Worst portrayal of Hitler ever


Luther Adler, who played Hitler in this movie, gave one of the most inane, one-dimensional performances I've ever seen. Adler made this psychotic mass-murderer seem like a burlesque clown, with almost comical gestures and childish temper tantrums.

There are people on another thread here who think Adler caught Hitler perfectly. All I can think is that none of these people has ever watched films of the real Hitler, or read much about his character. Even Hitler had different sides to him, nuances and shadings to his behavior, and he certainly didn't act like he just stepped out off a vaudeville stage. There were other actors available who could have believably portrayed Hitler as the more complex and insane person he was. Bob Watson, who made something of a career playing Hitler in the 40s because of his resemblance to him, had given an excellent dramatic portrayal of this psychopath in the 1944 film The Hitler Gang, among other films, and would have been a far better choice than Luther. Adler's overacting was the worst thing about this otherwise fine film, especially when you consider the monster he was portraying.

For what it's worth, most contemporary (1951) critics singled out Luther for his terrible performance. How anyone could think he conveys a serious image of Hitler is beyond comprehension.

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I agree, his performance was over-the-top, and should have been more restrained. If Hitler was maniacal, there's no need to have him yelling all the time.

http://jimcripps.blogspot.com/

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Hitler went more and more emotianal during the war years, I do not even think he yells that much in the film, he's just agitated to hear that the war is lost from one of his favorite generals.

I think the portrayal is actually spot on of Hitler during the late war years.

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Spot on? Anything but. Yes, Hitler increasingly became more detached from reality, and he had always had a violent temper when provoked. But anyone who bothers to read the numerous accounts of his behavior knows he had many periods of quiet, dead calm as well as raving. In fact, the record shows Hitler's behavior actually grew more subdued in the last year or so of the war, as the effects of drugs, exhaustion, mental collapse and other physical and emotional problems began taking their toll. Hitler's decisions could still rank of murderous revenge, but he was actually less outwardly volatile in his behavior than he had been in his prime.

A good example is the assassination attempt against him on July 20, 1944. While Hitler demanded a horrific revenge against all those accused, his outward behavior was generally calm, almost lifeless, as his immediate reactions that very day indicate. Certainly he could still become violent, but this was increasingly less and less a pattern of his actions as the war wore on.

In any case, just because Hitler was a psychopath doesn't mean he spent all his time ranting and screaming like a buffoon, clutching his sides, swiveling back and forth and yelling inanities, as Adler portrays him in this film. Adler presents a one-dimensional, idiot's conception of Hitler as a clownish madman. In fact, historically, there is absolutely no indication that he at any time behaved toward Rommel in the way depicted in the film.

One last point: compare Adler's performance with Mason's as Rommel, or with most of the other actors. All gave nuanced interpretations of their characters, not making them cartoonish caricatures the way Adler made Hitler. Adler could have played Hitler as a real individual instead of a burlesque figure, and thereby made him all the more menacing. All Adler achieves is making this evil psychotic seem a figure of derision, as someone to be laughed at...and no one should ever watch an impersonation of Hitler and be compelled to laugh.

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You are missing a vital point: this movie is not about Hitler, and the only Hitler-scenes we get to see are ones where he WOULD be agitated. The only exception being in the bunker right before the assassination attempt, and here Adler's performance is indeed not ranting and raving, but actually jovial. Yes, Hitler had gloomy silences, but these periods were not relevant to the film. Adler's performance was indeed spot on. We even see Adler's Hitler try to be patient with Rommel and withold his annoyance at being disturbed for an audience which to him seemed a complete waste of time.

Strangely, some people complain that the portrayal of Hitler was one-dimensional. Well, how many dimensions can you hope to see in a minor character who appears in two or three small scenes in the whole movie? One dimension is all there is space for. To try and crowbar all Hitler's facets into those scenes would serve against its purpose, as it would only make him appear schizofrenic.

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I'm not missing anything, and your "vital point" is both mistaken and irrelevant. Again, anyone who has studied Hitler, read about him, heard witnesses to his behavior, knows that he was anything but the raving, clownish oaf Adler portrayed him as. In fact, the "vital point" you're missing is that, even in his periods of raving, Hitler didn't act like a vaudeville comedian in a staightjacket. Adler was unable or unwilling to make Hitler seem real, to act the part realistically. His performance was not "spot on", as the historical record makes plain. It was a brainless imitation of somebody's silly idea of a raving maniac.

