Somebody had a lot of extra film that they needed to use up with stagecoach chases. And the editing was very choppy. Some of the camera angles were very awkward, with chairs and other stuff being thrown in the general direction of the camera. I guess it was supposed to be 3-D, but what was the point?
Good actors, pretty good acting, But the plot was unnecessarily complicated, and some of the action scenes made no sense, like burning down the saloon instead of having a straight-up gunfight.
The point of 3-D then was the same as it is now - trying to get bums on seats. The goggle-box was perceived as a big a threat then as DVDs and Netflix are now.
It's easy to put the blame for the faults with this film at de Toth's door, but Kenneth Gamet's adaptation/screenplay must share the burden. I was thinking whilst watching that there's good ambiguity and a bad ambiguity in a film's structure - the first deliberately keeps us guessing awaiting effective resolution; the second is merely the product of carelessness and/or incompetence.
there's good ambiguity and a bad ambiguity in a film's structure - the first deliberately keeps us guessing awaiting effective resolution; the second is merely the product of carelessness and/or incompetence.