Most moving scene
The re-union at the end. Had me shed bucket loads.
The film has a few other (very) moving scenes but the above one was the killer for me.
The re-union at the end. Had me shed bucket loads.
The film has a few other (very) moving scenes but the above one was the killer for me.
This scene had me crying also, with only of one of the men left him being blind, with the new bike in the back ground, 7 out out of 12 students in 20 years is actually a quite good ratio with 10 years of war being in between with the hard life! Having just watched last night from Region #2 Bo jing Company disc usually at Chinese video places under $5.00 has English or Chinese subtitles, of coarse their is UK disc also.
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The re-union scene, but also, strangely enough, the scene where the teacher sees the girl child who has become an obvious prostitute from being sold by her own father!
And I can't believe in an entire village there couldn't be one nursing mother who might have volunteered her boobs to save that baby! Or milk a cow or goat. Do SOMETHING. Not just let it starve!
Or milk a cow or goat
And I can't believe in an entire village there couldn't be one nursing mother who might have volunteered her boobs to save that baby! Or milk a cow or goat. Do SOMETHING. Not just let it starve!Gee, I wonder why nobody thought of that...
You're not exactly observant, are you?
The mother died YEARS BEFORE THE WAR and she died only a few days after giving birth; it's never stated her breasts were barren. You're reading something into the film that wasn't there.
The baby died because none of the neighbors came to offer milk for the baby, either from a wetnurse or from a farm animal. This was also an abusive home -- the father later slugs the daughter because she refuses to leave the town with relatives. The father was morose and unloving and selfish and only thought of himself and not the welfare of his two surviving daughters. Then one dies because he couldn't live up to his responsibilities and the other is sold off to work in a restaurant before she could finish school.
Excuse my mistype. I meant the mothers' breasts (as in anyone else who might have been nursing at the time). I know the mother of the baby was dead. I was referring to anyone else who might have been able to wetnurse the baby.
Yeah, I get it that this was a pretty abusive kind of family situation. But your point about 'don't just let the baby die' is kind of silly, I think. In a small village of this kind, with most of the able bodied males already drafted into the army and the army taking away just about all the livestock and produce for the war effort starvation happened. Not on a huge scale, like happened under different circumstances in Russia and China during the 20th century, but the poorest of the poor faced this kind of situation. It doesn't mean that people didn't help each other out, or that parents and villagers just 'let the babies die.' It just means that resources were stretched too far, and there was nothing that could be done.
You talk about a wetnurse; well this was a pretty small village, and with most husbands drafted into the army, there was likely very few (if any) nursing women in the village. Those that were had to think about their own children first. You talk about livestock animals; by this point, there were likely very few, if any.
Babies have special nutritional needs. You can't just feed them anything. There may have been enough to keep the adults and older children barely alive, but if there are going to be casualties from a famine, you can bet the children will be first. It's always like this, but not because of uncaring parents.
Famines are like that. They are cruel. It doesn't mean the people were cruel. I knew a family that lived in Cambodia under Pol Pot, and I was shocked when I learned that one of their babies had starved to death. The description of that time I heard from one of the daughters was almost horrifying. She said they had somehow managed to get some space on a flat car of train, and the family knew they were all facing starvation so they were going to try to get across the border into Thailand, and then to a refugee camp. The baby had been crying non-stop for days, but there was nothing to give it, except water, which obviously didn't help much. As they were riding the daughter fell aspleep. When she woke up, the mother was holding the baby, but it wasn't crying anymore. She knew the baby had died. Nobobdy cried, nobody said anything. She said it was inevitable, as much as they all loved the baby. The mother would have gladly died to save the baby's life, but that's just not how it works. There was NOTHING to give the baby to keep it alive. There was nothing that could have been done.
I thought the situation shown in this film was similar to that. The director was showing a situation where nothing could be done. It was not his intention to suggest the villagers were uncaring because they just 'let the baby die.'
>>But your point about 'don't just let the baby die' is kind of silly, I think. In a small village of this kind, with most of the able bodied males already drafted into the army and the army taking away just about all the livestock and produce for the war effort starvation happened.
Again you're not paying attention to my post.
The family situation with the baby dying happened YEARS BEFORE WW 2 started! So your point about an army taking away men and supplies just doesn't hold. You need to pay better attention to the flow of the movie.
In a crisis situation like this, with a mother dying right after birth, and a baby about to die from malnutrition, SOMEBODY in that village could have done something to help. They came forward with foodstuffs after the teacher fell and the children went to see her, so it's strange and bizarre that no one came forward from the village to help this suffering family.
Like you said the reunion scene at the end was just powerful and movingWhen there's no more room in hell, The dead will walk the earth...
Yes, the reunion scene, particularly when she sees the gift of a bicycle, hit hard.
I also found the ending, with her riding the new bike to school, to be one of the best satisfying endings to a film I've seen in years. It hit exactly the right note.
The saddest element of this fine film was the soundtrack. Let's see, they played Auld Lang Syne, No Place like Home, and What a Friend we have in Jesus. Aside from that I thought it relied too much on the tugging of heart strings. I haven't seen this much crying since the Democrats lost the House of Representatives...or the GOP saw the re-election of the Big O.
what ails most madmen is realitys grasp or escape, a paralysis of analysis
This movie is a very good film and has a lot of strengths. However, I almost expected to see the credits at the end saying "Funded by the Japanese Association of Teachers". It is just presents the main character as such a saint and seems to suggest many, many teachers may be like that. I agree that the movie relies too much on tugging the hearts strings. Right from the start there were blantant scenes trying to make you cry or be sympathetic. By about two-thirds of the way through I was basically getting desensitized to the sadness and didn't find anything else sad. The movie could have been a bit more objective. Hideko Takamine definitely does a very good acting job and I will have to see her in more movies.
Also, when she went back to teaching after the war and some of her new students were children of her first students, that would mean their mothers had the children when they were 18. Plus, that would have meant most of them were conceived in 1940 or so. While Japan was not fully engaged in WW2 until the end of 1941, many men were already off in China etc. in 1940 so I didn't think that many children would be produced at such a young age at that time.
It also would have been nice to actually see the main teacher do some actual teaching - we didn't see one single scene of her actually trying to teach spelling or grammar or math to any of her students - we only saw her teaching values (and taking attendance!!).
I give this movie an 8/10. I've seen many movies by Kurasowa, Ozu and Mizoguchi and this has to rank below the top 6 or so from each of the the first two directors and the top 4 by the latter plus behind a hand-full of other Japanese movies.
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It is just presents the main character as such a saint and seems to suggest many, many teachers may be like that."