Sorry, but the comment that "one dimension is all there was room for" is absolutely inane. Would acting in three dimensions take up more space? Time? A good actor can act in all three dimensions even in a 30-second role, and Adler had more screen time than that. It isn't a question of trying to "crowbar all Hitler's facets" into a few scenes -- why do you think this is necessary? It means trying to perform the role in a believable, true-to-life fashion, as a human being -- monstrous, psychotic, but still a mortal man. It means bringing some depth to a character, not just playing him like a buffoon. Even depicting him raving can be and should have been done with some shadings. A raving person just doesn't sit there and yell mindlessly.

As for the risk of making him appear schizophrenic (spelled "ph", not "f"), that's just what the film does, as you inadvertently pointed out. The scene of him in the bunker before the bombing does show him with an entirely different demeanor than in his interview with Rommel. Was Hitler actually, clinically schizophrenic? I don't think so, but the contrast in his behavior is depicted in the movie. And anyway, it's better to show his mercurial nature and changes in personality (which were accurate) than to make him appear little more than an emotional idiot, laughing or raving like a crazy little boy.

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I'm not missing anything, and your "vital point" is both mistaken and irrelevant.

Beg your pardon? So this film IS about Hitler? I think you have seen a different film altogether. You probably want Der Untergang. As for irrelevant: go find me a film -- any film -- where a supporting character is given as much treatment as the main character.


Again, anyone who has studied Hitler, read about him, heard witnesses to his behavior,

Such as I have.

knows that he was anything but the raving, clownish oaf Adler portrayed him as.

Adler didn't portray him like that, either. Clownish? I don't see how you got that. Raving? Yes -- and at that time he WOULD be. Interrupted with "trivial" business by "defeatists", bringing bad news and wasting his time? We have it on record that he was indeed impatient in these sorts of encounter. Or to put it a different way: how would YOU have Hitler react to this sort of audience? Patient and understanding?


In fact, the "vital point" you're missing is that, even in his periods of raving, Hitler didn't act like a vaudeville comedian in a staightjacket.

You really DIDN't see this film. In fact, Bruno Ganz' performance was even more raving than Adler's.


Adler was unable or unwilling to make Hitler seem real, to act the part realistically. His performance was not "spot on", as the historical record makes plain. It was a brainless imitation of somebody's silly idea of a raving maniac.

Disagree 100%. He had very clearly studied Hitler's body language, and as this was at the very end of the war, delusional with regards to the prospects of winning the war.


Sorry, but the comment that "one dimension is all there was room for" is absolutely inane. Would acting in three dimensions take up more space? Time?

YES. More dialogue=more depth. Less dialogue=less depth. Depends on the dialogue, of course, but it really shouldn't be necessary to point this out.


A good actor can act in all three dimensions even in a 30-second role

If given the right material to work with, yes. But let us AGAIN analyze Hitler's motivations in this scene, and let us see how many dimensions you can come up with:

-upset because of the war fortunes
-upset at this impudent general requesting an audience which brought nothing new to the table, which could have more efficiently been dealt with by other means of communication
-upset at this general's defeatist attitude and lack of faith in his leadership

How many dimensions so far? Should I go on?


It isn't a question of trying to "crowbar all Hitler's facets" into a few scenes

But that is exactly what you demand -- you're just upset that you only got to see ONE side of Hitler. Actually TWO, but you completely ignored the second scene Adler is in, where a completely different Hitler was shown. So I guess we're not talking about that.


why do you think this is necessary? It means trying to perform the role in a believable, true-to-life fashion, as a human being -- monstrous, psychotic, but still a mortal man.

And that's exactly what we got.


not just playing him like a buffoon.

And he didn't.


Even depicting him raving can be and should have been done with some shadings. A raving person just doesn't sit there and yell mindlessly.

And it WAS, and he DIDN'T. We see impatience, we see anger, we see the effort to suppress these emotions, we see him trying to be patient but failing... we see as much shading as one could hope to see.


