I agree with the Coach here, both films are classics, but stand on their own merits; I don't see many similarities between the two, other than their obvious adherence to classic noir tenents. Dix's demons are of his own making. We never really know what the source of them are, other than his frustration and dissapointment with himself as both a self-proclaimed and industry-recognized hollywood hack and his attempts at redemption by writing the adaptation of the novel, that, ironically, he relies upon the re-hash of by the murdered Mildred, as opposed to reading it himself. His hubris lies in the fact that even as his conditions improve towards the end of the film, the damage done by his rage-a-holism is already complete. In classic noir stlye, no redemption is found, his future is suspect, and he is, at last, his own worst enemy, left to deal with his demons and the resulting consequences, adrift and alone. Good stuff!
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