Lionel Barrymore's quote


Lionel Barrymore is quoted as having said "This is the age of insincerity. The movies had the misfortune to come along in the twentieth century, and because they appeal to the masses there can be no sincerity in them. Hollywood is tied hand and foot to the demands for artificiality of the masses all over the world."

In "Down To The Sea In Ships," Hollywood pretty much makes an exception to that insincerity. The writers, director, and actors all come together to make one of the most sincere and humbling stories ever seen on the cinematic screen.

This is a story to love the way Jed Joy loves his grandfather, Captain Bering Joy.

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Your comments were beautiful and moving!

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lionel evinced hard boiled integrity. this and captains courageous.

wonderful movie making and perfect supporting cast.

dean stockwell a really good actor for many decades. undervalued.

great script. sy bartlett.

i was born 7 weeks before the release of down to the sea.

keep em sailing!!


let's hope more people feel motivated to acknowledge this wonderful piece of 'high seas' tense adventure. let us know how you like it.

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This is a wonderful film, first rate in every department, acting, script, music, direction and photography and certainly one of the best films ever to come from the studios of 20th Century-Fox. Richard Widmark; Lionel Barrymore and Dean Stockwell are a brilliant team in it and it’s a rare example of all the right ingredients coming together at the right time to make a classic film. Dean Stockwell was a really talented American child actor. He was 12 years old when “Down To The Sea In Ships” was filmed in 1948 (it was released in 1949) and he gave a wonderful performance in this beautifully acted and written film about love, friendship and loyalty. It had me in tears before the end, due in no small part to Dean's ability to show real emotion and to cry very convincingly on cue, involving the audience and taking them with him all the way. Not many child actors were in his league. Let's face it, he was brilliant, especially in this picture, which suited him down to the ground and is quite arguably his very best role. Director Henry Hathaway said of Dean's performance in "Down To The Sea In Ships": "He was marvelous...just a great actor...an intense little guy!" A really catchy and effective score by Alfred Newman compliments the film superbly.

However, later on, Dean certainly lost his unique talent that was on display here. He was simply dreadful in his adult roles (compare “Down To The Sea In Ships” with “The Dunwich Horror”, made 22 years later in 1970 and you’ll see what I mean). Whatever he had as a 12 year old, he just didn't have it any more. Dean Stockwell the child actor and Dean Stockwell the adult actor seem to be two different people. In fact, perhaps they are. We do know that after he made his last film in Hollywood in 1950, Dean Stockwell disappeared for six years and reappeared in 1956 to make "Gun For a Coward". His acting style and facial features in that Western bear no resemblance to Dean Stockwell the child star of "Down to the Sea In Ships" made only eight years earlier. There's a bit of a mystery there. I mean, people do change in their looks as they grow older, but not to that extent. For one thing, the eyes are all wrong. I remember once watching "Gun For a Coward" on television with a friend...a film that was made eight years after "Down To The Sea In Ships" and my friend remarked: "That's not Dean Stockwell, is it?" "Well", I replied, "that's what it says on the opening titles". "I don't care what it says on the opening titles", he said, "that's not Dean Stockwell...just some guy using the same name!"

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Stockwell did have one more fantastic performance just one year later, possibly the pinnacle of his career, in the Kipling adventure "Kim" (1950).

Young Stockwell held his own opposite the legendary Errol Flynn playing a James Bond-type child spy assisting the British. And once again, great chemistry between a child actor and a Hollywood veteran!

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Stockwell's performance in MGM's STARS IN MY CROWN (1950) is perhaps not as "showy" as his work in DOWN TO THE SEA IN SHIPS, but there he is equally convincing and moving. I strongly recommend both films to viewers who may appreciate one of them without knowing the other.

Most great films deserve a more appreciative audience than they get.

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