MovieChat Forums > To Catch a Thief (1955) Discussion > Literally a James Bond film

Literally a James Bond film


I think Hitchcock might as well be credited with creating James Bond film formula. His Cary Grant films are all very proto-Bond, but this one especially. Here's a few Bond elements I noticed:
- Main character is a professional thief/spy with military background
- He has a nemesis
- Everybody seem to know his name, so he uses an alias
- He is supposed to be undercover but isn't really
- Cary Grant looks like a cross between Sean Connery and Pierce Brosnan
- Takes place in a picturesque locations
- Starts with a chase on a mountain road
- Two (or three?) love interests of main character
- One of which turns out to be a villain
- All characters enjoy expensive lifestyles
- Casinos
- Watersport (and swimsuits)
- Suits, fashionable cloths, sportcars, parties, etc
- Rather unrealistic bondian dialogue between Grand and Kelly (they try to outwit each other)
- Ending that could have been an inspiration for From Russia With Love beginning.

Seems more James Bond than any of Daniel Craig's films. What do you think?

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There are similarities . . . but that's all . . . Hitchcock's films have a sophistication badly lacking in the superficial Bond films . . .

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That's an unneccesary generalisation.

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I think you're misusing "literally".

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You could possibly stretch the Bond template back to Notorious . . . maybe Ian Fleming did think of Grant as the figure he wrote about?

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Cary Grant would've been a great James Bond

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Maybe . . . but I don't think he would've liked being forever typecast as Bond . . . Connery could never get any other career going, and is still mainly known for the Bond flicks . . . I think Grant had a much more fuller and challenging career, playing with different directors and different parts . . . it's good he was never so typecast . . .

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Cary Grant WAS offered the role of James Bond, sometime before Sean Connery got it. Grant seriously considered playing Bond but said he would only make one film, not a series. The deal fell through. Grant's North by Northwest co-star, James Mason, was also considered, but I don't think he got an offer.

I would suggest that for the makers of the Bond movies, three Grant/Hitchcock movies helped give them their template: To Catch a Thief(as noted by the OP but also very much for the scene of Grant in tuxedo at the baccarat table), North by Northwest(for the action, the supervillain and henchmen, the sexually available heroine), and, less than the other two, Notorious (for Grant's lightly sadistic toughness towards Bergman..Connery's Bond was a bit of a sadist, too.)

The Bond novels had both sexual and violent content beyond Hays Code movies; I think Hitchcock's films gave the makers a sense of what COULD be done with Bond on the big screen. Still, the Bond movies were tougher than Hitchcock, and the sex was more overt. They also were made in Britain and seemed to get away with more than the usual Hollywood studio product.

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I would disagree that Connery "could never get another career going." I think that he's the only actor who played Bond who really DID function as a full-fledged A-list movie star away from the series, perhaps because he was the first. As someone noted, Connery may well have become a superstar without needing Bond, he had "it"(voice, face, height, strapping body, etc.) You might say that the first James Bond was the only one played by a true star to begin with. (Moore, Dalton, Brosnan and modernly, Daniel Craig...really can't get non-Bond star careers going.) Later, major stars like Paul Newman, Burt Reynolds and Mel Gibson turned the role down.

Connery was the A-list headliner of Hitchcock's Marnie, Huston's The Man Who Would Be King, Lumet's The Anderson Tapes, and: The Wind and the Lion, Robin and Marion, and many other films before finding a late-breaking "new star persona" as a "father figure" to younger male stars: The Untouchables(Kevin Costner), The Presidio (Mark Harmon), Indiana Jones and the Last Crusade(James Bond as Indy's father!), etc.



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Ecarle:

Hi, how's it going? You're still posting wonderful material to read . . . I always enjoy them, no matter who's being discussed . . .

He did have it, however, he still needed Bond to become a superstar . . . that wasn't the case with Grant, Stewart, many others . . .true, he clearly was upwardly mobile, yes, but not yet superstar status . . . and he got stuck with that persona forever . . . none of his films that follow equal Bond . . . don't get me wrong . . . he is a good actor, I actually think he's the best thing in Marnie--he gave Hitchcock what he wanted, and helps carry the film . . . what's even sadder is that Connery could've been used by Hitchcock again, in future films . . . but, no, only that lone work . . . if only he had been a major star before Bond . . . then his career would've been more varied (a la Grant, Stewart, others) . . .

I agree that the three films mentioned could be the base for a Bond persona . . . and, yes, Grant would've been fabulous . . . but for only one film . . . no more after that . . . something Connery couldn't do . . .

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Hi, how's it going? You're still posting wonderful material to read . . . I always enjoy them, no matter who's being discussed . . .

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Its going well, thank you for asking, and I hope all is well with you.

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He did have it, however, he still needed Bond to become a superstar . . . that wasn't the case with Grant, Stewart, many others . . .

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Fair enough. Grant noted that to become a star, a new actor needs to make a lot of movies very quickly so that the audience becomes familiar with him, his face, his name, etc -- "like a brand of ketchup." Connery perhaps got to skip all that "build-up" by becoming a star almost instantaneously as Bond. (He'd been in movies for about five years prior, I think, most notably in Disney's "Darby McGill and the Little People.")

