Joan miscast


I just saw this movie today for the first time, and although I am a fan of hers, I thougbt Joan Fontaine was miscast in this movie. Her costumes didn't help. She did not come across as a femme fatale; some scenes were cringe worthy and others just totally Twilight Zonish. All things considered, Donna should have laughed at her or just kicked her butt; I don't think in reality the character was strong (or pretty) enough to pull off stealing her guy. Joan's attempt at the evil, triumphant grin made me LOL. Just didn't work IMO. No wonder Carol Burnett had a field day with this.

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I have to agree with you, and I like Joan Fontaine also. Her conniving manipulator here was so see-through, though, that I couldn't believe they didn't just laugh in her face. Her take on evil was just to put a simpering smile on her face and flit her eyes back and forth. And, while attractive (though not the best hairstyle here, to say the least), she wasn't enough of a beauty for you to feel like the men just turned to mush because of her looks. I felt Robert Ryan and Mel Ferrer gave the best performances, with Ryan coming on like a powerhouse at the beginning, then let down by the script as it wore on. A flawed melodrama, but watchable and with interesting touches.

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Aha! I beg to differ. The best description I ever heard of Fontaine was that she achieved a great deal given a limited range. Perhaps it is down to the director, but the very fact that she essentially reprises her performance in Rebecca, every gesture, every intonation but with the audience knowing her wicked motives made me find this extremely creepy!

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The transition from seemingly innocent to femme fatale on Fontaine's part was not too convincing. Made it quite difficult to go along with the narrative in the realms of believability.

"I'd rather be hated for who I am, than loved for who I am not".

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I was intrigued by the notion of Fontaine playing a femme fatale, but she didn't really, it's just that all of her standard moves were in service of malevolent duplicity rather than frail innocence. In this sense, it was still somewhat interesting, like how your perception of the same conversation changes when you know more about the intent behind the words, as in The Conversation.

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Joan's character was a bit much at times. I'm not sure how much of the fault lies with her or the director and dialogue. The true villain in the film was Curtis. Curtis callously rejects his loyal and successful fiance as a gold digger. Then, he immediately marries the penniless, unemployed women his fiance was graciously housing. This guy was truly a low life. Christabel didn't steal Curtis. Donna just wisely let her have him. Christabel was much better a wife than Curtis deserved. Donna can only hope Curtis is a better husband than fiance.

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Curtis may have been pretty callous himself, but he's no Christabel.

Very good. But brick not hit back!

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Unpopular opinion in this thread, so far, but I thought Fontaine was terrific in this role. I was impressed that her character didn't remind me of any of her other characters, including the one she played in Rebecca.



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hka,

I agree, although count me as a huge Joan Fontaine fan.

First of all I have to assume the director wanted her to play the part as she did, and of course in casting her the film's producers were obviously aware of her prior performances, especially in Rebecca. In short I thought it was a conscious decision to play Joan Fontaine as a wicked femme fatale. That being hte case, at least on the level of casting and performance in THIS film, comparisions to her other performances are really beside the point.

In the context of the film itself her performance really worked. Whether she was gorgeous enough to pull any man away from Joan Leslie (an obviously beautiful woman in her own right) has to take into account that the Donna character pretty much gave up the contest. This was in large part because she was disgusted at feeling her fiance was so wrong to let Christabel put the doubts in his mind that he had. Donna felt it was too simple for Christabel to have done so, a reflection on his own insecurities about whether Donna (or any other woman) was really after him only for his money.

Zachary Scott played the part with a subtle insecurity compared to the nearly over the top masculinity and self confidence of Nick. I felt a comparison was involved here in Curtis's mind in part since Curtis knew Donna was "friends" with Nick. That we see nothing going on between Donna and Nick (other than her sitting on his lap!) doesn't mean Curtis would not have wondered why Donna wanted him over Nick - it must have been his money! I think Christabel merely played into Curtis's insecurity. Once Donna saw how easily this was accomplished, she felt the battle was not worth winning, and hence withdrew from the field as it were. No doubt the notion of some sort of prenuptial agreement only made it easier, not that she was in fact a mercenary.

Now the logic of the foregoing does raise a question why Donna would so easily go back to Curtis, but I need to think about that one more. I do think Donna did in fact love Curtis. Perhaps she felt he needed to see that he had in effect been played due to the very insecurity that drove her off, and would learn from that.

As for why Donna preferred Curtis to Nick in the first place, I think Donna did not feel that Nick was attracted enough to her to overcome what she saw in him as too risky a prospect for philandering. Women may find bad boys attractive up to a point. But not past the point where a life of misery seeing him go with other women seems a likely prospect. Hm.

I also liked Mel Ferrer's performance and role here. Robert Ryan, though, took some getting used to, since I can't get his performance as General Turgidson in Doctor Strangelove out of my mind. I suppose it works, but along with a bit of off dialogue, it is the reason I gave it a 9 and not a 10.

Joan Fontaine is lovely and wonderful throughout, but then I do think she was one of the great beauties and actresses of the 20th Century.

