MovieChat Forums > Torch Song (1953) Discussion > Racial politics in TORCH SONG

Racial politics in TORCH SONG


I know this film gets a lot of flack for Crawford's "brownface" number, but this film deserves a lot of credit for casting black actress Maidie Norman as Crawford's personal assistant, who functions more like a secretary than a maid. She wears a suit, takes dictation and sits at a typewriter. When did we ever see black maids doing that onscreen? That was quite a barrier being broken there and no one's ever commented on it. Norman would, of course, go on to play Crawford's maid in WHATEVER HAPPENED TO BABY JANE?, where, if memory serves me, she gets brutalized by a mad Bette Davis.

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I don't know if the film should be given a lot of credit for presenting a black woman as a non-groveling human being who dressed well but yes, I think it was one of the first instances of such. I think that had more to do with Maidie Norman however. She refused to take roles that she considered demeaning and stereotypical. She rewrote her dialogue for Whatever Happened To Baby Jane because she said the original dialogue had the character talking in what she deemed "old slavery time talk". Perhaps she did the same thing with Torch Song.

It is rather unfortunate that the blackface number was included. For one, it was God awful and bizarre. I never understood why it was included because blackface had pretty much fallen out of favor by that time.

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Norman's character (Anne) is also the only one around Jennie Stewart (besides Michael Wilding's character) who isn't obsequious toward her, terrified of her, or leeching off of her.

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While I loved Joan's dress in that number, I too wondered why the brown face?

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Maybe that thought it was needed to "balance" having an African-American character who was not servile or uneducated. That was 1953.

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