Tiomkin Score
Nice, atmospheric score by Dimitri Tiomkin, but the main theme is actually lifted from his own earlier, It's A Wonderful Life. Listen to George/James Stewart rushing from the bridge to home, near the end of the film. Same music.
shareNice, atmospheric score by Dimitri Tiomkin, but the main theme is actually lifted from his own earlier, It's A Wonderful Life. Listen to George/James Stewart rushing from the bridge to home, near the end of the film. Same music.
shareI thought it was tiresome. I was ready to strangle him if he brought in "Ave Maria" one more time...
shareExactly my thoughts. The first time, when we see the clock, I liked it. I think it's a beautiful melody, a bit pensive…but it gradually turns into an annoying advertising jingle each time it plays.
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I noticed that too! They stole the music score from "Wonderful Life"!
shareFor me, the most irritating thing about it was the frequent quotations from the Gregorian Chant from the Requiem Mass (Dies Irae). This had become a cliché after Berlioz used it in the Symphonie Phantastique and to an educated modern audience it grates.
shareI didn't notice it was used that much. In fact, I only remember it as part of the opening credits…and the finale. I've seen the movie 3 or 4 times, and each time the score irritated me less. Go figure.
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He also used movements from Beethoven's sixth and seventh symphonies. I was disappointed that there was so little original material.
shareDo you remember at which points? I remember part of Beethoven's 4th as diegetic music, as part of the newsreel when the train is lifted back on the tracks. Some other parts seem to borrow a little from Verdi's Requiem.
The first time I watched it I got annoyed by the repetitions of the so-called Ave Maria (actually Schubert's melody to Ellen's Third Song by Walter Scott)…but it seems I got desensitized.
Parts that seem to be original material: Nick's theme (the flute), and the dramatic music anticipating Warni's death.
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