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in a lonely place, Bogart's acting tour de force.


Bogart, in some memorable roles,The desperate hours,('55)In a lonely place,('50) Sierra Madre,('47) Conflict,('45) to name but a few, had this inherent ability to demonstrate a fire in the belly demeanor that capitalized itself in a burning hypnotic gaze that was truly unique. He put his stamp on it. In his Dixon Steele role he had a field day with this technique, using it several times to great effect. Typically, he would be pleasant and even convivial with friends and aquaintances when suddenly, boom! Dix is mad about something and everyone has to run for cover. Laurel,too, is confused, What will it be today, tender or terror? All of this is what keep's the audience's rapt attention as we watch Bogart's face suddenly become mask-like and his eyes start to flash like strobe lights, another few seconds and we have ignition, then boom! we have blast-off!
Dixon Steele is a war veteran. It's never touched upon, what his war/combat experience might have been. We are left to wonder. Is there a tie-in to his violently agressive behavior now? We don't know. Maybe something, maybe not. Thousands came back to lead normal peaceful lives. This is part of the enigma that drives the story along and it's Bogart's charismatic performance that brings it to life.

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I agree with everything you said about Bogie and his performance in this film. Excellent acting on the part of the man whose image has become a larger-than-life representation of Hollywood's Golden Age, yet whose abilities are underrated. His performance here is one of the best I've seen from him.

But I still contend that his work in The Treasure of the Sierra Madre is sheer brilliance. The transformation that he gradually undergoes, making us love and feel for him at the beginning to despising at the end was a real slice of magic. His erratic Steele in the aformentioned film was class, but his malicious Dobbs trumps it.

Cheers.

In vino veritas.

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Sean,

I agree with you 100% that Bogie's 'Sierra Madre' acting perfomamce was the highlight of his career. No question about it! He steals the picture with his brilliant performance.

In my post regarding 'In a Lonely Place', I was commenting on his tour-de-force in that movie alone, not his entire career.

While his performance in 'Lonely Place' was quite different, he still manages to burn up the screen by virtue of his intense personal magnetism.

Both parts start off casually and then, as the plot developes, the intensity gets going and we are back again into that broad sweep of his acting talent.

Cheers.

There's many a slip, twix cup and lip.







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It's hard to imagine anybody else but Bogart playing this role, from the Golden Age or today. He was one of the only actors (save maybe Jimmy Stewart--see Vertigo or It's a Wonderful Life) who could go from charming to terrifying in mere seconds.

While I don't deny that Treasure of the Sierra Madre is a terrific Bogart performance, the role of Dix is smaller in scale but just as intense, if not more so, and his character is much more terrifying because he's so much closer to home than Dobbs is; we've probably known a real-life Dix in our lifetime. And because the role is closer reality, Bogart makes it more personal; you feel as though Bogart were somehow channeling his own anger into the role.

Many have commented that it's his transformation from a decent guy to a gold-thirsty monster that's brilliant about his performance in Treasure of the Sierra Madre--I think that Dix is so much harder to pull off because he had to convey both at the same time, at once a man who is violent (one bonus here is that he proves he could be tough and terrifying without ever holding a gun) and troubled but also kind and loving. Bogie had to make us sympathize with Dix throughout, also allowing us to see this inner vulnerability and need to be saved. He did it beautifully, and to me this is his greatest achievement as an actor.

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Comparing this two movies like that is like a parent trying to compare children ... I was happy to find another brilliant Bogart movie, and would not care to compare it or argue it with anyone. They are different, and both wonderful. I have to say I feel for Gloria Grahame, she was great, and as I was looking for her in IMDB I found her in one of my all time favorites, "Chilly Scenes Of Winter" ... she was fantastic, what an actress!

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I will have to agree on Treasure of the Sierra Madre. It has to be his greatest performance. But boy, does he have a gallery of roles that vie for second place. He is consistently excellent and once in a while he is brilliant.

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To add to what you said about Dix's violent roots, we are left in the dark about that. We are only given minor clues from Mel when he says that he's known Dix for 20 years, and how his violence is as much a part of him as the shape of his head. That's actually part of the glory of the movie; there is no flashback to a troubled youth or combat duty. We're left to assume that Dix could've been like this his entire life.

We also see through Bogart's body language how a lot of his violence comes from his own insecurities with people but women in particular--his fumbling hands as he knocks on Laurel's door reveal that underneath, he's really just a sensitive man scared by rejection. But even as he's professing his love for Laurel in the same scene, he has his hands around her neck, a foreshadowing to the climax when Dix nearly strangles her. And in a later scene, Dix and Laurel fight, but it's not violent; it's playful, showing his brief inner peace, which is contradicted with the subsequent lines, as Dix says, "You leave when I tell you to, and not before--remember that." We're able to excuse this line because it doesn't initially appear threatening; we know that Laurel is obviously in love with him and by that point wouldn't leave him. But the line also shows Dix's controlling nature, which is once again stemmed from his insecurities. And it's this insecurity, not to mention Laurel's eventual disturst and guarded demeanor, that shatters his last chance at happiness.

Did he train you? Did he rehearse you? Did he tell you *exactly* what to do, what to say?!

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"It's hard to imagine anybody else but Bogart playing this role, from the Golden Age or today."

Bogart played the role well, considering he was too old & weak looking. Lets face it, Bogie at 50 was not like Burt Lancaster or Charles Bronson were at 50. Also is it beleivable that the young, sexy Gloria Grahame would be drawn to a 50+ year old man who looked even older?

I could imagine Robert Ryan, Robert Mitchum or Kirk Douglas doing this part well and being more beleivable.

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Bogart played the role well, considering he was too old & weak looking. Lets face it, Bogie at 50 was not like Burt Lancaster or Charles Bronson were at 50. Also is it beleivable that the young, sexy Gloria Grahame would be drawn to a 50+ year old man who looked even older?

Is it believable that the young, sexy Lauren Bacall would be drawn to a 50+ year old man who looked even older in real life? Bogart was attractive because of his mystery and his divine coolness, and because underneath the stoicism you could ALWAYS tell he had a heart as big as a house and that he was vulnerable beyond words.

And I already replied to you concerning "recasting" the role with a younger actor.


"Either it's raining or I'm dreaming."
"Maybe it's both."
--Jules and Jim

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Here's a thought, no one ever mentions the haunting score of this classic, and I wonder why not. It certainly would take away enormously from the overall effect, were it not there. Even more, for the final rapturous scene on the moonlit balcony with Laurel voicing the epilogue (I was born when...) while Dix walks away, probably forever, through the darkened courtyard; that, with the music, was the ultimate poignancy.
I'm always reminded by such scenes, of an interview with Miklos Rosza, the classic movie music composer. He said that where the actor or actress is, for whatever reason, unable to say what they are thinking, then the music must say it for them. Gloria may have had her epilogue; but the music said it for Bogie.

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This film and Petrified Forest are some of the best films I have seen Bogey do. He was great!

"Fra-gee-lay. That must be Italian."
"Uh, I think that says FRAGILE, dear."

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I have collected quite a few books of film reviews and it seems to be a common belief amongst critics that this was Bogart's best performance. I don't buy into that. I personally think his performance here does not stand up to what he achieved in The Treasure of the Sierra Madre.

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It's one of his best performances IMHO.

~~~~~
Jim Hutton (1934-79) & Ellery Queen 🎇

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Apart from a clip from 'The Return Of Doctor X' that I have seen, this is the scariest looking Bogart performance that I have witnessed so far. His character really has the look of a sadistic killer in this one.

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