Thanks for your reply, which I only just found. So nice to interact with people who appreciate the wonder of good musical theater, and music generally. Of course you're right that "You Are Beautiful" is not a waltz, and thanks for correcting that. Hampered by a lack of formal music training, I was misled by the fact that one could dance a slow waltz to that song.
Anyway, having finally heard the entire (I think) score to CAROUSEL, thanks to the recent PBS-NY Philharmonic broadcast, now I'm torn; they even made sort of a case for "Clambake," which I've always hated. I have to find someone from whom I can get a recording of that broadcast, which I watched and listened to numerous times on PBS.org, while it was available. Though it had some problems, it was mostly glorious, and made me realize I had never heard the score properly. So I love it so much more now.
Re. FLOWER DRUM songs, for me, "Fan Tan Fannie" and "Gliding Through My Memories" are meant to be corny, hokey, even a little sleazy, while giving silly fun, so I kind of set them aside, as fulfilling their function. Especially in the revisal version of the show, I really like "Like a God," which has a wonderful, exuberant, soaring spirit. In the movie (the only version I've seen of the original, given the rarity of productions), I don't feel it's placed very well; we don't have much investment yet in the character, or in what he's singing about. In the revisal, it's a great emotional climax, break-through and turning point, and makes the audience (well, me, and other folks I've talked to about it) feel joyful for Wang Ta.
I find "I Am Going To Like It Here" a very beautiful song, and kind of perfect for the character. She's speaking her thoughts in her simple English, as they occur to her, one idea leading to the next, more wonderful one, and then circling back, her thoughts racing around. It progresses musically and lyrically, tentatively, but with quiet, increasing excitement, leading to her bold yet humble resolution. Then (at least on the first OBCR), it floats out on wistful, limpid waves of music--I love that ending.
So, I care too much about this stuff, I know. Can't help it.
Multiplex: 100+ shows a day, NONE worth watching. John Sayles' latest: NO distribution. SAD.
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