Jane Wyman


One of the trivia statements says Jane Wyman's daughter didn't speak to her for two weeks after she saw the film. Does anyone know more about this? How old was her daughter at the time?

Thanks

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I just read that now!

I HATED Jane Wyman in that movie for being such a cold-hearted conceited b**ch! (And for what she did to poor Flag.) But than I learned years later that pioneer woman were often very cold and unemotional because that was a reflection of the times. Women did domestic duties expected at the time and did not become emotionally involved with their families.

With this knowledge, it made me understand Mrs. Baxter's character much better. If Jane's realism of being cold-hearted was intended, it was certainly represented in this film, and deserving of an Oscar.

Joe

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She was cold to everyone because she had buried 3 children already, and she was consumed by grief and bitterness.
Peck understands what she has been through completely and gently tells her not to be afraid to love Jody, who reassures his mother that he is past the age for dying (since many children of the era died in infancy).
I have a lot of sympathy for her - she probably was a soft-hearted woman underneath who was tormented by her children's deaths and lived in terror of more losses. That's why she puts on a "tough" act - she is desperately steeling herself against more pain. She comes apart when Peck gets snake-bit - and cries when he recovers because she's so relieved. She'd thought she'd lost him and she knew she could not continue after such a loss.

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Very well said! An interesting side note: In the early TV showings of this film, prior to the inception of Turner Classic Movies (TCM), it was edited to fit into a two-hour time slot with commercials. This resulted in cutting about a half hour out of the movie. This same abbreviated print was shown at theatrical children's matinee performances. Missing was the family trip to town, but more importantly the sequence that showed the grave markers for the three children that had died, and the conversation Penny has with Jody about his mother. This was totally unfair to Wyman's performance as there's no explanation for her coldness and bitterness. Thanks to TCM the film is now always shown in its 129-minute entirety, justifying Wyman's Oscar-nominated performance.

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SO glad for this thread.
I am amazed that people are judging her character in a two dimensional soap opera way.
Is it because people cannot work out subtleties in story and acting of yesteryear?
I always remind my self that there are few scenes in films made then that are superfluous to the plot or character back story.
Probably needs re viewing by those who WANT to get more out of this beautifully filmed tale.

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I am more amused than amazed. But we have to remember that people of all ages and experiences post here, and I am so glad that some of our younger comrades in cinema do watch and enjoy older films. With a few exceptions, newer films are not as deep and rich and thoughtful. Most newer films are so one dimensional.

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She was outstanding.

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I think she was very good, but I don't think the film's producers did her any favours in not providing her character with a little more back story onscreen to flesh out Orry.

She gets nowhere near the screen time of Penny and Jody and is therefore at times left to look a little one dimensional IMO, not always getting the same opportunities as the other two Baxters to show other facets of her personality. In such a long film I think they could have been more generous with potentially the most interesting character in the cast.

I haven't read the novel the film is based on, but I'm sure her backstory is better developed there.

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I like Jane Wyman in most everything she's done, but this part was played to perfection. I loved the way her inner kindness would begin to show before she realized herself and snapped right back into her cold and detatched manner. This is especially evident in the scene when Penny brings back to yard goods from the store and pretends to be angry at the expense.

Jody looks like Becky from 'Roseanne"

"What do you want me to do, draw a picture? Spell it out!"

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Jane Wyman's character is cold and distant but there is a reason why. The loss of 3 children must be something unbearable. I am sure she loved Jody but didn't like to show it because she was afraid of losing him as well. I empathise with her, just as Pa Baxter did.

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I think that's kind of a teaser... Jane was married to Ronald Reagan at the time this movie was made, and their daughter Maureen was about 5. She might have been upset with her mother for shooting a deer! A 5-year-old would have thought that way.

In the book, which is even sadder than the movie, Ma Baxter lost SIX children before Jody came along. I think it may be Wyman's best work because she has to play someone who is just a mass of pain and fear (of losing Penny or Jody) and she does it beautifully. My heart just aches for her.

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Very true, one has to really look into the life of this woman to understand her and people today usually don't bother to get too wrapped up into movie characters to see beyond the surface. This is one of Jane Wyman's two or three best performances and she's wonderful in many films. She was nominated for Best Actress for this film - the first of four nominations (she won in 1948 for JOHNNY BELINDA, a film I think most fans of THE YEARLING would also love.)

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I read somewhere that Jane Wyman was filming another movie at the same time she was filming "The Yealing". In the other movie, she played a sophisticated, contemporary woman. She said it was difficult going back and forth between the two characters. Knowing how hard it was for her, makes you apprciate her performance in "The Yearling" even more.

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I think Jane Wyman should have won the Best Actress Oscar in 1946 because her work here is so sensational, much more complex than Olivia De Havilland's soap opera turn in TO EACH HIS OWN. I feel THE YEARLING is one of the five or ten greatest movies of the 1940's.

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I read somewhere that Jane Wyman was filming another movie at the same time she was filming "The Yealing". In the other movie, she played a sophisticated, contemporary woman. She said it was difficult going back and forth between the two characters. Knowing how hard it was for her, makes you apprciate her performance in "The Yearling" even more.


I believe she was filming Night and Day around the same time (she kept her blonde hair color for that movie too) which is the total opposite of The Yearling.

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True. I was a five-year-old child when "Gone with the Wind" was rereleased in 1967*. My mom went to see it in the theater and described the story. The only thing which made any impression whatsoever was Rhett Butler shooting Bonnie's pony. I was incensed and indignant that a grown man would shoot a perfectly good innocent little pony just because a stupid kid got herself killed taking it over a jump too high for its dear little legs. Of course when I got around to reading the book 12 years later this was put more into perspective. (In both book and movie we don't see the pony shot but only Mammy describing it to Melanie Wilkes.)

I don't know much about the Reagan family, but Maureen seems like a very good person. She was the only one of Ronald Reagan's children to bother to learn how to deal with him during his severe dementia. She warned the others to approach him carefully so as not to startle him but they didn't listen and would barge right in and scare the utter crap out of him, which upset her.

*Why? Wouldn't it have been released between 1961-1965 for the Civil War centennial or 1969 for the 30th anniversary of the film?

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