I'm amused at the extremes people are going to, even the OP ("Underrated or
justly dismissed?"). Uh, I don't think the film is often cited for EITHER.
Most reference books (including Leonard Maltin) generally give the film a good,
but not great rating. And that, to me, is what is is! Certainly Minnelli did not
achieve greatness, but it's still a witty, fun ride. And the Cole Porter
score, while not among his greatest, still delivers some nice songs ("Be a Clown"
is a classic; "You Can Do No Wrong" is far from it, a pleasant but instantly
forgettable piece of music. "Mack the Black" is neither great nor terrible).
One things's for sure with me: This is the only Judy Garland movie I can think
of where her co-star's musical numbers outshine hers. On every level, "Nina",
"The Pirate Ballet" and "Be a Clown" with the Nicholous Brothers are superior
to "Mack the Black", "You Can Do No Wrong" and the overrought "Love of my Life."
Garland's best number is the one she shares with Kelly, the reprise on "Be a
Clown."
One final note: I am shocked at those who wish "Voodoo" remained. Why??? Have
you ever heard the prerecording? There is no melody, no sense of lyric. It's
just plain WEIRD.
I also agree that while "Easter Parade" may have been a less ambitious musical,
it is, in balance, a far more successful film. A true classic.
reply
share