MovieChat Forums > Born Yesterday Discussion > Academy Award Unfair?

Academy Award Unfair?


Don't get me wrong I LOVE Judy here but she performed this role hundreds of times on Broadway and had a chance to get every gesture and voice tone perfect. Bette Davis up against her on All About Eve had to create her role from guts and celluloid on the spot. Another example is Anne Bancroft in The Miracle Worker who perfected her role along with Patty Duke hundreds of times on Broadway and got an Oscar. I love both performances but do not think it is fair. You are getting an Oscar for a role that you already got a 'Tony' for.

reply

I agree with you, in theory, that it's unfair to judge the performance of an actor/actress who has performed a role on stage, repeatedly--against someone who's created their performance specifically for cinema. The thing to remember, though, is that "film acting" is an entirely different exercise--and for an actor to "scale-down" the performance they've given to a live audience--unamplified (atleast back then it was), and aiming for the back row of the top balcony, requires discipline and a knowledge that the "camera sees everything. Compare it to an opera singer switching to singing to a microphone...they need to re-think the whole style. Not all actors are able to re-work their stage performances for the camera. The best example that comes to mind is Nancy Kelly, who repeated her stage performance as 'Christine,' the hysterically histrionic mother of evil little 'Rhoda' in The Bad Seed. Perhaps her "style" worked during her many performances of the role on Broadway--but her film performance was clearly lifted, lock, stock and barrel from the stage, and dropped--unmodulated--to the film's soundstage...and it is LAUGHABLY overwrought, when seen today (yes, I'm aware she was also a film actress prior to The Bad Seed--though one would never know that by watching the film, which many find to be a laugh-out-loud camp classic...mostly owing to Kelly's hilarious, hand-wringing performance). What's more...SHE WAS NOMINATED FOR 'BEST ACTRESS' Oscar for her performance (fortunately, she did not win--Ingrid Bergman won for Anastasia).

reply

Nancy Kelly's performance bordered on Kabuki and was headache-inducing. But on the other hand consider Bette Davis who could be daringly 'overwrought' on film. Her 'Baby Jane' was brave, totally uncompromising 'over the top' characterization. Or take another much maligned film of hers, Beyond the Forest, in which she truly went the limit and didn't give a damn. I think it one of her most interesting and powerful roles and way ahead of her time.

reply

That's so funny...I've always used the term "Kabuki" to describe Nancy Kelly's Bad Seed performance, too! It is as if beamed-in from some alternate universe...and by the time she's face-down on the table, slapping her inverted hand on the tabletop, well...where does one go from there? Sorry to any Nancy fans, but she ain't no Bette Davis...(Bette as Baby Jane was other-worldly in a GOOD way!). Interesting that in late-life interviews, that's the performance that Bette Davis most vehemently said she should have won an Oscar for...and I would have to agree. Which brings us full-circle here...in that she lost THAT Oscar to Anne Bancroft...who won for re-creating her longtime Broadway stage role as "Annie Sullivan" in The Miracle Worker. And the world goes 'round....

reply