That was, indeed, Noel Neill running the elevator. As a bit player for Universal when this film was made, she would soon graduate to meatier roles, such as that of Lois Lane in Universal's two Superman serials, as well as playing Miss Lane on TV's Superman, from the 2nd season through to the end of the series' run.
(Phyllis Coates played Lois during the first season of Superman on television).
I'm actually writing to chime in about those magnificent set designs of "The Big Clock." The offices, the homes, and yes-- even the public spaces (like the lobbies) were breathtaking. --They were keeping in line with, and provided the perfect backgrounds for, the breathtaking performances by Charles Laughton, George Macready, Milland, Morgan, and the others.
This is grade-A, suspenseful, "edge-of-your-seat" film-making; ...no doubt about it.
I felt that way when I first saw it, decades ago, --then again when the VHS became available. Also, when TCM began screening it, and when I watched the DVD again, just earlier today. "The Big Clock" is a carefully crafted tale of nail-biting tension, and in many regards, a one-of-a-kind film.
....and, yes, --I am aware of the many remakes-- Still, none have the sharply noirish, yet chillingly surreal, atmosphere we see in this film.
--D.--
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jobseeker95479
12 years ago
Ï want to add that the director used a lot of long track shots to showcase the set design of the movie. Notice the opening sequence where it shot from the exterior of the building then into the floor and followed George into clock room, all in one take with no cut just to utilize the magnificent set
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Peterlh
8 years ago
I am a sucker for long takes and tracking shots, this movie didn't disappoint in that department!
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