As for the risk of making him appear schizophrenic (spelled "ph", not "f"),

How old are you?

that's just what the film does, as you inadvertently pointed out. The scene of him in the bunker before the bombing does show him with an entirely different demeanor than in his interview with Rommel.

You are unbelievable. At first you complain that only one dimension is shown, and now you complain about the opposite. At any rate, how on earth does the ability to be in different moods at completely different times constitute schizophrenia? Especially considering you wanted all those different qualities in one scene alone.


Was Hitler actually, clinically schizophrenic? I don't think so, but the contrast in his behavior is depicted in the movie.

No it wasn't. Here's an example: earlier today I made out with my girlfriend, and I was quite happy about it. I was in a good mood. Then later in the same evening, I get online, see your post, and now I'm in a bad mood. Schizophrenic? NO: it's called having a three-dimensional personality. And those two scenes in the movie, they were days apart, and they also had completely different settings. So how does that in any way constitute schizophrenia?

In fact, what it DOES constitute is a three-dimensional portrayal of the character.


And anyway, it's better to show his mercurial nature and changes in personality (which were accurate)

Once again: this is a movie about ROMMEL, with a running time of less than 90 minutes. The changes to Hitler's personality is NOT something relevant to on-screen portrayals. It is enough that we learn that Hitler HAS changed, without actually seeing the changes. Because this movie is not about Hitler.

than to make him appear little more than an emotional idiot, laughing or raving like a crazy little boy.

Laughing? Raving like a crazy little boy? I am now going to ask you a question which I want a straight up, serious answer to: how long has it been since you've seen this film? I saw it just a couple days ago, and Hitler doesn't laugh AT ALL in this film, maniacally or otherwise. I also saw no trace of this "emotional idiot" of yours, but rather the portrayal of a character who would have been comical if not for the power he wielded. Instead of comical, he is frightening.

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1. "So this film is about Hitler?" No, and saying that shows you not only deliberately misstate what I said, but don't seem to get that a secondary character can and should be played with as much depth as possible. Apparently you only demand more than superficial performances from the leading actor.

2. "How would I have Hitler react? Patient and understanding?" Another ridiculous comment that once more entirely missates what I said and demonstrates your limitations in understanding what an actor should do. Of course Hitler would be raving at times -- who ever said otherwise? The question is how well Adler portrayed him. In my view, he played Hitler like a buffoon. Okay, you think it was a performance of genius and spot-on. I think that's nonsense. That's a difference of opinion. But what you persist in missing is that it's not an issue of showing Hitler raving -- it's how this is portrayed. Adler showed Hitler as calm before the bombing. That was a more restrained portrayal, but even so in my view a rather limited one. We don't see any real shadings in Hitler's demeanor; what we see are Adler's inadequate attempts to convey them, but he still comes across as a silly, unidimensional, cartoonish charater. But as to shadings -- aren't you the one who said there was no "room" for three dimensions in this film?

3. Yes, I did see this film. Many times. Another asinine comment. And saying Bruno Ganz's performance was even more raving than Adler's is irrelevant to Adler's performance, and in fact makes it sound as though Adler's was a poor performance in its own right. We don't see the shadings in Hitler's demeanor; we see Adler making what come across as silly attempts at such shadings.

4. Where do you get your information about what Hitler's body language was like -- especially in private meetings? Or that Adler had studied it? We know that by 1944 Hitler shook violently at times even when he wasn't raving, but even if Adler was trying to capture Hitler's demeanor accurately, in my opinion he failed spectacularly. He came across as a laughably oafish boob, not as a man genuinely in the throes of mania and not in control of himself. Again, you think this is a performance of great skill. I don't. That's a difference of opinion. And in any case, there's more to this performance than simply getting the man's physical movements right...which there is no evidence Adler managed to do anyway.

5. "More dialogue = more length." Who says there has to be more dialogue in either of Adler's scenes? If you're claiming that only by having more lines or screen time could Adler portray Hitler in more than one dimension, you're only confirming my view that he didn't give a good performance. A good actor can make a lot out of even a small part and little screen time. In any case, yet again you entirely miss, and misconstrue, the point. I agree with your synopsis of what was occurring in the scene with Hitler and Rommel (the crises Hitler was facing). But those aren't dimensions -- it's a list of problems Hitler was faced with. Adler's response was to play Hitler in an almost burlesque manner. This has nothing to do with the individual issues as such. It may have been appropriate to show Hitler raging and out of control. But what I've been saying is that Adler failed miserably to give a nuanced, subtle, shaded portrayal, which would have been far more effective and realisitc. The lack of dimensions has to do with Adler's perfomance, not the number of problems Hitler was facing.