As for her character, what makes it largely appealing is we don't really know to what extent Christabel is or is not intentionally wicked, or more to the point when she seems to be, why is she? She takes too great a risk at fooling people when she has, from time to time, encounters that show her she has failed to fool this or that person, to make it seem plausible that such risk-taking is worth the potential rewards.

For example the notion that she was going to be able to run off to spend the afternoon with Nick and get Curtis to believe she had actually been visiting Aunt Clara was extremely risky. So much so as to seem implausible, instead suggesting the decision was impulsive, and motivated by sexual attraction to Nick. Yet at other times Christabel seems quite aware she is playing a game, playing those around her.

My own take is that for some reason she did not know how to play it straight.

In any event, I thoroughly enjoyed this film.

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Very nice post Kenny. I agree with a lot of what you say especially about Christabel's reasons.

Very good. But brick not hit back!

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Robert Ryan didn't play Buck Turgidson mate. That was George C. Scott.

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Yeah, it's an interesting concept to have Fontaine do her trademark meek goody-good performance as a disguise to hide the conniving sociopath underneath, but the problem is, this dark side is hardly ever visible (and when it is, she tends to overplay these wicked little smiles), so what we're pretty much left with, is largely... her trademark meek goody-good performance. Even when she's doing rotten things. Another problem is that Joan Leslie is so luminously beautiful that she makes Fontaine look rather plain in comparison and thusly renders her conquest quite unbelievable. In short, while I don't find Fontaine terribly appealing in her Hitchcock pictures, for instance, it's hard to argue she isn't doing a good job in bringing her characters to life... here, however, I do agree she's miscast. There just don't seem to be enough of that scheming bitch in her.



"facts are stupid things" Ronald Reagan

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Franz,

I know you are not a Joan Fontaine fan in general. I guess it doesn't matter why, but for me your criticisms seem all about your take in what you call her trademark performance that you seem unable to see one performance as diffferent from the next. I have no such problem, and am sorry you have yours.

For others who read this...

It should be obvious that Joan played this part as someone who was not really self aware enough to see herself as a scheming bitch in Franz's terms. Yes she schemed, but without the self knowledge of being such a character, why should she act like one? It instead is entirely apprpopriate that the portrayal would not be one that looks like a conscious schemer.

To be clear I do not mean to say the character is one who does not "plan" to do the bad things she does. She was aware she was playing people at times, but missing was the self awareness as I have described here, and of course add in the occasions where her actions were so impulsive as to belie even schemingin hte first place (such as I noted before in her running off to see Nick near the end instead of visiting her aunt - a real schemer would have realized she was likely to be found out). Instead I mean she does not see herself as a self aware cutthroat type.

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It should be obvious that Joan played this part as someone who was not really self aware enough to see herself as a scheming bitch in Franz's terms. Yes she schemed, but without the self knowledge of being such a character, why should she act like one? It instead is entirely apprpopriate that the portrayal would not be one that looks like a conscious schemer.


I totally agree with this. In fact, I don't agree with those who call Fontaine a femme fatale here. I don't think she fits the mold of a true femme fatale.

Very good. But brick not hit back!

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I always like to catch a Joan Fontaine movie. I am just watching this for the first time. I'm not really convinced by her character here. I prefer her as vulnerable and timid. But at least it's good to see, by this film, that she was given the chance to break away from the type of role that I have always associated with her. Perhaps no femme fatale as you say, but I must say she looks good in this movie.

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You have a point, she probably did want to get away from the "vulnerable and timid". I just wish she had chosen a better movie! But as you indicated, I watched it because she was in it and I like her.

"Only the suppressed word is dangerous"
Ludwig Borne

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by mals2011
ยป Wed Apr 10 2013 16:28:48
IMDb member since May 2011
Post Edited: Wed Apr 10 2013 16:46:40
I just saw this movie today for the first time, and although I am a fan of hers, I thougbt Joan Fontaine was miscast in this movie. Her costumes didn't help. She did not come across as a femme fatale; some scenes were cringe worthy and others just totally Twilight Zonish. All things considered, Donna should have laughed at her or just kicked her butt; I don't think in reality the character was strong (or pretty) enough to pull off stealing her guy. Joan's attempt at the evil, triumphant grin made me LOL. Just didn't work IMO. No wonder Carol Burnett had a field day with this.


Femme Fatale?!! HARDLY! She was so mousy an unattractive. NO WAY multiple men would've lost their heads over her and DEFINITELY not chosen her over Donna.

I still watching but...was her character supposed to be insane? She seems very off kilter to me.

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Shane you nailed it! "Off kilter" is right, and I don't think it was intentional. She was NOT RIGHT lol!

"Only the suppressed word is dangerous"
Ludwig Borne

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I hear you, but she wasn't supposed to be that type femme fatale. She played the Mousey card but was a Black Widow, and I'm sure she wouldn't have been above killing her rich husband, if it were "necessary".

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