Sour Critics

Just belatedly read the 2007 comments from writers reign. Very sour I say. You dislike two instances of the hero and heroine escaping (off screen) from tight corners. So what? Both escapes were possible. In the first they blow up the train in a tunnel, presumably injuring or killing most of their potential pursuers, and then shoot the guard at the tunnel exit. In the second case, the gestapo are chasing them in the middle of the night and in the middle of the countryside i.e. it was pitch black, and so escape was entirely posible. What does writers reign want? Every piece of action and every scene to follow on seamlessly from the previous one? Sounds like a prescription for a tedious 4 hour film to me.

Regards - Bernie