MovieChat Forums > Gunsmoke (1955) Discussion > Favorite episodes from other western sho...

Favorite episodes from other western shows?


I'm always on the lookout for new westerns,and since Gunsmoke is my favorite, I think that fans of the show are likely to have similar tastes.

I'll get the ball rolling:


The Rebel (1959–1961)

"The Waiting"



Rawhide (1959-1965)

"Incident at Deadhorse" and "The Race"



The Westerner (1960)

"Hand on the Gun"



Maverick (1957-1962)

"The Devil's Necklace" and "Two Beggars on Horseback"

The parody episode "Gun-Shy" should be of special interest to Gunsmoke fans.


The Wild Wild West (1965-1969)

"The Night of the Feathered Fury"


And finally, a little known show called Outlaws (1960-1962). The first season had a unique premise: the stories were largely told from the perspective of the bad guys. I've only seen a hand full of episodes on Youtube but I've been impressed with their quality so far.

"Beat the Drum Slowly" and "Thirty A Month" are probably the best of the few that I've managed to track down.       


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Hi Jack. I was never a fan of westerns... Bonanza, Have Gun Will Travel, Maverick... all westerns too clean to be believable. Gunsmoke is the exception. They talked about injustice, alcoholism, child abuse, rape, poverty, etc... All In the Family was the show that took opened up to those necessary issues.

I enjoyed season #1 of Wild Wild West (the black and white issues) because it had a James Bond angle to it. The most memorable episode from the Wild Wild West for me was The Night of The Puppeteer. The story of The Phantom of The Opera always haunted me when I was a kid, and this story reminded me of it.





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Good choice. "Puppeteer" is one of my top 5 WWW episodes. A sympathetic villain, and a truly bizarre premise combined to make for an excellent episode.


If you like your westerns realistic and gritty, check out The Westerner on Youtube. It was was a short lived series created by Sam Peckinpah, which starred Brian Keith. It only ran for 13 episodes. It veered wildly between mature, sophisticated scripts and terrible (imo) comedy episodes. When it was good, it was very good. What made the series different is its realism. Brian Keith doesn't play a white knight cleaning up the wild west, he isn't a lightning fast gunslinger, he isn't a classy sophisticate like Paladin - he's just a cowboy bumming across the southwest. Not that smart. Not that brave. Not always overly trustworthy for that matter.


My top 4:


Hand on the Gun
Jeff
School Day
Line Camp


"Mrs. Kennedy", "The Old Man", and "Going Home" are also worth a watch

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I occasionally watch other Westerns; H&I shows a lot of them. Laramie (not to be confused with Laredo) is a generally lame actioner; it's amazing it lasted as long as it did. Of course, it had Robert Fuller, who doubtless attracted many female viewers.

Have Gun -- Will Travel is arguably the most-highbrow Western. Paladin is a hopelessly overeducated intellectual who knows everything about everything, and doesn't hesitate to share his knowledge. (He likely died from starvation induced by a dislocated jaw.)

"Trial at Tablerock" is a model for screenwriters. (The fine script is by Gene Roddenberry. Those who claim he couldn't write should watch it.) It has an ending that follows the rule of "surprising but logical" magnificently.

Lochinvar (Sir Walter Scott)

The MAD Treasury of Unknown Poetry, volume III
Tom Koch MAD #54, July 1961 p15

Oh, young Paladin has come out of the West;
Of all the horse operas, his show's watched the best.
The weapon he carries: a neat business card;
And with its sharp edges, many crooks have been scarred.
When ads are concluded, and stories begin
There ne'er was a hero like young Paladin.

He knows table manners; politely he bows;
He even quotes Shakespeare to some of the cows.
When he faces the camera, all smiling, of course
There's even a smile on the face of his horse.
The crooks skulk around, but they can't hide chagrin
At the guff they must take from this dude, Paladin.

He spouts off to rustlers Keats, Shelly, and such,
But they're always too busy to listen to much;
No one on the networks gets quite such a bang
Out of quoting long sonnets to men while they hang.
Some day he will get what's been long due to him;
The bad guys will shut up the smug Paladin.

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I promise to check out The Westerner after Gunsmoke. Currently, I'm on the 8th season Cotter's Girl with the playful Mariette Hartley to be precise. I respected Brian Keith and always believed Hollywood underestimated his abilities... the last days of his life was horribly tragic.

Ya my beef with Have Gun Will Travel is for the very reasons that grizzledgeezer said in his last post. Paladin seemed like an arch angel come down to put the cowfolk on the righteous path... and he never got dirty. HBO Deadwood was terrific.

