Moving, If a Bit Clumsy, Adaptation of Betty Smith Classic

Possibly only a director with an eye for gritty reality like the great Elia Kazan could come up with a successful adaptation of Betty Smith's classic novel. With the help of screen writers Tess Slesinger and Frank Davis, with some additional dialogue by Anita Loos (uncredited), Kazan manages to capture the atmosphere of the time and the place; he also demonstrates his considerable skill with characterization. The result is a movie that in spite of considerable flaws has the same raw emotional power that has made the book such an essential.

The setting is the Williamsburg section of Brooklyn around the turn of the Twentieth Century. The original novel covered a period of about ten years in the lives of the Nolan family, which is the movie's first major gaffe: in having Peggy Ann Garner and Ted Donaldson play Francie and Neeley Nolan for the duration of the picture, he suspends the story in time and thus makes for a rather confusing adaptation of a book that spanned a decade and was about a young girl's coming of age.

Be that as it may, Peggy Ann Garner is luminous as Francie; Oscar-winner James Dunn turns in solid support as her beloved father Johnny, and Dorothy McGuire, a brilliant actress who never really received her due in Hollywood, is sensational as matriarch Katie Nolan, a woman who marries a man she is madly in love with only to discover he is a no-good drunk. He is not abusive or anything like that, it's just that married to Johnny, the twin burdens of the household duties and earning enough money to live on fall on Katie's shoulders.

This is a beautiful film. As an adaptation of the novel it fails in some key points (read it and you'll see), but overall it is a fine and moving piece of cinematic art, well-deserving of its status as an American classic.



Never mess with a middle-aged, Bipolar queen with AIDS and an attitude problem!
roflol ><