Too Much Suspension of Disbelief is Required
I like this film, and I ADORE Paul Henreid. HOWEVER, this film really requires way too much suspension of disbelief.
SPOILERS!!!!!!!
1. How can Muller pull off Dr. Bartok's mannerisms without really knowing him? Everyone who knew the Dr. W/whom Muller now associates (the secretary/girlfruend, the other lady friend he takes to the casino, etc.)...it's too fantastic a feat to pull off mimicking another's life w/out knowing him/her.
2. They looked alike AND had the identitical Austrian accent? Again, major suspension here.
3. What dod he do with the body....just throw it over into the water (this isn't necessarily a plot or suspension of disbelief problem, but, I wish they showed it).
4. Where does he live after he kills the doctor....still where he (Muller) used to live, or at Bartok's house? If the latter, did he manage all his affairs while assuming his identity, with little to no knowledge of him prior?
5. When Miller walked into Evelyn's office to get a cancelled check, and she noticed him with it, he just brushed it away after first asking him, "what are you doing with this"? He then changes the subject, and then he takes the check at the end of their meeting. We then see him that night at home looking at it to practice Bartok's signature. Wouldn't Evelyn have noticed the check missing from her file?
On another note, while the look of the film improved a little bit after the whole first segment, when he breaks away from his thug friends, that whole initial segment was SO DARK and sort of grainy eith VERY dimple/cheap-looking sets....the film looks as if it was made in 1932...not 1948!
With all this, I still like the film (it's still on...haven't seen the end yet), and I ADORE Paul Henry.