Yes, you were basically saying that that was just a ramble. I figured you weren't really "worried" about it, other than just one of those late-night worries!
But your message did prompt me to add a note to my OP stating that the film is in widescreen no matter how confusing the DVD case is.
I did once have to disabuse someone who thought that the fact he had a widescreen TV meant that he could buy a pan & scan w/s film and see the entire picture! I had to gently inform him that you could only see what was actually on the DVD -- the rest didn't magically appear just because he had a wider television set. It turned out he had been buying p&s versions of movies for years and always assumed he was seeing more than someone with a square TV. He was not happy when I told him all he was seeing was a stretched version of an otherwise square image. Believe me, I never thought that was the case with you!
The bend varies in how obvious it is from film to film. Sometimes it's really apparent and other times not. Bending in the center of the picture depends on how often it shifts focus, which is what usually causes the most apparent "bending" in most films. (I recently saw How to Marry a Millionaire again and while I wasn't paying attention to that factor I didn't offhand notice any bending, at the edges or anywhere else.)
On the other hand, I think bending at the edges is mainly a factor of the quality of the print, plus the film's aspect ratio. Such bending at the edges is more common I think in films shot at 2.55:1 than in 'Scope films shot in what became the standard w/s a.r., 2.35:1. That shift came in 1955, when CinemaScope films changed from using stereophonic magnetic sound to optical sound, which required a modification in the aspect ratio. In Fox films you can tell when they changed the a.r. because at the beginning of the movie the early 'Scope credits read, "Twentieth Century-Fox presents a CinemaScope Production", while starting at some point in 1955 films shot at the lesser a.r. read, "presents a CinemaScope Picture".
I just hope FCA continues to release w/s films in their right format. This is new for them and they haven't released any further w/s movies since Woman's World and The Bottom of the Bottle, so we'll have to see where this goes. I'd also like to see them revisit earlier CinemaScope films they put out in p&s versions and do those properly, but I'm not holding my breath on that one.
Incidentally, just to muddy things further, one of the films on the FCA line is The Raid (1954), a very good movie about a raid of escaped Confederate POWs on a small town in northern Vermont in 1864. This movie was made by an independent company called Panoramic Pictures and released by Fox but did not originally carry the Fox logo at the beginning. However, some years ago someone at Fox decided to splice the logo in at the beginning of the film for TV prints. Fine, except they spliced in the "squeezed" CinemaScope credit seen for decades on p&s TV prints of widescreen films. The problem is The Raid was not a CinemaScope movie, just a regular 4:3 film. FCM used the TV print with the inaccurate CinemaScope credit for its DVD, which has caused no end of confusion for people who bought the disc.
reply
share