Branded with Chuck Connors was cool. I watched it as a kid and I remember the theme song told the story about how he got into that situation (like the theme song to Gilligan's Island). I remember the character of Jason McCord was the strong silent type.

F Troop was also fun. They had a perfect cast to play the parts.

Shows like Bat Masterson (1958 - 1961) or The Life and Legend of Wyatt Earp (1955 - 1961) was that it wasn't researched and gave a false representation of the historical characters they were out to portray.



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Mariette Hartley is just so darn likeable, isn't she? Normally I would hate an episode like that one, but she's just so charming.

I agree about Paladin. In an effort to make the show more intellectual, they created a character so improbable that he's almost cartoonish to me. Boone was an awesome actor though. Nobody could play a cruel bad guy like him; he just oozed menace.

I have never seen "Branded." It's got a great premise, but it seems that all of the dvd releases thus far are edited copies. I hate that. If it ever gets a proper dvd release I'm gonna be on it day one. The Guns of Will Sonnet and Trackdown are two more series I'm going to check out if they ever get an uncut dvd release.

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in Gunsmoke, Mariette Hartley was indeed likable... the girl next door... That episode was 'Pygmalion/ My Fair Lady'. Matt escorts an orphan girl back to Dodge for her own safety and security... along the way, she develops (to the Marshals embarrassment) a crush on him. Gunsmoke had at least one other episode with the same situation, but different story.

A few years later, Mariette Hartley is more mature. She is beautiful confident and graceful. She was on Star Trek All Our Yesterdays playing the part of a woman doomed to be alone on an icy distant planet of the past.




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She has a nice turn on the TV show M*A*S*H, and much later plays a bad rich lady on NCIS.
Of course, she must have done dozens and dozens of other guest appearances. She really stands out, great cheekbones and a lovely smile with out being excessively glamorous.

I'm not a woman much less Deanna Durbin, but the old-time glam-shot appeals to me.

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I'm sorry you didn't like Laramie. I thought the chemistry between Slim and Jess was very palpable, and appearance (lighting, sets, blocking and quality film) made it easy to watch, to me. And while it wasn't deep, it had a consistent moral value while having a sense of adventure and fun. I didn't watch Westerns when I was a kid, so I'm not an expert, but sometimes when I watch the James Garner and Steve McQueen shows, I don't always connect with watch's going on. Paladin is sort of funny as I admire literary scholarship. Wagon Train looks like it was filmed through mud.
Laramie I discovered late in life and it really caught my imagination, haha.

But these IMDB boards are going to close, so I'll miss chatting about such things with people like you.

I'm not a woman much less Deanna Durbin, but the old-time glam-shot appeals to me.

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This has probably been mentioned before, but Justified is a modern version of Gunsmoke, with Timothy Olyphant playing Matt Dillon. The parallel isn't absolutely exact, but it's close enough to be obvious.

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"Have Gun, Will Travel" was originally conceived as a contemporary private eye show. That explained the business card. I can't watch "The Life & Times of Wyatt Earp" and keep a straight face. Seriously, "Blazing Saddles" and "Cat Ballou" seemed more believable!



Annoying the world since 1960!

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Gunsmoke was originally conceived as "Philip Marlowe Out West". The idea gradually evolved.

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On Bonanzas-

The Leslie Nielsen episode (The Unseen Wound) is pretty serious for back then. Also, the Lee Marvin one (The Crucible). Someone on these boards pointed me to that one. The Gary Busey episode (The Hidden Enemy) about the drug addicted doctor is a heavy one too.

The show definitely has its moments despite all the cardboard. ;)

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I didn't start watching westerns until about 5 years ago. I have not seen that many. Of the ones I have seen, my favorite is Lawman (1958). I have watched all 4 seasons now.

Of the episodes, one of my favorites was The Long Gun (1962). In it, a veteran lawman is going to ambush a couple of gun thugs that killed a family. The main character, Marshal Dan Troop, talks him out of it. This shows the burnout lawmen of that era faced (a characteristic that still affects modern lawmen and women).

The show took on some issues as well, such as serving on a jury, why citizen involvement matters, and why citizens being able to defend themselves with guns is important. There were some lighthearted bits as well between Matt and Lily- a Kitty-like saloon owner.

I really liked Justified (2010), which is a/k/a Lawman.

I also enjoyed Have Gun - Will Travel (1957) and Wanted: Dead or Alive (1958). Gunsmoke (1955) is OK, but I see Dillon and Chester do some dumb stuff on occasion. I like Festus more as a sidekick.

