Actually, Ted rolled over and over in real life, as he found the experience of making this movie the greatest "down period" of his career. The movie itself is pure genius, of course, although the editing leaves a great deal to be desired. Ted's greatest disappointment began with the Hollywood experience - not a system kind to authors and scriptwriters of even the highest merit - at least not until recent history when the best of the best can get contracts with full creative control - unheard of in 1953! I cannot help but wonder if Ted's negative experience "cursed" his work as applied to movies. While works by authors like Raold Dahl have managed to translate into credible (if not always classic) movies, Ted's work has not fared so well in the transition.
That is not to say that I think 5,000 Fingers is not fantastic. Simply that Ted's experience with the movie may have tainted his (even posthomous) relationship with the medium.
Another thing to keep in mind - with Ted nothing was ever to make a buck, to make a name, or to make a career. His stories had meaning and depth of layers. 5,000 Fingers, for instance, drew many parallels with the then recent events of WWII, with Dr. T as the foppish and manipulative Hitler, Bart's mother as the mindless Nazi converts, and the plumber Zabladowski as America. The editing process even cut a song for Zabladowski entitled "I don't want to get involved". However, as with the war, he is eventually drawn into the fray and emerges victorious. And that was only one of the subtexts of the movie. A more obvious one is seen in the quote, "If kids had there way, parents wouldn't even be born." My only point here is to say that with work this layered, the artist/author simply must be directly involved in the movie-medium process. Cursed or not, I don't see there ever being a Seussian remake that will contain the charm and magic of Seuss.
On a related note - ever see Spy-Kids (the original)? If that wasn't inspired by this movie, I'd be quite surprised.
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