Here's a segment of the other post that sums up how I feel about it:
Lana Turner...captured Marianne's pragmatic, incisive, ambitious nature which veils a deep-seeded vulnerability and need to be loved. And Donna Reed...did well with Marguerite, who is sweet-tempered, feminine and agreeable but not as intellectually captivating as her sister. Marguerite is more like William. They are both indolent, romantic and playful. But Marianne has the drive, savvy and fortitude to face life with him in New Zealand and make him the great man he has the potential to be.
Basically, he might have been happier with Marguerite, but not as successful...and as we all know, the romantic attachments of youth often don't hold up well against rising and falling fortunes. William had made a moderate success of himself before sending for her, but when disaster struck, she would have lacked the mettle to pull them out of the hole and make them rise to even greater heights, and they'd probably find themselves happy, but impoverished, hanging on the coattails of Tai for their crust of bread. Marguerite does have the spiritual gumption to pull herself out of an emotional crisis and find her path to God, but Marianne has the practical gumption in takes to make a success out of life in the back blocks. It was in the nature of William and Marguerite's love to indulge each other at the expense of character, but Marguerite was willing to sacrifice the man as he was and mold his character into what she thinks he should be. Ultimately, he realizes that the person Marianne created from him was the person he wanted to be, and is grateful and sincerely in love with her. Likewise, she has learned to be softer and more yielding, and not let her pride and ambition destroy the more tender things in life (In the movie, this is evidenced by their conversation in the Maori hut after their capture).
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