Nursery School


This isn't a super favorite of mine, yet with so many I categorize as such, it is an enormously
satisfying episode. Ball's performance, especially in the first half, sparkles, and her attempts -
and failure - to keep Little Ricky from attending school are very well written and performed.

But more to the point, this is an important episode. Here (as in "Little Ricky Gets Stage
Fright"), we get to see just how much both parents love their son. Ricky, for all his
inflated ego (and goings-on with his new Hollywood film) rightfully insists that Little Ricky
begin his socialization with other children. And Lucy, while appearing selfish, actually loves
her little tot so much, she simply wants to delay the start of it. When Lucy gets excited
over her son's first day, we see Lucy's genuine delight in her son's first step at school.

The second half takes that different course, and Lucy's insistence that she bring Little
Ricky his teddy bear (because she doesn't want to break her promise to him) shows
even stronger parenting. For all her antics at the hospital, she isn't doing it to further
her own gains (getting in a show, or a movie)...but to not break the special bond of
honesty and love she has with her little son.

It is also great to note Ball's range here. She is delightfully manipulative, childlike, then
greatly concerned about her son's operation. This is a great example of Ball's comedic
and serious acting ability.

Always a treat to tune this one in.

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And the first half has a lot of funny lines.

Lucy: "He'll get germs. All those other children have germs."

Ricky: "And I suppose we have the only sanitary child."

Ricky says that "he's half my child too" and Lucy replies, "When I hid my half, your half went right along."

Yes, the second half shows how much of a concerned parent Lucy was. She was determined to get Little Ricky's teddy bear to him.

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Yes, great lines, and great physical comedy from Ball. I love they way she bats her eyes about, while tapping the
fingers of her folded arms, as Ricky walks about the living room...."Little Ricky...Little Ricky where are you?" Then
Lucy does sort of a little dance, hopping about, as she says, "Olly, olly oxin' free..." Lol.

Another great exchange:

Ricky: You've HIDDEN him! Lucy, where IS he??
Lucy: (snapping her lip) I'll never tell.

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I just happened to watch this one over the weekend! And I enjoyed it again. The end when Lucy falls asleep next to little Ricky is so sweet. But the scene when the doctor passes out, why did he pass out over seeing a teddy bear? It was a funny moment because of the big speech he had just given but every time I see that episode I'm always like, why did he pass out over that!? haha

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I agree, the teddy bear joke falls flat. It's not a funny enough moment to compensate for how silly it is.

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Yes, it really isn't funny. A surgeon would hardly faint at something like that. His reaction would have likely been, "Who's responsible for this? I want that practical joker found!!"

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After all this discussion, I watched this one again last night. From a technical standpoint, it's interesting
how many sets were needed. As fans know, the series was limited in sets, due to the studio audience.
Also, the sets are fairly detailed, from the admissions set (with the elevator that's seen going up and
down behind its glass doors), to the hospital hallway, to the operating room, to Little Ricky's recovery
room.

The Ricardo bedroom, as well as the Mertz set were often "stuck" when other sets were needed. They
certainly had to do that here.

The studio audience must've been awed when they filed into the bleacher seats and saw those sets.

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Now that you mention it, there were a lot of sets in that episode.

A show that's filmed on a stage in front of an audience is fairly limited with sets. Sometimes I like to spot the Ricardo bedroom redressed as another set. For instance, when Lucy plays matchmaker between Eddie Grant and Sylvia Collins, Eddie's hotel room looks just like the Ricardo bedroom.

The Hollywood episodes though had a lot of sets. The Ricardos had an elaborate suite, there were scenes at the studio, Don Loper's salon, the Brown Derby, the hotel room in Palm Springs, the swimming pool etc.

I always wondered how they made it look like an in ground pool on the soundstage.

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The Hollywood (and while we're on the topic, European) sets were rather elaborate. The difference,
though, is that there weren't necessarily more than one or two, maybe three, used per
episode. In "Nursery School", I count five, if you include the Ricardo apartment set (only "struck"
when they were in L.A. and Europe).

The most elaborate set ever built and used for the show was the exterior of the Constitution
set. It was large and detailed, and the whole thing had to MOVE when Lucy misses the boat.
I recall reading in the Desilu book that Desi and Jesse O. actually met with the Navy (!) so they
could properly replicate the ship!!

On top of it having to move, there are the interior quarters for the Ricardo suite, the helicopter
set, the admissions desk, and the helicopter office (with Jack Albertson). There was also
quite a lot of exterior footage shot for the episode (and it doesn't look like stock
footage - the element is too clean). Whew!

Think how big that ship set is, and how many people are standing on the deck. Plus, they
had to lower Lucy all the way down from the "sky."

Hollywood pool: I always wondered about that , too, as a kid. I now know they did it one of
two ways. It was either built on a platform, so the pool could have depth, or they simply
were able to remove floor boards and build the pool into the "basement" part of the sound
stage. (Hitchcock did this in "Rear Window").

Also if you look carefully, the pool has no "deep end." It's about three feet feet deep all across
the pool. I also suspect it was a "permanent" set while they were in Hollywood, as striking it
would've been counterproductive when it was used in so many L.A. episodes.

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Yes, that pool was very shallow. I could never understand how Ricky would be a "hero" for rescuing Lucy when she is shown standing up with water only to her waist!

The only real danger would have been to her dress if it was dry clean only. lol

Still, the floppy hat that she wore was a great sight gag. When it got wet, it really flopped!

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Historically, it would've been very interesting to be in the studio audience for "The
Ricardos Change Apartments" and "Lucy Wants to Move to the Country."

In both episodes (shot years apart, of course), the studio audience got to see the
current apartment on the same sound stages as the new apartment/house.

That country house was actually quite large, much wider than the apartment sets.
I recall seeing the writers interviewed, and they said that in the beginning, they
struggled to write enough "disposable" dialogue as the characters crossed from the
front door to the kitchen door, as it was many steps.

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I recall reading something similar in one of my Lucy books. The Connecticut set was larger than it appeared on TV and the actors had to cross a wide expanse.

I thought it was interesting that there was only one scene in the Ricardo's bedroom in all of the country episodes. It's the scene when they had just moved in and they couldn't sleep because of all the quiet.

I wonder if it was too much trouble to use the bedroom set because it would entail the characters climbing the stairs. The bedroom was no longer conveniently close by.

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I would guess it was just coincidence, as there are only 13 country episodes, and
only one I don't like - "Lucy's Ragtime Band." I'd watch it 3 times in a row before I'd
watch "The Courtroom" or "The Black Eye" once, though.

Regarding your comment about "The Matchmaker": I find it distracting that Eddie's
hotel room is the Ricardo bedroom. They didn't do ANYTHING to "redress" it. In the
very next episode, that same "hotel" room is suddenly Lucy and Ricky's bedroom
in "Lucy Buys New Furniture."

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