MovieChat Forums > Brute Force Discussion > Censored from the script.

Censored from the script.


It's hard to believe given this film feels so brutal and ahead-of-its-time, but producer Mark Hellinger considered the finished product a much watered-down version of his original vision.

This letter is from Motion Picture Academy Production Code Office member Joseph Breen to Hellinger (dated December 27, 1946):

Dear Mr. Hellinger:

We have read the script for your proposed picture Brute Force and are happy to report that the basic story seems to meet the requirements of the Production Code.

However, we wish to urge upon you the necessity of exercising all possible care in the shooting of a story of this kind, to avoid the danger of possible rejection at the hands of political censor boards. Stories of prison breaks have, in the past, met with an unfavorable reception in many territories, and we think you should be advised of this in advance.

Going through the script in detail, we call your attention to the following minor items:

Page 13: As discussed in our conference today, we understsand that you will omit all references to dope now present in the script. Specifically we call your attention to this page and also pages 18 and 55.

Page 33: At the outset, we direct your attention to the need for the greatest possible care in the selection and photographing of the costumes and dresses for your women. The Production Code makes it mandatory that the intimate parts of the body--specifically, the breasts of women--be fully covered at all times. Any compromise with this regulation will compel us to withhold approval of your picture.

Page 43: Please omit the exclamation "For God's sake."

Page 65: As discussed today, we understand you will omit this action of the guards clubbing the prisoner after he has surrendered.

Page 83: We understand that you intend to omit this action of Munsey kicking the doctor in the face.

Page 94: We understand you will omit the line "Hi octane gas."

Page 101: As discussed, this scene of the clubbing of Louie by Munsey will be done largely by suggestion, and every effort will be made to avoid any undue emphasis on brutality.

Page 102: We understand that the reaction of these guards will be one of disgust with what is going on in the other room.

Page 120: We understand that this detailed showing of men lighting the fuses with their cigarettes will be omitted entirely, or at least kept down to one scene.

Page 121: Please omit the exclamation "For God's sake."

Page 126: Here and throughout the picture, please bear in mind the clause in the Code which forbids the showing of policemen, guards, etc., dying at the hands of criminals.

You understand, of course, that our final judgement will be based upon the finished picture.

Cordially yours,
Joseph I. Breen.


Regarding the note on Page 33, I assume Breen is referring to low-cut dresses? I didn't know they weren't allowed, but now that I think on it, I can't remember exactly the earliest film I saw them in.

Also, what's this about "Hi octane gas"?

SYSTEM FAILURE. SYSTEM FAILURE. SYSTEM FAILURE. SYSTEM FAILURE. SYSTEM FAILURE.

reply

Hi Octane Gas must be a reference to drugs of some sort? Non Lo So. Ma, I think that the scene with what is "disgusted by what is going on in the other room" is a Homo-erotic reference...?

reply

No, that is a reference to the scene where the prisoner is tortured by Munsey for information. I imagine the script originally had the guards listening to the torture dispassionately, ignoring it, like any prison guard would - but this was deemed too harsh and incendiary a criticism of America's prison system...so the film had to imply Munsey was just a bad apple in a cart of fresh ones by having the guards react with disgust to the torture.

I mean, we also learn the script originally had prison guards beating a prisoner after he had already surrendered! So the original script had a much harsher portrayal of the entire prison system, rather than just one nasty warden in Munsey.

SYSTEM FAILURE. SYSTEM FAILURE. SYSTEM FAILURE. SYSTEM FAILURE. SYSTEM FAILURE.

reply

The "Page 33" reference was likely backwash from the waves made by Howard Hughes' use of Jane Russell (or, parts thereof) in "The Outlaw".

What I had in mind was boxing the compass.

reply

[deleted]

Strangely, not even the slightest mention of sodomy or homosexual behavior.

reply

The film basically draws crippling fire from two opposite ends - on one side, The Code requirements demanding serious diluting of the rougher elements of prison reality as well as the inclusion of the terribly heavy handed concluding words that remind that it is futile for anyone to try escaping as "no one has ever succeeded". And on the other side though, the inmates - especially in Lancaster´s cell - are mostly a rather soulful bunch, all caught in the act while trying to pull their sh-t for more or less noble reasons, trying to protect/help/please their loved ones. I understand the need to make the central characters at least somewhat sympathetic, but this was too much.

Other than that it´s a finely made film though with generally well observed characters, largely impeccable acting and a climax surprisingly ferocious for a movie released in 1947. Like all Dassin´s Hollywood movies I´ve seen, it´d fall somewhere at 7-7,5/10 ratings wise.



"facts are stupid things" - Ronald Reagan

reply

concluding words that remind that it is futile for anyone to try escaping as "no one has ever succeeded"
But equally no one escapes and the way the doctor says the lines, from issnide cell R18, seems to suggest that criminals, guards and staff are all captives of a system built around brute force. I think the message has more edges to it. By and large I agree with your comments and yet in spite of them the film was compelling nonetheless.
The distance is nothing. The first step is the hardest.

reply

Thanks for posting this. Much of its seems anachronistic now and I laugh at the problems with the phrase 'For God's sake'! Re the change on page 101: I think this does the film a favour. We don't need to see Munsey's brutality firsthand to know it exists and the way that he plays mind games with some of the prisoners is the best indication of his person. It's a pity that some things were omitted, e.g. drug references/use, but then it was 1947 so ...

The distance is nothing. The first step is the hardest.

reply

As if people didn't know about drugs, beating, and swearing! It's unbelievable to read those censorship notes today. Hume Cronin gave a great performance, and I saw repressed homosexuality there. As I'm sure has been mentioned here many times.

reply