just her perception of what was going on, but you do bring up a good point. The playful, almost sensual way he says "my dear, are you making paan?" is already odd enough, but when he does so knowing her husband is on his deathbed in the other room is just plain disrespectful, if nothing else.

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India is a very rapey country. Not sure about 1920s, but certainly now. It's obvious that the neighbor took notice of her and she knew about it, so she had to be careful and asked Apu to only take two matches.

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