idiotic plot points


Why did Margaret (who was clearly a well-known actress who had won an Academy Award) think for a minute she could get a job in a department store under a fake name and no one would recognize her? (As it turns out, everyone did. . .and very quickly).

And even though she was no longer able to land leading roles in top pictures, why wouldn't she have still been able to do supporting roles or television work, as many other former big names did after they were no longer top stars?

PS post: Sure, Margaret may not have WANTED to accept lesser parts (even though she was totally broke and clearly needed money) but according to the plot, her agent was unable to even get her ANY offers for acting roles.

Even if Margaret was the most difficult has-been in show biz, there had to have some producer who would have been eager to cash in on her name, even in a cut-rate production.

In early Fifties following decline of long-term studio contracts, many formerly well-known movie actors who suddenly were at liberty (or those who had simply aged out of top roles) were forced to accept work in supporting parts, B movies, fledgling TV industry, summer stock or other lower-tier entertainment venues. . .and to think a relatively recent Oscar winner couldn't land ANY kind of acting assignment (even if it it was not up to previous stellar standards) is just hard to believe.


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No comment on the department store bit, that was sloppy scripting. Margaret wasn't ready to do supporting roles and she probably would have felt that television work was beneath her. Even in her screen test, she did what she could to be cast in the starring younger sister role and to reject the role of the older sister.

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Her pride got in the way - a common story. She couldn't accept the fact that she no longer could play the young, sexy roles. Perhaps her agent couldn't get her work because producers thought she would be too expensive or too difficult to work with?

Also, TV in 1951-2 was definitely more centered on New York than Hollywood, often done live (about 80%), and would remain so until more filmed TV productions were made in Hollywood as the decade progressed. Network TV did not reach the west coast until 1951 (accomplished via microwave relays owned by AT&T). If a show was produced in LA prior to that, for broadcast on a network, the show either had to be filmed (rare - due to the expense) or on kinescope (where the film of the live presentation would be flown back to NYC for air on the network). Desilu pretty much showed the industry that filmed TV was economically viable, and it became the model for Hollywood actors to reinvent their careers on TV. That was in 1951, and it was a gamble by Lucille Ball and Desi Arnaz that paid off. They had to work hard to convince CBS to buy it.

When this film was produced, TV was still in its infancy (the first coast-to-coast broadcast was in 1951) and was still an experimental medium. Not until the success of filmed productions, such as I Love Lucy, did Hollywood really take notice of the new medium.

So I don't think it was too far-fetched that she wouldn't consider TV.

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If her pride had taken a back seat she could have starred in a TV show working just half a year and made more money than she made in movies. Think about Shirley Booth in Hazel, Donna Reed or Loretta Young. But all that would have been a different ending I guess.

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[deleted]

Well, we don't know when Margaret won her Oscar - it could have been in the 30's and she could have been in minor films for years and offscreen for quite some time. I suspect several 30's stars like Kay Francis, Ruby Keeler, Anita Page, Oscar winner Luise Rainer, and even Bette's old enemy Miriam Hopkins (who was still active in films though now in supporting parts) could have walked freely among the general public in 1952 without many people recognizing them. Also Bette herself clearly had aged in 1952 and didn't look all that much like she did five years earlier. It probably would take a former super-fan to spot her, as did happen in the movie.

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