6. Once more, another false statement. No, I am not asking that Adler "crowbar" every facet of Hitler into his two scenes. Of course that's neither possible nor even appropriate. That is another ridiculous statement, and a misstatement of what I wrote. You also falsely state that I ignore the bunker scene, which is untrue. But your most remarkably idiotic claim is that we get two dimensions of Hitler -- one in each scene. What? Now you're equating dimensions shown with the number of scenes Adler's in, as you equated the number of dimensions with the number of problems Hitler's dealing with in the scene with Rommel? The mind boggles. In any event, we should be getting a three-dimensional characterization in both Adler's scenes. We don't, although you say we do in the first -- thereby contradicting your silly claim that it's impossible to get three dimensions in one scene because the role is too short.

7. Schizophrenia. First -- "How old am I?" What the hell does that mean? I may as well ask, How much of an idiot are you? A preposterously irrelevant and moronic comment. Learn to spell. Second -- you're the one who's unbelievable. It's you who said there was no "room" for more than one dimension -- yet you brought up Adler's different demeanor in the bunker scene. Once more, you seem to think that a supporting player cannot and should not manage more than one dimension per scene. This is absurd. Third -- I'm angry: are you dishonest, or really this stupid? I never said Hitler was schizophrenic. You're the one who raised the subject. The quote you lifted from my post specifically says "I don't think so" in that regard! I stated (and you quote me) that the contrast in his behavior was depicted in the movie. You say it wasn't -- then go on to cite precisely the two scenes where his behavior is depicted as different, even going so far as to say they took place days apart by way of explaining the contrast. Then, having spent so much time claiming no one could give a three-dimensional performance because there was no room for it, you turn around and say this was such a performance, and not an example of schizophrenia. It wasn't a 3-D performance (opinion), but I never said Hitler was schizophrenic (fact). At this point we're in some biazarro-world of your creation, not only being untruthful but completely contradicting things you yourself cite or write.

8. Changes in Hitler's character. You know, this is getting more and more ridiculous. It's not about depicting the changes in Hitler's personality, in the sense of showing them change over time. It's about depicting his mood swings, the changes in his demeanor, in each scene. Adler fails to show this, or at least doesn't do it well. The fact that the movie is about Rommel doesn't mean that we can't or shouldn't get a solid, shaded performance.

9. Here is a "straight-up" answer to your question: the last time I saw this film was about three months ago. I have seen it perhaps 40 times in as many years. I own a copy of it. Hitler does laugh, in the so-called bunker scene, when he cracks the joke about Goering moving slowly because he's fat. No, it's not a huge belly-laugh, but that's not the issue.

Bottom line to all this is that you think Adler did a good job. I do not. That's simply a difference of opinion. But you've made so many contradictory assertions -- saying that here wasn't 'room" for more than one dimension, then asserting we saw a three-dimensional performance, or confusing "dimensions" with the number of scenes, or issues within a scene; so many misstatements about things I wrote, to the point of citing quotes totally at variance with your false assertions; and so many foolish remarks ("How old are you?" and the like) -- that I have to wonder how smart you really are.

Anyway, I don't intend to continue arguing this matter at this length any longer. You have your opinion about Adler's performance, I have mine. Most of the rest of what you wrote is just erratic nonsense, argued without fact or logic.

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Ah, it's nice to see that the internet is as civil as ever.

I have a suggestion. This movie came out in 1951. Whatever it is we now know (or think we know) about old Adolph was perhaps not very common knowledge back then so lets cut the movie makers some slack, eh? And unless those 1951 “critics” mentioned in the original post followed Der Fuhrer around on a daily basis, they perhaps didn't know as much about him as they thought they did.