Ignoring politics doesn't mean politics will ignore you.
-Pericles paraphrased in <100 characters

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Of the episodes, one of my favorites was The Long Gun (1962)

Thanks for the tip! I watched that a couple days ago. It was good, though I was slightly disappointed when they revealed his reasons for what he had planned. I was hoping for something a bit deeper, but I guess in 50's/60's TV things were expected to go certain ways.

Hadn't heard of John Russell until then either. I only know that name from Hombre. ;)

Take Care

PS- That guy had some weird-ass eyes. They looked like when somebody cuts eyeholes in a painting (à la Andy Griffith). Looks like he could make a pretty sinister bad guy too.

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I've got another with the words "Long Gun" in the title: "Long Gun from Tuscon" from "The Rifleman" (1961). In this ep, Sheriff Micah is out of town and Lucas is holding things down. Outlaw John Holliver (played by perinnial bad guy Peter Whitney), who had been run out of town five years ago, returns for revenge. Holliver shows up with his gang and it scares the rest of the town, especially those who were there five years ago like the gunsmith (played by Whit Bissell). Lucas agrees to face the Holliver gang alone. This leads to what I like to call a "'Bad Company's moment" (when someone does something in a Western so badass, the only way to respond is with the chorus from the song "Bad Company").



Annoying the world since 1960!

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That was a good Rifleman Tresix. Don't know how I had never seen that. The more I watch, the more I think Johnny Crawford was right up there with Opie as child actors go.

I wonder if any of those other three actually hit anybody or if it was all Lucas. 😁

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Crawford was an unaffected, natural actor whose chemistry with Connors was obvious.

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Have Gun - Will Travel: "The Man Who Lost"
The Wild Wild West: "The Night of the Surreal McCoy"
Trackdown: "A Matter of Justice"
Cheyenne: "The Bounty Killers"
Bonanza: The one where the sons think Ben has been killed and they follow three separate trails looking for revenge.


Je suis Charlie Hebdo.

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"Surreal McCoy" is a fantastic episode. Easily my favorite Miguelito episode. I think the dynamic of having two villains makes than one stand out.

The episode of Bonanza you are thinking of is called "The Legacy" I believe. I haven't seen the others that you mentioned, but I'll check them out.

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I really like the Dr. Loveless episodes where West and Gordon get into a situation not realizing Loveless is involved. What stood out for me about "Surreal McCoy" (besides the way-out concept) was the way Alan Crosland shot Loveless from an upward angle. Anytime I see John Douchette in anything, I think "It's Axel."

Another favorite western episode I thought of after posting: The Laramie episode where R.G. Armstrong plays a bounty hunter turned sheriff who extradites Jess, and Slim gets a special appointment as a deputy to ensure Jess is delivered alive.

Je suis Charlie Hebdo.

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I'm moving "A Matter of Justice" down to my second-favorite Trackdown episode. I thought there was a Christopher Knopf-scripted episode whose title I couldn't remember that I liked slightly better, and now I recall that it was "Guilt," with Regis Toomey, Ted de Corsia and Don Gordon.

Je suis Charlie Hebdo.

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A bit off-topic, but I'm amazed at how I never run out of old western TV show titles I swear I've never heard of. Seems like every other show back then was based on that, and now we get one every ten years. Obviously, we were closer to that time period back then, but not by enough to explain that.

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"Surreal McCoy" is a fantastic episode.

Did anybody notice that West had that weird-ass "gun on a rail" thing from Taxi Driver? Didn't figure I'd see that in something else in this lifetime.

-and thanks for the recommendation!

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I got a really big kick out of discovering Laramie a couple years ago. I liked the charisma of Smith and Fuller and the playfulness of their relationship. They seemed to kid each other a lot. And not only were they always sticking up for the wronged and down-trodden, doing the right thing, but the series seemed well photographed and choreographed.
I thought Fuller especially translated well. He was a little rowdy by reputation, and some episodes show him losing his cool, but when he gets his righteous indignation up, he's literally spitting mad. I haven't looked up the episode, but Harry Stanton kills someone and it gets pinned on the wrong guy, who gets hanged before they can catch the real killer. At first Fuller is mad at Slim (Smith) for not catching him sooner, like he let them get away with it, (even though Smith obviously is beat up), but when Jess (Fuller) finally delivers Stanton to the Lynch mob, he is so livid, so angry, it just pops off the screen. I love that scene.

Pretty sure it's called Dark Verdict, first season.

I'm not a woman much less Deanna Durbin, but the old-time glam-shot appeals to me.

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