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true, he clearly was upwardly mobile, yes, but not yet superstar status . . . and he got stuck with that persona forever . . . none of his films that follow equal Bond

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In support of your case, Connery himself said late in his career "I never could beat James Bond at the box office. I tried hard, but he always beat me."

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. . . don't get me wrong . . . he is a good actor, I actually think he's the best thing in Marnie--he gave Hitchcock what he wanted, and helps carry the film . . .

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Of some interest is that Connery -- with Dr. No and From Russia With Love behind him, but the blockbuster Goldfinger just ahead of him -- wasn't considered a "full fledged superstar" when he MADE "Marnie." Established star Rock Hudson had turned down the male lead in Marnie; Hitchocck was rather casting "a promising personality" in Connery. What a difference a few months would make -- "Marnie" was in summer, "Goldfinger" at Christmas was a "Titanic-like" blockbuster at the b.o. Connery WAS a star, now.

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what's even sadder is that Connery could've been used by Hitchcock again, in future films . . . but, no, only that lone work . . .

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Absolutely. Hitchcock tried to sign Connery to a long-term multi-film contract after "Marnie." Hitchcock knew Connery had "the goods" and would be a perfect, perhaps more macho replacement for the aging and soon-to-retire Cary Grant. but Connery said no to the contract.

Hitchcock came at Connery with some "individual" projects: "The Three Hostages" from a Buchan novel and with Connery as Richard Hannay (never made); "Topaz" (I saw storyboards with Sean Connery as Andre at the Hitchcock Centennial display at the AMPAS museum); and his final unmade project, "The Short Night." Only "Topaz" was made, with unknown Frederick Stafford, in for Connery but looking a great deal like John Gavin. Connery would have been wrong for "The Short Night" -- he was to play an amateur recruited to BECOME a spy. James Bond? Hitchcock also tried to offer Clint Eastwood that role, but ultimately Hitchcock was too old and sick to make "The Short Night" and he retired.

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if only he had been a major star before Bond . . . then his career would've been more varied (a la Grant, Stewart, others) . . .

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Perhaps. I think Connery had a slump in the seventies where the "hotter" British macho guy was..Robert Shaw(Jaws.) Shaw's roles in "Black Sunday" and "The Deep" might have gone to Connery. Then Shaw died young and in the 80's Connery's career picked up again. Very helpful to that was 1983's "Never Say Never Again," where Connery played...James Bond!(For producers other than those he had quit on and fought with.)

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I agree that the three films mentioned could be the base for a Bond persona . . . and, yes, Grant would've been fabulous . . . but for only one film . . . no more after that . . . something Connery couldn't do . . .

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Yes, Connery was "new" enough to commit to five Bond films in a row(Dr. No, From Russia With Love, Goldfinger, Thunderball, You Only Live Twice) and they burned him out. He came back famously for 1971's "Diamonds Are Forever"(John Gavin of Psycho fame had been hired as Bond and had to be paid off), but only that once and for spectacular pay. "Never Say Never Again" was a separate project...actually it was a remake of "Thunderball" because that Bond book was owned by someone other than the main Bond producers.

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Pleasure reading you and chatting with you here hisgrandmogul...and I thank you for entertaining my contra opinions for polite debate!

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Ecarle:

Another highly informative post!

Yes, I thought of Connery for Topaz--can't ever be certain but he might've added some heft to that film . . .

I too lament that he didn't work with Hitchcock again . . . anything would do . . .

Think of others who did escape the type-casting trap: Bogart could've gone on playing Sam Spade for years (and, maybe was in The Big Sleep), Grant could've gone on playing Mr. Lucky in endless sequels (and maybe he was in his later films); Stewart could've been doing Ellsworth Dodd for years on a radio or TV series . . .

Happily all those guys were handled much more adroitly by their management . . . and we can enjoy them in a wide variety of works . . .

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No, by the time they started making those Bond films Grant had been a star for decades in hit after hit. It's more probable to guess that Bond movies wouldn't have had the same lasting power had Grant played the part and then moved on. It would be Cary Grant as Bond, and not just Bond. Sean Connery immortalized the character precisely because Connery hadn't been on the screen for decades as a star.

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I am formerly known as HillieBoliday....Member since May 2006.



Sean Connery would've been beautiful in this AH gem!

"OOhhhooo....I'M GON' TELL MAMA!"

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North by Northwest more so, but, yes, Hitchcock basically invented the Bond film. This is well known. As a matter of fact, Cary Grant famously turned down the Bond role that went to Connery.

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Actually, "North By Northwest" is the true template for the Bond films.....Ian Fleming was working on an original screenplay that became "Thunderball" when the Hitchcock film came out and he was struck by the similarities to what he was trying to accomplish in his Bond screenplay....especially in the carefully spaced action "bumps"....the drunken ride, the U.N. murder, the crop duster duel, the art auction escape, and the Mt.Rushmore showdown......

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Yet another person who doesn't understand the distinction between "literally" and "figuratively."

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How can it be "literally" a James Bond film? If it were, it would actually be a James Bond film.

I think you mean "almost" a James Bond film
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My God, it's full of stars!

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Came across as batman when I was watching it.....man with a past helps solve a crime.

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