If this movie had come out this year, okay, argue about it. But in the case of this movie, it's all moot.
KS

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Unhappily, incivility begets incivility. It's trying and distasteful, but as in fighting Hitler, sometimes one is compelled to employ the tactics of the "enemy". But true, it doesn't leave a good taste in the mouth of those so compelled.

I cited the critics of 1951 in the OP only by way of saying that most thought Adler's performance poor, not as an historical document about Hitler. And probably about as much was known about Hitler's demeanor back then as now. We may have more information on many aspects of the war now than then, but the basic characteristics of Hitler's behavior were all very familiar -- maybe more so, as the real man was fresh in the public mind in 1951, which he certainly isn't today.

You can cut filmmakers some slack when they produce something that may have honest mistakes, or makes changes in the interest of entertainment, but none of that excuses a bad performance. Adler's over-the-top acting in this role has nothing to do with how much was known about Hitler at the time. No one has ever claimed that old Adolf acted like a burlesque buffoon. There's nothing "moot" in discussing this, any more than discussing any older film is "moot".

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What part of an actor's performance is the responsibility of the director? And I shouldn't forget to mention the possible irony of having a Jew play Hitler - something Adler did three times. Adler's background was in theater where your every move is done "bigger" so as to be seen from every point in the house. Maybe he was not the best choice to play Hitler but I can't say he was the worst ever because I haven't seen every portrayal yet.
KS

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Agreed, any director (here, Henry Hathaway) bears much of the responsibility for his actors' performances. Hathaway must have either thought Adler was doing a good job, or just felt it was what the role demanded for this movie. Whatever the case, he could have toned Adler down had he been so inclined. Considering the restraint with which all the other characters were portrayed -- including other die-hard Nazis -- Adler's shrill, buffoonish, cartoon-cariacature stands out, and not favorably.

The fact that Adler was Jewish is interesting but hardly unique, at least in terms of having Jewish performers portraying Nazis. Many German Jews (and other enemies of the regime, such as Social Democrats) who escaped Nazi Germany wound up playing Nazis in film after film in Hollywood -- their way of fighting back against the regime. Adler, of course, was an American, but his casting had to do with his vague resemblance to Hitler rather than to his religion or ethnicity, which merely added a note of irony to the portrayal.

"Worst ever?" Okay, perhaps that's a bit of hyperbole -- something never seen here on IMDb. But in fact I've seen lots of Hitler portrayals -- including all the ones I mentioned in my OP -- and from all I've seen, Adler's is the worst. Let's put it this way: it's certainly not good.

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I had all but forgotten this thread, but I see I had good grounds for not reading hobnob53's reply. Had I done so then, I might have been tempted to answer point by point, even though his points are at times disjunct and devoid of context. He really does come off as a lunatic, doesn't he? Hobnob, that is. Maybe that's why he hates Adler's performance so much; it struck a bit too close to home. He hates the portrayal of Hitler with a passion I rarely see, and yet he claims to have watched this movie 40 times. It's not that good a movie, and considering Rommel's meeting with Hitler is kind of essential, I don't know why anyone who hates that scene would watch the movie more than once. No wonder he's crazy.

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Sorry, Karl, but you lost that debate. Hobnob won, quite easily, with logic. Your ad hominem comments just made you look like a fool. You were schooled, but don't even know it.

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I thought exactly the same as I watched it. An extremely weak performance.

"My car is outside."
"Naturally."

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Thank goodness for an ally! (A phrase Hitler never uttered during the war, I'm sure....)

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[deleted]

Mmmm...yeah. From your post it sounds as if you'd prefer something like Sieg im Westen. On a double bill with Der Ewige Jude, no doubt.

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It was as if he was given stage directions by Mel Brooks.

Its that man again!!

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An early audition for "Springtime for Hitler"? 

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I thought he made Hitler out to be a dolt ... which I have never seen before ... and did not like. He was crazy but never a dolt.

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Good observations, chrisso.

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Having just watched this film, I came here specifically to check whether anyone else felt this way. I thought Adler’s Hitler was alarmingly inept, and it’s one of those cases where it’s hard to tell if the actor, the director or the script is at fault.

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The comments above by Hobnob are quite right, and supported by reason on his part. This Karl guy keeps going after him with ad hominem attacks and other nonsense, but the more he says the more foolish he sounds.

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