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A round of applause for Paul Douglas - Some background on his career


It's been perhaps 15 years since I have seen FOURTEEN HOURS and despite the strong and competent cast of Hollywood favorites, it's Paul Douglas who carries this film on the strength of the sincerity and warmth he brings to his character.

Paul Douglas was 42 years old, entering middle age, before he made his first film of any consequence in 1949.

He came from a long career in radio as a very popular announcer at CBS in the 1930s and 1940s who was often the man at the mic for the Glenn Miller show for Chesterfield cigarettes. With Judy Holliday, he scored a major Broadway success in BORN YESTERDAY (though the film role went to Broderick Crawford). He was signed to a contract by 2oth Century-Fox and spent most of the next ten years successfully appearing in dramas, comedies, fantasies and even some science fiction before passing away prematurely in 1959.

FOURTEEN HOURS is typical of the appeal he brought to his many films.

It's not a faultless film, but that doesn't matter. It's a great period piece and a showcase for Douglas.

Cheers for Paul Douglas who has never gotten the acclaim he deserves.

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I'd never heard of this underrated film before this morning, either. Great
film--and Paul Douglas is superb in it--as he also is in "Letter to Three
Wives" and "Angels in the Outfield."

I'm not crying, you fool, I'm laughing!

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Paul Douglas!


Don's going to fix it. He knows what that nut means to Utz and what Utz means to us.

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Just saw Fourteen Hours. Paul Douglas was superb in this! He was a great, great character actor.

"Now what kind of man are YOU dude?"

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Who could not acknowledge that this is indeed a brilliant tour de force for Paul Douglas! "Fourteen Hours" is a compelling story, well paced, and superbly acted by one and all. And that cast! Introducing so many new faces who would become so familiar to the movie-going public in the coming years.........Grace Kelly, Jeffrey Hunter, Debra Paget, Ossie Davis, Martin Gabel, Harvey Lembeck, to name just a few! Richard Basehart struck just the right chord as the emotionally upset young man teetering on the brink. Agnes Moorehead as the hysterical mother, Robert Keith as the weak alcoholic father.......all of them lending an air of credibility to their roles! But it is Paul Douglas who absolutely steals the show as the world-weary NYC police officer trying to talk Basehart's character off the ledge! His mannerisms, the vocal inflections, all were so letter perfect, making Douglas the absolute best choice for the role! I don't believe I have seen many performances that quite match that given by Douglas.......patient at times, irritated at others, but always focused on doing his job and getting Basehart off that ledge! A marvelous performance! A pity that we were deprived of more fine performances by his unexpected premature death. He had been signed to begin work as "Mr. Sheldrake" in "The Apartment," a part that fell to Fred MacMurray. One cannot now see the film without imagining how Douglas would have been! And you know what? I'll bet he would have been great!

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I'm watching it now. He woke up the entire movie. Excellent.

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Bravo!!!
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That's just me being polite.

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